Victoria and Albert Museum Essays

The oil painting “Temptation of Saint Hilarion” by Octave Tassaert was painted in 1857. When examining this art for the first time, the viewer is thrown into a world of color and emotion. As our eyes grow accustomed to the image, we start to understand the message behind the madness. In the next few paragraphs, we will analyze Tassaert work by looking in depth at the form, technique of the subject matter and the historical elements behind them. To begin, the art piece, “Temptation of Saint Hilarion”

Amidst the gondolas and waterways of Venice, Italy lies an iconic and historic center of worship. Saint Mark’s Basilica, built over a thirty- one year span from 1063 to 1094, has been used for Roman Catholic mass services for almost 1,000 years. Home to extensive mosaics and stunning architecture, Saint Mark’s Basilica stands as a testament to the splendor and religious importance of the eleventh century. The complex architecture of Saint Mark’s Basilica blends techniques from three different

were some women who were able to rise to positions of status. This shows that there were some opportunities for women born in aristocracy; though this is not full freedom, it is more than was afforded to women in previous generations. The Victoria and Albert museum states that most women did not have a great deal of

similarities with Morris, Marshall, Faulkner & Co.'s design by Philip Webb for the V&A's Green Dining Room, circa 1866. 'Wreath' or 'Poppy' design Wreath design by William Morris, 1876. Museum no. E.501-1919, © Victoria & Albert Museum, London Wreath design by William Morris, 1876. Museum no. E.501-1919, © Victoria & Albert Museum,

1960s Fashion Fashion in the 1960s became an extreme style of attitude from the beginning of the decade to the very end. During this time, fashion turned from boring couture into cheap and flamboyant street wear. Different types of fabrics started to make its way into the wardrobes of many. The youth culture of the 60s had an immense influence in the fashion world and they did not stop once they were on top. The Vietnam War also lead to the so called 'Hippie ' style of the decade. Along with

awards. Museums have had an enormous presence in these sites and have even been winners of these awards. The Webby awards were established by the International Academy of Digital Arts and Science in 1996. Is the oldest organization in reward the best on Internet, it focuses on several categories such as art, best web practices, mobile sites and apps, etc. In 2015 the Metropolitan Museum of Art won the best photography and graphics on social media, Instagram. In 2016 Los Angeles County Museum of Art

Within the textiles and fashion collection of the Victoria and Albert museum, you can find this unique piece of a red wedding dress. Made in Britain by an unknown designer during early 1938, Miss Helen Monica Maurice wore the dress for her marriage to Dr Arthur Newton Jackson on the following year. A very intriguing piece of garment it is due to its bold colours and contemporary design, not typically found in a traditional white wedding dress. The materials used for the dress were silk gauze over

authority of the male (Victoria and Albert Museum, Online Museum & Web Team, 2013). As Nora Helmer refuses to have sexual intercourse with her husband during the film, her husband replies with “Won’t! Won’t! Am I not your husband…?”, portraying his shock and disbelief by Nora’s behaviour. This suggests that women’s sexuality heavily relied on men’s desires, portraying the existence on sexual roles between women throughout history (Victoria and Albert Museum, Online Museum & Web Team,

Italian Renaissance (1330-1550): Women in the Renaissance. [ONLINE] Available at: http://www.sparknotes.com/history/european/renaissance1/section9.rhtml. [Accessed 07 March 2017]. Women in the Renaissance - Victoria and Albert Museum. 2017. Women in the Renaissance - Victoria and Albert Museum. [ONLINE] Available at: http://www.vam.ac.uk/content/articles/w/women-in-the-renaissance/. [Accessed 07 March 2017]. SparkNotes, 2004. Much Ado About Nothing (No Fear Shakespeare). Edition.

both she responded with enthusiasm ““I think art is anything you create. When you use your own creativity to make something it is art. When you show who you are and your creativity in your work it should be celebrated just as highly as fine art in museums.” Collins describes that crafts and art is entirely in the same category and shouldn’t be pinned against each other since crafts is just a sub category of art just as sculpting or painting

