Monody Essays

Antonio Lucio Vivaldi, an italian composer born in Venice, one of the most renown Baroque composers over in history. Mostly known for his many instrumental concertos composed mainly for the violin. Vivaldi was born on March 4, 1678 to Giovanni Battista Vivaldi and Camilla Calicchio. His father was originally a barber and became a professional violinist. Of the nine children in the family, Vivaldi was the only one who became a musician. Vivaldi was taught the violin by his father. Becoming a priest

attempts to block her from publishing the work. In Monodies Book 1, Guibert explains a time when he wrote a questioning on the story of the creation of the world as in Genesis. He explains how the project became disapproved by his abbot, and how he had to then write in secret. Guibert writes: “As soon as my abbot saw that I was annotating that part of sacred history, he took a less sober view of the project, and sharply warned me to put an end to it (Monodies

In hopes of recreating the ancient Greek music style, they create the monody which consisted of two independent voices. One voice would be singing a melody as an instrument would act as accompaniment. This instrument would most commonly be a harpsichord, organ or lute. The monody is still used in music today. The Camerata disliked polyphony because it distorted the clarity of the text. For similar reasons, counterpoint also

Operas started to come into existence in the late 16th Century. These works are entirely sung, and usually tell a story of some sort. They began in Italy and were put into motion by the Florentine Camerata. One could think of Opera as a rebirth of Greek dramas. Prior to the 16th Century, storytelling was done in various forms of singing and dancing. Operas stemmed from Greek dramas, and were an attempt to recreate it. Almost all of the characters in the early operas were taken from Greek and Roman

During the Medieval time period 11th-13th century, they used the Old and New Testaments. The appearance of the mysteries and Liturgical dramas began through the Church and the community. The Church held power and had say over what was being performed. A popular source for libretti are from Greek mythology. The Ancient Greeks used their myths to tell stories and during the revival of Greek mythology in the 14th -16th century, librettists began to use the myths again. The pastorale used these mythological

two main groups had different ways of being sung or played. Vocal music had the forms or opera which had the three different styles of seria, comique, and ballet. The other forms of vocal music were masque, oratorio, passion, cantata, mass, anthem, monody, chorale, and zarzuela. The different forms of instrumental music would be Chorale composition, Concerto grosso, Fugue, Suite with the different styles of Allemande, Courante, Sarabande, Gigue, Gavotte, and Minuet. The next form would be Sonata with

The Camerata and Peri Names previously mentioned, Jacopo Peri and the Camerata were instrumental in the initial development of the opera and laid down the foundation for the musical vehicle of generations of expression. Jacopo Peri (20 August 1561 – 12 August 1633) was an esteemed court musician and composer from Italy. In musical history he is often cited as the transition composer between the Baroque and Renaissance periods. He is also attributed as the creator of opera. Dafne was composed in

Lycidas includes examples of total, yet glorious, nonsense that enhance the experience of reading the poem. Lycidas is indeed an unusual poem. It is a “monody” in which multiple voices speak; the flower catalogue seems, as do several other passages in the poem, an extravagant digression; the rhyme and meter are irregular. (Womack, Mark). Critics question the coherence of the poem. It does not cohere in

The Constellation of Pegasus The constellation I have picked as my favourite is that of the winged horse Pegasus. The reason I have chosen this constellation is because I think Pegasus is an inspiring creature in many ways. As opposed to many mortals, gods and other creatures in Greek mythology Pegasus seems to be a creature with little flaws. The stars that form the constellation of Pegasus are Alpheratz, Markab, Scheat, Agenib, Enif, Homam, Matar, Baham, Sadalbari, 51 Pegasi and IK Pegasi. In

All the three works of group three extend the novelties of group two. “Ecco mormorar” and “S’andasse Amor” adventure the florid writing in them, while “Memtr’io mirava” shares its move to distant harmonic areas. However, there are two traits that are very difficult to define that unite these madrigals; one is an ability to bring to music the syntactic and meaning organization of text and a structural coherence of a rigor which is unknown to Monteverdi’s earlier works. All the listed characteristics

Dark Romanticism evolves from works of the Romantic Period (1798-1870) with characteristics of horror fiction and death. It is taken as a reaction of the Transcendental Movement, which originated abreast the Romantic Period from 1830 to 1860. Known writers like Edgar Allan Poe, Herman Melville, and Nathaniel Hawthorne found that the ideas displayed in the Transcendental works were idealistic and rose-colored, as a result, they opt to alter these works adding their own element hence this was the birth

Development of music history from Medieval period to Baroque Period Music exists in every known cultural group of the world and it is likely to have existed among the ancient ancestral communities. Music may have started in Africa, having existed for at least 55,000 years before evolving into an essential constituent of human life. Different people have different perspectives towards music. For instance, some may take music as jazz set, an orchestral symphony, an electronic beat or even a simple

Claudio Monteverdi. It was here that Schütz learnt about the new declamatory style that Monteverdi was seen to be pioneering. Schütz had a work of Symphonie Sacrae published in Venice in 1629, which were composed in this new declamatory style called monody. In this we can see the sudden change from Schütz’s original style of composing polychoral works to this new style. Schütz’s Symphonie Sacrae are scored for up to three voices, along with varied parts for winds and string as well as continuo accompaniment

I Dreamed a Dream is a soliloquy piece, sung by Fantine during act one of Les Misérables (1980). Fantine has just been fired from her factory job after it is discovered that she has an illegitimate child and takes to selling herself on the streets to pay for medicine for her daughter. It is here that ‘I Dreamed a Dream,’ is sung as a way of progressing the story and providing a realisation by the character of her unfortunate situation in life with the song being composed as a way of expressing the