He has made a few mistakes, yes, but does the best he can to keep Janie happy and in love. It is depressing that Janie had to shoot him at the end of the novel, but at least she realizes that she was finally able to live the life she wanted for herself rather than the life her grandmother wanted for
When tea cake shows up janie 's feels something she has never felt before, she is set free but the townspeople don 't think so. “‘Ain’t you skeered he’s jes after yo’ money him bein’ younger than you?’” (Hurston pg.133)Janie is in love with Tea Cake because he loves her for her youthful young side that was forced into hiding for so long because of her previous husbands. However the rest of the community is discouraging her and trying to keep her in the image as a mayor 's wife. They told Janie that Tea Cake was after her money
Painting himself this way, he generates the image of being literally higher than the attendees in a physical sense (paralleling his higher rank in society). This notion of supremacy manifests by the same token as he recounts his initial arrival: “I emerged accidentally into Piccadilly[...]” Whilst clarifying that his attendance to the funeral is purely by chance—as a means to limit his association with the poor—his “[emergence]” from the mob evokes suggestive imagery of Jesus emerging from his burial tomb. Rendering himself as a possessor of divine status, the speaker’s hubris becomes glaringly
In the novel, Their Eyes Were Watching God by Zora Neale Hurston, the protagonist Janie, is influenced by others to change her ideals. Hurston vividly portrays Janie’s outward struggle while emphasising her inward struggle by expressing Janie’s thoughts and emotions. In Kate Chopin’s The Awakening the protagonist is concisely characterized as having “that outward existence which conforms, the inward life which questions,” as Janie does. Janie conforms outwardly to her life but questions inwardly to her marriages with Logan Killicks, her first husband, and Joe Starks, her second husband; Janie also questions her grandmother's influence on what love and marriage is.
9. If you could offer Janie advice at this point, what would it be? Explain your rationale.
Her hair was NOT going to show in the store. It didn’t seem sensible at all. That was because Joe never told Janie how jealous he was. ”(p 55) When Jody dies Janie reveals her power and identity again by letting her hair free. She ignores what the townspeople have to say about it and
In the book, “Their Eyes Were Watching God”, Janie had many relationships with men. And just like all of her other male companions, Tea Cake played second fiddle to the main character of Janie. In “Their Eyes Were Watching God”, Janie had many different love interest which included the likes of Logan Killicks, Jody Starks, and eventually Tea Cake. Before meeting Tea Cake, Janie was just stringing along in two different marriages that just were not in Janie’s favor in terms of her happiness. Janie’s first two husbands ended up basically being duds when it comes to pleasing and treating Jane properly.
Hurston tells the story of Janie, a black woman who because of her grandmother experiences and beliefs was forced to marry into a loveless marriage with Logan Killicks, a hard-working farmer who had 60 acres of land and could provide for Janie. This marriage ended when Janie ran away with Joe Stark, a man that she fell in love with and thought could give her the love absent between her and Logan. But Janie soon realized that her second marriage wouldn’t turn out better than her first. Joe was just as controlling and degrading as Logan. He hardly expressed his love for Janie and spoke to her like an incompetent child.
But nobody knows what’s going on inside the preparation room, all they see is their deceased relative, good as new, when they walk by the open casket during the funeral. Mitford depicts the American funeral industry’s manipulation of death throughout the essay with either blatant or thinly-veiled verbal irony. In the last paragraph, Mitford states that the funeral director has put on a “well-oiled performance" where "the concept of death played no part whatsoever”, unless providing it was “inconsiderately mentioned” by the funeral conductors. This is extremely ironic because a funeral is supposed to revolved around death, and this makes us think about funerals and the embalmment process in a way that we usually don’t. These processes takes away the cruelty and brutality of death and make it seem trivial while making our deceased relatives life-like, with pink toned skin and a smile on their face, and death is not like that at all.
In the beginning of the story, the narrator believes she is free to become who she wants. As the story advances, her female role models, quickly ignore what she wants –for example working with the foxes– and set expectations for her to ‘act like a lady’, thus forcing the narrator to become a new highly feminized version of herself. Since the story is written in the 1950s, the mistreatment of women is permitted. The narrator’s society is extremely sexist. When
As Maria Tai Wolff says “for telling to be successful, it must become a presentation of sights with words. The best talkers are “big picture talkers”. For Hurston, the construction of African American identity requires a voice that can make you see, a voice that celebrates the visible presence of black bodies.
The pursuit of dreams has played a big role in self-fulfillment and internal development and in many ways, an individual 's reactions to the perceived and real obstacles blocking the path to a dream define the very character of that person. This theme is evident in Zora Neale Hurston’s Their Eyes Were Watching God, which is about the search for identity. A woman of a mixed ethnicity resides in several communities, each playing an important role and serve as crucial influences on her life. During the story, she endures two failed relationships and one good relationship, dealing with disappointment, death, the wrath of nature and life’s unpredictability.