The Italian Renaissance occurred during the 14th century and lasted until the 16th. This was known as a time full of intellectual pursuit and new discoveries. This period of time could be considered Italy’s “golden age” because of all the new inventions and discoveries that happened. The Renaissance was Italy’s unofficial rebirth. During the Renaissance, men became much more educated and were encouraged to be inventors and scholars. However, did women benefit from the Renaissance as much as men did

society and how art, philosophy, music and subculture can be seen as a reaction to events that are taking place in their time. By learning about the rise of the Labour party, reading ‘The Catcher in the Rye’ by J.D. Salinger and visiting the Immigration Museum on Ellis Island, I am now aware that the challenges which people contend with today, such as why the migrants are leaving places such as Syria and my personal experiences as a teenager, are fundamentally similar to what people have faced previously

one of the most famous harem girls in the history of art. The girl is young, nude, and beautifully lounging in a luxurious environment with a turban on her head an a peacock feather fan in her hand. This painting is currently located at the Louvre Museum in Paris and can be found in any art history textbook. The word Odalisque in the title is a French term for a woman kept as a sex slave in a Turkish, Persian, or Arab harem. In lecture we are shown how this image has been borrowed and modernized for

Figure 2: 1794’s Madame Tussauds’s wax figure The next form of display is through placing clothing of famous and reputable people of that time. In the eighteenth century, Madame Tussaud of wax-museum fame was acquiring and displaying the clothing of famous people. Madame Tussaud’s mentor, Dr Phillipe Curtis, was highly skilled at wax modeling. The wax figures were made from wood or leather, and clothed in the latest fashion of the era. The most important detail of Curti’s wax models was what they

career until her mid-twenties. She attended college for a variety of disciplines, including archeology, anthropology, and English, and had many interests, though none truly appealed to her as a degree. She would often skip her classes to spend time in museums. According to the short documentary "Nina Irwin - Visual Artist", after dropping out of school for a

this academic essay, the main theoretical framework to be addressed is that surrounding Hal Foster’s analysis of whether and how museums are responding to the rising importance of entertainment in our everyday experiences (Foster, 2015a). As a starting point, it is important to recognize that Foster identified certain main problems modern and contemporary art museums face today (Foster, 2015a). One of those, relevant to the purpose of this essay, is the prevalent vagueness surrounding what contemporary

replaced, taken down or exhibited somewhere else. It has a purpose in the sense that it represents one of the first wall paintings ever to be finished in the Vatican, as well as one of the greatest examples of Renaissance art in the world. The Victoria and Albert museum in London has their own replica of this art-piece exhibited. This for me is destroying the “ritual” Benjamin talks about, and therefore loosing value. Art can loose its cult value when it transforms into exhibition value. It has more of

E.H. Shepard was a British artist and a celebrated veteran of the First World War, who was born in 1879. He became a household name as the illustrator of A.A. Milne’s stories of Winnie-the-Pooh. The illustrator worked as a political cartoonist for Punch magazine for more than 30 years. When Milne saw his cartoon work, the pair formed a partnership that gave the world one of the most well-known and popular creations in children’s narrative – Winnie-the-Pooh. Ernest Shepard’s illustrative work was

returned to Europe, becoming friends and guests of numerous members of European royalty including former Kaiser Wilhelm II of Germany, and his brother, Prince Henry of Prussia, King Albert I of Belgium, Crown Prince Olav of Norway, Queen Marie of Romania, Reza Pahlavi of Iran, and every British monarch since Queen Victoria. As with other members of the Vanderbilt family, yachting was one of Neily Vanderbilt's favorite pastimes as an escape from a busy life that included a seat on the Board of Directors

Riefstahl, E., (1970), A Note on Ancient Fashions: Four Early Egyptian dresses in the Museum of Fine Arts, Boston", BMFA 68, 244- 259. Hamar, R.V., (2006), The Queens of Egypt: The Complexities of Female Rule in the First through the Nineteenth Dynasty, 26- 27. Vogelsang-Eastwood, G., (1993), op.cit, 95. Hall, R., (1980), A Pair of