Feste Essays

Night; Or What You Will, Feste fills this role. Throughout the play, Feste’s jokes ease tense situations and his actions towards other characters are great ways to keep the audience entertained. To call him a fool is ironic, as he is quite the opposite. Feste’s character functions not just as a jester, but as a character who speaks his mind freely– often pointing out the foolishness in other characters, as well as their situations. When we are first introduced to Feste in Act

In William Shakespeare's play "Twelfth Night," the character of Feste the clown is a crucial figure who challenges the power dynamics between characters of different social classes. Feste's line "Good madonna, give me leave to prove you a fool" highlights the theme of authority in the play and speaks to the role of the fool or jester in Renaissance society. The use of "Good madonna" by Feste in this line of dialogue is significant because it demonstrates Feste's respect for Olivia's authority. During

The common definition of the word fool is “ A silly person or simpleton who is deficient in judgment or sense or acts or behaves stupidly” (“Fool,” Oxford English Dictionary). When mentioning to a natural or born mental disability specifically, it means “a weak-minded or idiotic person who is deficient in, or destitute of, reason or intellect” (OED). It is also defined as “A dupe who is made to appear a fool or is imposed on by others”(OED). Additionally, it indicated “a jester or clown who professionally

Alex Galt Professor Whalen British Literature 4 March 2018 The Dramatic Irony in the Twelfth Night Dramatic Irony is a critical component of writing. The best possible utilization of dramatic irony allows an audience to have a facilitated comprehension of characters, by allowing the audience to know things that the characters in the writing don't have the foggiest idea. At the point when utilized appropriately, this learning is utilized to create feelings of humour and tension for the audience. Dramatic

Despite popular opinion, love at first sight does not exist. The idea of “love” is widely misinterpreted as a mere attraction between two individuals. However, many do not understand that love goes much further than this, and what follows is a common misconception between love and lust. Shakespeare in his 17th century play Twelfth Night delves deeper into this idea of love. He presents the character Duke Orsino who appear to be infatuated and love-sick for the Countess Olivia, a woman with which

Violence is caused by power. This epic theatre deals with politics and social issues in very dark times were every king has their own method to become successful. Although the consequences that comes with it, kings avoid failure by choosing methods that can lead to unethical behavior. A king that is considered to be successful is achieving the title at the expense of somebody else. What causes a king in to considering violence? First, I believe that the fear of failure make kings to consider violence

Classics 101 Kristen Brenda Walker Friday 8.40 g15w1964 Due: 08 April 2016 Tom Dichmont The Odyssey Discuss the subject of sexual fidelity/infidelity as it occurs in Homer’s Odyssey, using examples from the text. (Refer to several relationships in your answer.) Introduction In the Odyssey by Homer the famous Epic poet, sexual fidelity as well as sexual infidelity are recurring themes throughout his work. There are a significant amount of relationships that express this theme

Giuseppe Villani Mr. Winn English 10H Jan 9, 2023 The use of Schadenfreude in William Shakespeare’s “Twelfth Night” Schadenfreude is a term to define the scientific dark side of human beings. It is defined as “pleasure derived by someone from another person's misfortune” (Oxford). In twelfth night, this psychological circumstance appears in multiple areas where foolery is present, making the whole play an overall better comedic experience. Twelfth Night displays the themes that those who are

FOOL THAN A FOOLISH WIT A CRITICAL EXPLORATION OF FESTE In the view of many who have read and/or watched the play “TWELFTH NIGHT” by Shakespeare Feste is indeed the wittiest, most influential, diverse and misunderstood character in the play. Feste is first portrayed as a fool in both dress and attitude, however, we later discover that he is the wisest man of the lot and foolishness is only his guise. Far from being just a fool, Feste implores the use of erudite English and discernment and

