Why Is Wong Kar Wai Important In Hong Kong Film
Wong Kar-Wai, a world well known Hong Kong filmmaker, started his career as a screenwriter after graduated from a training course of TVB. Under the support of producer, Alan Tang, he had first being the director of a film, As Tears Go By, in 1988. This film brought him the first nomination of Best Director in the 8th Hong Kong Film Awards and also the 25th Golden Horse Awards. The film was selected to be screened during Director’s Fortnight of the 1989 Cannes Film Festival. This was the first time he went into the international arena. His outstanding film style won attentions from normal audience and also professionals in film industries, and then Days of Being Wild(1990) brought him his first Best Director Award in the 10th Hong Kong Film …show more content…
For the mainstream of Hong Kong movies, their plots were easy to understand, audiences did not need to pay so much attention on every shot to understand what was going on. Most of them were going to cinema for entertaining but not studying. Tsui, Curtis K.(1995) had some complaints on Wong’s style. …it has even been accused—as if this were a damning trait—of being ‘European’ in his aesthetic. It’s an odd statement to be sure; the complaint seems to imply that, because his style is unconventional (in relation to most Hong Kong cinema), he is to be immediately disregarded as a director of ‘Hong Kong films,’ and that one must immediately equate ‘European’ and ‘arthouse film’ as synonymous terminology (P.93).
Tsui’ Tsui’s own placement of Wong’s films is unequivocal. [T]he fact is that Wong is one of the most distinctly “Chinese” of the Hong Kong directors working today, both in his aesthetic and in his narrative/thematic concerns. He often combines with Western filmmaking techniques various formal elements that are similar to those found in classical Taoist scrill painting: a monochromatic palette, a stressing of the work’s location/setting, multifocal perspectives for the observer, and imagistic representation and emotionally expressice visuals rather than directly-started narratives and characterizations.
Spike Lee's Auteur Theory
416 Words | 2 PagesAuteur theory is an important mode of film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background and distinguishable personality have contributed to his technical skills as well as to his unique style as a film director. The particular chapter will also include the synopsis as well as the technical analysis of each film correspondingly.
Bringing Down The House Analysis
807 Words | 4 PagesHis background alone, lends to his directing style in that he has history as a dancer, actor and choreographer. This is seen in his work by the exact placement of the characters and the exact movements and of course the dancing. In doing some research, his movie Bringing Down the House was a box office hit bringing in $31 million on its opening in theatres.
Film Analysis: The Stories We Tell
115 Words | 1 PagesThroughout “Stories We Tell” there are many questions and uncertainties pertaining the truth behind Sarah Polley’s biological father, and the affairs that her mother Diane may have been involved in. As we get deeper in the story we found out there have been multiple accusations of Diane being with other guys during her unfaithful marriage with Michael. The real question is who is the creator of this documentaries, Sarah Polley’s, biological father and why did Diane hide such a colossal secret from her family? From the dinner table jokes of Sarah being adopted, to the friends views of Diane 's affairs, there should have been more certainty from an earlier time to who her father
Devils On The Doorstep Analysis
1003 Words | 5 PagesThe Chinese film Devils on the Doorstep directed by Jiang Wen is a quintessential example of postmodern humor and the use of satire to point out political issue. Wen essentially takes the traumatic events of WWII between Japan and China and turns them into dark jokes. The film seems to propagate stereotypes throughout the film like Chinese referring to Japanese as devils and saying that they sound angry all the time and Japanese people referring to Chinese as simpletons. However, it then downplays Chinese, Japanese social tension in scenes like the interrogation of Dong and Hanaya take tragic events like Japanese killing and
The Wedding Banquet Analysis
724 Words | 3 PagesA right mixture of elements both from Taiwanese and American perspectives is one of the reasons contributing to the great success of The Wedding Banquet, like what the director Ang Lee always jokes that his filmmaking style is ‘Yasujiro Ozu meets Billy Wilder.’ The movie is neither purely Asian American nor purely Chinese but is a hybrid movie that serves to connect the two cinemas. Different from regular Hollywood film, The Wedding Banquet is uniquely featured with Taiwanese characteristics. It is produced in Taiwan, starring the Taiwanese actor Sihung Lung, who is the father of Wai Tung and showing the Confucian family facing different challenges. The Wedding Banquet forms what has been called Lee 's "Father Knows Best" trilogy, on top of Ang Lee’s other two movies: Pushing Hands and and Eat Drink Man Woman.
End Of Watch Film Analysis
1438 Words | 6 PagesThroughout the movie “End of Watch” follows along with Officer Brian Taylor (Gyllenhaal) and Officer Mike Zavala (Pena) on their daily patrols in the inner city of Los Angeles. During the course of the movie, there are many things that Officer Taylor and Officer Zavala do that is very common and even accepted among police officers. But, one reoccurring theme is that they use foul language while on duty, act unprofessional, and use excessive force. In addition, Officer Taylor is actively recording his daily activities while on duty with a handheld video camera and lapel body cameras for both himself and Officer Zavala. Even though Officer Taylor was repeatedly told to cease his filming by fellow officers and supervisors he continued his behavior.
