In the story, “Everyday Use,” by Alice Walker, a single mother who lives with her two children on a small, working farm is introduced. Her youngest child, Maggie, was forced to endure severe burns at a young age when she was left in a burning house which she moved out of with her mother and Dee. As a result, her arms and legs were both covered with burnt skin. The mothers oldest child, Dee, had always been a spoiled person and was never once familiar with being told “no.” She decided to move out of her household, change her name which she had gone by since she was born, and meet a man who she would eventually call her husband. Dee eventually comes back to her mom and Maggie to introduce her partner, Asalamalakim and pick up some quilts that …show more content…
During the time she is there, she asks her mom to lend her some of the old, generational quilts that her mother kept. While the mom is making her decision, Dee demands for her to give her the quilts, saying that Maggie would ruin them if mother let her keep them. The quilt symbolizes the heritage created by many past generations and how it should never be forgotten, carried on into the future. The change of names that Dee did symbolizes how generational history slowly begins to deteriorate as time passes. Dee is a great example of someone who doesn't really appreciate heritage and isn't true to herself. Finally, the quilt and the name change both contribute to the theme of heritage and how it must be carried on for generations to …show more content…
Dee is a great example of someone who isn't true to her roots and doesn't really appreciate heritage. When the mother first found out about Dee’s name change the first thing she asked was, “‘What happened to ‘Dee?’ I wanted to know. ‘She's dead,’ Wangero said. ‘ I couldn't bear it any longer, being named after the people who oppress me.’ ‘You know as well as me you were named after your aunt Dicie,’ I said…’but who was she named after?’ asked Wangero. ‘I guess after grandma Dee,’ I said. ‘And who was she named after?’ asked Wangero. ‘Her mother,’ I said'' (Walker 25). Despite knowing that her name traced back many generations, Dee still proceeds to keep her new name, separating herself from the family. This old name will die when she changes it, ruining the streak that the family had. The name change only proves that she doesn't care enough about her own family heritage and is actually against it. It displays how heritage cannot last and eventually has to die
This starts by the inclination Dee has to approach the world without fear. She views the world as a white woman, back then, rather than an African American woman like her mother and sister-timid and afraid. She then comes back from getting educated and allows this to cloud her judgement and think that she is above those who aren’t educated. She continues this attitude all the way to the end of her visit where she tells her mother that she doesn’t understand her heritage and then continues on condescending to her sister, “’You ought to try to make something of yourself, too, Maggie. It’s really a new day for us.
We all grow up and change, sometimes we try to forget everything we were taught. Dee is trying to be something she is not for the sake of being higher up. She changed so much that her sister and mother don’t recognized her anymore. She doesn’t understand African or American culture and she just want to take all the family possessions to store them and show them off. Her name was special and she changed it for a name that really has no meaning she even got that wrong because it means nothing.
She tells them that she is changing it because she "couldn 't bear it any longer, being named after the people who oppress me." (Walker) Dee comes across as very
Dee’s way of showing her heritage is through historical objects. Finally, the last moment in "Everyday Use" that shows the theme that everyone has a different meaning of heritage is when Dee changes her name. When Dee comes home from school as a new person, she also comes with a new name. Mama and Maggie are surprised by
“‘Not ‘Dee,’ Wangero Leewanika Kemanjo!’ ‘What happened to ‘Dee’?’ I wanted to know. ‘She’s dead,’ Wangero said, ‘I couldn’t bear it any longer, being named after the people who oppress me.’” (Walker 4).
Dee, who has changed her name to Wangero Leewanika Kemanjo, has been away at college and is returning home for the first time in several years. Mama and Maggie are excited to see Dee, but they are also nervous about her visit, as they know that Dee has changed
Dee is very materialistic and thought highly of herself. She knew she was going to leave her small simple home life for something better. Dee was confident in everything she did in life. She wasn’t interested in learning the family heritage because she didn’t think it would ever come in use for
Dee is also really selfish which makes her have tension between her family since she only cares about herself. Throughout the story, there were a lot of conflicts between Dee and her family which shows with the quilt incident, butter churn controversy and lastly different views on heritage. One of the main conflicts in Everyday Use is the quilt incident. The conflict started when Wangero (Dee) came out with two quilts that had been pieced by Grandma Dee and big Dee.
Walker explains that one daughter whose name is Dee, was sent off to school. This education sent Dee to have a new found interest in her ancestry and to also change her name to Wangero. At the very same time
These quilts are a ways of honoring her African American heritage and to be given these was very significant in their culture. For once Dee sees the historical background because of the stitching and material used, but doesn’t find any use in using them. Dee is going to try and convince her mom to let her keep the quilts, when Dee says, “Maggie can’t appreciate these quilts!” (Walker 721) and “You just will not understand. The point these quilts, these quilts!”
She didn’t like her sister Maggie she also doesn’t like her mom allot and she didn’t like their house. From the main changes Dee made was changing her name. “No mama, she says not Dee, wangero Leewanik kemanjo “(Walker, 318, 25). She also brought her friend with her his name is Hakim-a-barber.
In attempts to reconnect with her African roots, Dee has changed her name to Wangero Leewanika Kemanjo. Dee has also taken an interest in embracing her African heritage and has dressed in traditional African clothes to visit her mother. Her mother knows that Dee’s intentions are not genuine. Worrying more about taking pictures of her mother and collecting items that represent the African culture to take back home, Dee neglects to spend time with her family. Her mother notices that Dee, “Lines up picture after picture of me sitting there in front of the house with Maggie cowering behind me.
Alice Walker wrote what Mama said about Dee or Wangero, “Dee wanted nice things.” Mama describes Dee as a lavish person who is only interested in herself and her fulfilling’s. Dee had changed her name to show that she is not accepting that a “white person” named her ancestors in way, so it can be passed down. Walker describes Mama as someone who is satisfied with what they have. “I will wait for her in the yard that Maggie and I made so clean and wavy yesterday afternoon,” Walker demonstrates how Mama is pleased with nature where her life takes place in.
She steps out in highly fashionable clothes and her husband Asalamalakim. After introductions Dee explains that she has changed
As the story entails, Dee never really wanted the quilts for more than a decoration. When Dee is offered the quilts before she is grown and matured and looking for her memorabilia of her family, she turns down the quilts. Seeing as Dee wanted nothing of the family’s memorabilia, Mama promised Maggie, the youngest and sweetest daughter, she could have them. These quilts are apart of their family and according to mama should be used everyday rather than a display which Dee intends to use them as. Mama and Maggie always shadowed Dee, for she was smart enough to go to college and get a good education.