Furthermore, Harold Bloom describes Feste as a “reluctant jester”. "He carries his exhaustion with verve and wit, and always with the air of knowing all there is to know…with a sweet melancholy." This is reinforced in Act 5, scene 1 during an interaction between Duke (Orsino) and Feste: Duke Belong you to the Lady Olivia, friends? Clown Ay Sir: we are some of her trappings. Duke I know thee well. How dost thou, my good fellow? Clown Truly, sir, the better for my foes, and the worse for my friends

For example, Feste says to Olivia, “I wear not motley in my brain.” (i.v.54-55). So although he may dress like a fool he does not have the intelligence of a fool and therefore should not be seen as someone who is dull. Feste is cautioning against making connections between what can be seen and what cannot, the actions and appearance of Feste do not shed light on his sanity as they are mutually exclusive. He later addresses this

deception at this point in the play. Feste’s role as Sir Topas serves as a form of both disguise and deception; Feste presents his role as the religious priest who has come to help Malvolio cure his supposed madness without Malvolio himself figuring out it’s actually Feste in disguise, initiating the role reversal aspect of this scene. Firstly, this is shown through their conversation with Feste as Sir Topas shouting concendencing insults of ‘hyperbolic fiend’ and ‘dishonest Satan’ towards Malvolio who

Enter Sir Toby, Feste, and Sir Andrew, all holding the tied up Malvolio. They appear to be walking with direction towards something. Malvolio: Release your grip, you drunken fools! Sir Toby: Not until thou art proven. Malvolio: Sane? My mind hath no Egyptian fog! For I am more sane than the rest of you, all mine eyes do see is deranged daws next to me! Feste: Perhaps it be true the ones who art crazy compose the most wondrous ideas. Sir Andrew: What wise words those are! Allow me to add those

Throughout the play, Feste the Fool is looked at as a character who receives very little respect, yet is rather smart and witty. On the other hand, Toby is respected for being a noble even though he is much less competent than Feste, and is essentially a drunk. Through this relationship, Shakespeare is relaying the idea that not all people are determined by their class, and

turning point for Malvolio in the play, but also sheds some light on the difference between, madness and sanity. “But as well? Then you are mad indeed, if you be no better in your wit than a Fool.” (IV.II.95-95). This line is ironic, as not only does Feste say that by being

Curio apologizes to the Duke that Feste was not there to sing it, and that he might be over at Olivia’s because he used to work for her dad. The duke begins to give Viola some advice about love. He assumes that “Cesario” is in love, and he admits that he indeed is in love with someone about the same age as the duke. Orsino then assumes that he is love with an older women, and that is not a very good idea because women age very quickly. Feste enters and sings the Duke and song, after he

their mindset on important issues in the play. In chronological order, Viola disguising herself as a man, and deceiving everyone she meets. Maria, Sir Toby, Sir Andrew, and Fabian trick Malvolio into thinking Lady Olivia has fallen in love with him. Feste makes Malvolio think he is talking to a man named Sir Topas in the dark chamber with him. These are all crucial examples of how deception varies the mindset and views of the characters. The first example of deception in the play is Viola disguising

This allows Viola, Maria, and Feste to, in a sense, become figures of virtues and do what they can to pull the others away from their excess. Viola calls Olivia out on her self-pity by interrupting her state of mourning by calling her selfish for not sharing her beautiful features with

their social class, just as Malvolio and Feste. While others such as Sir Andrew believed that they could do anything, just because of their social status. Overall, social status played a key role in the development of the characters, while some tried to increase their ranking in society others took advantage of theirs. Feste is a “licensed fool” and works for spare change, and the other characters seem to treat him like servant. This is ironic because, Feste is one of the smarter and wittier characters

Numerous individuals in Twelfth Night expect a mask of some kind. The most evident illustration is Viola, who puts on the attire of a man and makes everybody trust that she is a male. This camouflage causes incredible sexual disarray, as an odd adoration triangle results in which Viola is infatuated with Orsino, who cherishes Olivia—who adores Cesario, the male character that Viola expect. In this manner, by dressing his hero in male pieces of clothing, Shakespeare indicates how pliant and self-preposterous