Turntablism Essays

I will be studying the influence of Madonna in pop culture, specifically “Like a Virgin” album. I am interested in the topic because I enjoy the music and history behind the music’s evolution in society. The pop music listened to today is incorporated into the mainstream of society, most not knowing the logistics of the industry and the people who really control it. I plan to address the concept that will stereotype within the music today and the stem from the time of America’s establishment. Considering

Hip hop, one of the most influential and globally recognized music genres, has a rich history starting in the Bronx of New York City. But who were the pioneers who gave birth to this revolutionary music style? And did they ever imagine how big hip-hop would turn out, impacting fashion, music, dance and so much more? Nonetheless, let's dive into what made hip-hop, hip-hop. Hip-hop is a subculture that started in the bronx of New York City in early 1970. In the 1970’s many things have happen the

an art to many; however, the gender participation in this art is highly uneven. In the scholarly article, “Men, Women, and Turntables: Gender and the DJ Battle,” Mark Katz tries to explain why there are so few female competitors in the arena of turntablism. Katz’s thesis informs the reader that in the article, he will consider the obstacles that women face, understand why men battle, and how male technophilia has shaped the turntablist landscape; also, he will suggest how current developments may

and does not refer to rap music alone. According to Ahmed (n.d), hip-hop is the overlying culture from which rap music has its roots. By definition, hip-hop as a culture includes other creative elements and cultural nuances such as breakdancing, turntablism/deejaying, beatboxing, and graffiti (Ahmed, n.d). Initially considered a fad encapsulating the playful tendencies of urban African American teens, hip-hop has evolved into a permanent fixture in America’s entertainment landscape. This paper examines

Hip-hop did not become popular outside the African American community until the 1980’s, but by the 2000’s hip-hop was the most listen to musical genre in the world. The hip-hop culture is rooted in four foundational elements: graffiti art (visual), turntablism or DJ’ing (aural), breakdancing (physical), and last but not least rap music (oral). While hip-hop is continually developing, these elements provide coherence to hip-hop culture. In the 1970’s a new music culture emerged from the predominately African

Since the inception of Hip-Hop in the early 1970’s a movement of began in the streets of the Bronx. Hip-Hop culture is composed of 4 pillars which are Graffiti (street art), Bboying (breakdancing), Djing (turntablism), and Mcing (rapping). Since this time it has expanded to include subcultures like as Hip-Hop fashion, and street entrepreneurship. Throughout its history other pillars have emerged, but Mcing (rapping) has always been at the fore front of the culture. Mcing is the rhythmic spoken word

The next reason is that graffiti is a big support to our culture, dating back millions of years. In the text, “Godfather of Graffiti” it states, “The birthplace of hip-hop culture after DJ Kool Herc’s ground breaks turntablism in the Bronx and icon FabFive Freddy combined the elements of graffiti, DJing, rapping and breakdancing in the late 1970s.” Graffiti ties in with our culture because it goes a long way back and it started getting really popular around the 70s. In

Subcultures are values and norms different from those of the majority and are held by a group within a wider society, these social groups are organized around shared interests and practices. A subculture is usually attached to clothes music and other visible fronts within the given community, that is part of the general society. Subcultures contain individuals who think alike who feel like they are not a part of the bigger culture of society and then create a sense of identity for themselves.

Formally, Hip Hop is a subcultural movement that formed during the early 1970s largely by African-American youth residing in South Bronx, New York City. It became popular outside of the African-American community in the late 1980s, and continued on to become the most listened-to musical genre in the world (Chang and Herc 2005). Given Hip Hop’s extensive roots in underground culture, many hip-hop and rap pioneers have denounced the culture’s shift to mainstream, arguing that modern hip-hop artists

The Evolution of DJing In Contemporary Black Urban Music: Exploring It’s Cultural Significance, Technological Advancements, and Artistic Innovations Introduction Urban contemporary music or better known as hip hop or simply urban music is a style of music that falls within radio format music. Radio format music is music that was produced and broadcasted for listeners to tune into a radio station for. The term urban contemporary music was created by a New York radio DJ named Frankie Crocker in

Richard, Kyle. “Hip-hop” Teen solutions, 17 Sept. 2014. Web. 30 Mar. 2015. Richard’s “Hip-hop” Article are known for informing people about the history of hip-hop, the background of the society of hip-hop and how far hip-hop has came from that day to present day. Toward the middle of his article he states “through lyrics they raised social consciousness by speaking out real issues affecting them, such as racism”(Kyle). Kyle is implying that people who rap and listen to hip-hop are expressing how