In Living Color: Race And American Culture
1000 Words | 4 PagesWhile many Asian, Hispanic, and Black people tried hard to make their dream of acting become true, racial stereotypes always are the barriers that inhibit their future in the movie industry. Thus, directors are the only ones who can make that change. Some directors said that they just do their job which follows the audience interest. However, according to the documentary film "Yellow Face”, producers did a survey on a lot of American audiences about casting Asian actors to the movie that based on other cultures. The majority prefers using Asian cast because they can perform the original culture realistically.
Essay On Film Noir
935 Words | 4 PagesEvery now and then the art world is struck by a wave of change that leaves a strong impression, which can last for a long time. Visual arts saw the rise of impressionism and cubism, surrealism and realism took literature to an opposite direction, and film has evolved over the years through cultural and artistic development such as expressionism, auteurism and film noir (House, p.61). The 1940s and post World War II gave rise to a new style of American film, these films appeared pessimistic and dark in mood, theme, and subject. The world created within these films were portrayed as corrupt, hopeless, lacked human sympathy, and “a world where women with a past and men with no future spent eternal nights in one-room walk-ups surrounded by the
Dichotomy In Korean Films
1831 Words | 8 PagesEALC 125 Midterm According to Kyung Hyun Kim, what is the role of “landscapes” in Korean films of the 1990s and 2000s? Choose one of the Korean films we’ve watched so far (Chihwaseon, Shadows in the Palace, or The Handmaiden) and discuss how the film does or does not fit the pattern described by Kim. In chapter one of Virtual Hallyu:Korean Cinema of the Global Era, Kyung Hyun Kim tackles the dynamic role of “landscapes” in Korean films, and he defines the dichotomy that exists between certain films of the time period.
Essay On Spike Lee
581 Words | 3 PagesEven though the textbook Cinema of Outsiders says “Spike Lee has made only two indies”, his contribution to black filmmaking
Goodnight And Good Luck Film Analysis
794 Words | 4 PagesThe film one has chosen to review and analyse is George Clooney's “Goodnight and Good Luck”. It is set in America in the 1950's, a full decade after World War II ended, a period of economic growth and recovery after the Great Depression. It was a time of revolution in terms of social, economic and cultural advancement. Having said that, it was also a period of political turmoil, paranoia and intimidation under Senator Joseph McCarthy. This movie explores the way journalist Edward Murrow used his position to expose McCarthy and his abuse of power.
Wizard Of Oz Genre Analysis
2800 Words | 12 PagesOver the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
John Berger's 'Ev' Ry Time We Say Goodbye
1624 Words | 7 PagesI have always viewed movies as mood boosters. Whenever I watch a movie, I judge how good it is according to how well I understand the story. This is why I never truly understand how critics rate movies. However, upon reading John Berger’s “Ev’ry Time We Say Goodbye”, I start to understand how paying attention to the different components of a film helps in understanding the essence of a story. As Berger once said, “There is no film that does not partake of dream.
Intercultural Communication In Rush Hour
1081 Words | 5 PagesChinese people are well-known for being disciplined, aware of where they are in the hierarchy and are very sensitive to it. According to Hofstede’s power distance index, China scores 80 and the United States scores 40, indicating the low power distance and high power distance. In conclusion, through the film Rush Hour, we are likely to understand more about cultural concepts. As Champoux(1990) observed: “ inexperienced students will be likely benefit from the use of film because of a greater feeling of reality”.
Importance Of Auteur Theory
2424 Words | 10 PagesThroughout the years, the auteur theory slowly ensconced itself as an essential key to film analysis, providing a specific guideline to evaluate a director’s film. One of the most
More about Why Is Wong Kar Wai Important In Hong Kong Film
Spike Lee's Auteur Theory
416 Words | 2 PagesBringing Down The House Analysis
807 Words | 4 PagesFilm Analysis: The Stories We Tell
115 Words | 1 PagesDevils On The Doorstep Analysis
1003 Words | 5 PagesThe Wedding Banquet Analysis
724 Words | 3 PagesEnd Of Watch Film Analysis
1438 Words | 6 PagesIn Living Color: Race And American Culture
1000 Words | 4 PagesEssay On Film Noir
935 Words | 4 PagesDichotomy In Korean Films
1831 Words | 8 PagesEssay On Spike Lee
581 Words | 3 PagesGoodnight And Good Luck Film Analysis
794 Words | 4 PagesWizard Of Oz Genre Analysis
2800 Words | 12 PagesJohn Berger's 'Ev' Ry Time We Say Goodbye
1624 Words | 7 PagesIntercultural Communication In Rush Hour
1081 Words | 5 PagesImportance Of Auteur Theory
2424 Words | 10 Pages