The Use and Abuse of Power in Measure for Measure and The Tempest William Shakespeare’s The Tempest and Measure for Measure are similar in that they both raise controversial questions on the theme of power. Shakespeare displays many forms of power in different ways through Prospero in The Tempest and through the Duke in Measure for Measure. These forms of power include the power of compassion, the desire for power amongst men, the power of an authority over his subjects, and the power of magic and
Iago’s role in William Shakespeare’s Othello One of William Shakespeare’s well-known plays is Othello. This play is a tragedy, believed to have been written in 1603. Othello is still regularly performed in expert and group theatre alike, and has been the hotspot for various operatic, film, and scholarly adjustments. The story of the play revolves around its two main characters: Othello, a Moorish general in the Venetian army and his unfaithful ensign, Iago. The play tells how the powerful army
Aristotle proves that his praise towards attributing Sophocles’ Oedipus Rex as the most important tragedies of all time is well-established by the theories laid down in his Poetics. It is still considered to be relevant since it manages to relate to any generation, regardless of age and race, and as it strongly incites sympathy from the audience – in that, we might be too eager to know if he would be at least free from awful misery he had to suffer upon his death, and also, it elicits fear in having
The Root of All Evil People have a tendency to act crazy when power and love do not go their way. Shakespeare’s Othello is a classic tale of jealousy that negatively influences all actions of each character. However, unlike a dramatic chick-flick watched on Friday nights, jealousy acts as an animal that creates racism, distrust, eats away at the identity of characters, and leads to death within the play. Steve Criniti references Caroline Spurgeon in a book written saying, “the animal images found
mind off until he has imagined all the ways he could be injured, and when he looks inside himself, he finds not motiveless malignity but a whirlpool of grievances, beginning with his own unclear feelings.”(Leggett; Love and Faith in “Othello” and “Otello”)Up to this point Cassio has been a trusted friend who even helped Othello win the heart of this sweet wife early on. Cassio played the role of the go between Othello and Desdemona when they had started their love affair. Iago is making sure that
Othello by William Shakespeare, Iago gets the idea in his head, which poisons his mind and leads to his jealousy, eventually cause the death of Roderigo, Desdemona and Othello. Poison is used to damage or kill something. Shakespeare uses poison in Otello to show the reader the progress of the destruction done by Iago’s words and actions. In the beginning of the play, when Iago talks to Roderigo, he explains that he is jealous of Othello, the Moor, gets a higher position than him and choose Cassio
In Shakespeare’s tragic play, Othello, the play centers around the calamitous ruin of the marriage of Othello and Desdemona within Venice, Italy perpetrated by the villainous, vengeful Iago, a malicious man who vows to do anything within his power to destroy Othello’s state of being through psychological tactics of manipulation and dishonesty. Although, Iago was the sole mastermind in orchestrating the plot to bring Othello down, ultimately other characters within the play played a significant factor
as well as their significance in film and fashion history. Romeo and Juliet (1968) is a film produced by Paramount Pictures and directed by Franco Zeffirelli. The costume designer for the film was Danilo Donati, and the hair and makeup artist was Otello Fava. The cast included Leonard Whiting as Romeo, Olivia Hussey as Juliet, Michael York as Tybalt, and John McEnery