In the course of her memoir An American Childhood, Annie Dillard combines images and memories of her life with various reflections from her adult self. Her memoir spreads from early youth when she has not yet “awakened” until her later life as a teen struggling with coming to terms with the world around her and the society she lives in. Throughout the course of her memoir, Dillard presents the world through a slightly pessimistic point of view as a way to highlight the complexities and reality of life growing up in America. With her use of reflection on the events of her life, Dillard is able to strengthen her message of the complexities of life in America. Dillard often comes back to this strategy of reflection as a way to help show a better …show more content…
In one of her memories, Dillard goes into describing a moth that her class had kept. They let it go, and Dillard remembers how it “crawled down the driveway toward the rest of Shadyside, an area of fine houses, expensive apartments, and fashionable shops. It crawled down the driveway because it’s shriveled wings were glued shut” (161). The words she chooses such as “fine”, “expensive”, and “fashionable” cast a stark contrast between the image of the crippled moth with its “shriveled wings”. This grim picture only highlights her pessimistic view on her society. The neighborhood has wealth, but they treat this innocent and vulnerable creature like a pathetic waste of space. Dillard may even relate to this creature. One may be struggling with life and coming to terms with the world, but her society is too engrossed in its own image and wealth to take a moment to care for those struggling. Similar to this situation, Dillard describes how “AT SCHOOL [they] memorized a poem: Where we live and work today / Indian children used to play– / All about our native land / Where the shops and houses stand” (123). The poem itself continues this idea of how society masks it’s darker parts. This historical reflection of using the Indians is similar to that of the moth. Both were left behind by society because the world was too concerned with itself and its wealth. What is different about this reflection is Dillard’s capitalization of “AT SCHOOL”. She makes it apparent that she learned this poem in school which is a part of society. Though the overall tone is pessimistic, the addition of this only makes it slightly so. It gives the illusion that there is a chance for society to help children understand reality, but then again, it only makes their lives more complex once they have finally understood how harsh the world
In the first chapter of Beverly Tatum’s, “Why Are All the Black Kids Sitting Together in the Cafeteria?”, And Other Conversations About Race, the author immediately clarifies that racism is not a thing of the past. People in today’s society are merely raised with racial concepts at such a young age that they do not realize the injustice going on around them. She reinforces her statement by showing an example of a group of preschoolers who were told to draw a picture of a Native American. Most of the children didn’t even know what a Native American was, but after being told to draw an Indian, complied. Recurring elements in all of their drawings were feathers, along with a violent weapon, such as a knife.
In her piece she used very descriptive images and personification to convey her meaning and because of this her tone was well fitting. Dillards peaceful tone was exhibited in this statement “Each individual bird bobbed and knitted up and down in the flight at apparent random, for no known reason except that’s how starlings fly, yet all remained perfectly shaped” (Dillard). It is evident that both of these authors both used unmistakeable tones in their writing, but their tones were distinctively different due to the personal styles and experiences of each individual
From the articles “Seeing” by Annie Dillard, “A List of Nothing in Particular” by William Heat-Moon and the film My Life as a Turkey by Joe Hutto, the different of sights bring people realize how many unknown information could affect our life. Nowadays, human focus at their work, school, and relationships. However, have we ever figured out what happened around our work and school? The three authors has found a different life that brought them a wider vision of world by keeping their eyes open. First of all, in “Seeing,” Dillard investigated the ways people put their vision on the world.
“The trick of reason is to get the imagination to seize the actual world,” Dillard states when describing the time period in which she began to outgrow many of her childhood fantasies. Dillard accounts that when she five, “growing up in Pittsburgh in 1950, I would not go to bed willingly because something came into my room.” However, Dillard kept her fear a private matter and refrained from involving her two year-old Amy, because, “she was innocent of evil.” Dillard goes into further detail about Amy, describing the innocence she displays while asleep as “charming”, “pleasant” and “serene.” Shortly thereafter, Dillard comes to the realization that the innocence Amy possesses protects her from fear.
I was in an unfamiliar country and yet I’d never felt more at home. For that single week I spent in my country, I met cousins I didn’t know I had, I learned how to cook, and I learned to value the fact that the city always has electricity. I was also able to see where my parents had inherited the strength and resilience they so carefully taught me to have. They exhibited these qualities as I was growing up, when they struggled to pay bills and learn the American way of life. We didn’t know where our next meal was coming from, but, similar to my grandparents, their laughter never ceased and the sounds of merengue never died down.
American Childhood is a short story written by Annie Dillard. In the story Dillard recounts her childhood from the age of five until she got in high school, all while growing up in 1950s America. One of the recurring themes in the narrative is maintaining happiness even in adulthood. By recounting her childhood as a model for building and keeping this often elusive happiness, Dillard seeks to show how adults, too, can approach the world with childlike awe, as opposed to the common experiences of giving up on childhood dreams, abandoning childlike awe and becoming part of a saddened mob of usually bitter individuals.
The memoir, The Glass Castle, by Jeannette Walls, centers around her unorthodox childhood, with her parents avoiding parental responsibilities and acting in accordance to their non-conformist beliefs. During some events in the book, responsibility is seen as equal to self-sufficiency in this book, and Rex and Rose Mary encourages Jeannette and the other children to look out for themselves instead of depending on others. Even though Jeannette’s parents were irresponsible and reckless, they managed to instill responsible, independent, self-sufficient qualities within Jeannette, creating a well-adjusted child. Hardships as a child allow the opportunity to develop a thick skin and become resilient. From a young age, Jeannette Walls and her siblings learned how to be independent for their basic needs because of their father’s, Rex, alcoholism, and their mother, Rose Mary’s, carefree attitude and indulgence in the arts.
Annie Dillard’s essay “Sight into Insight” emphasizes how one must live in the moment and not sway towards others opinions in order to gain accurate observations on a situation. She uses nature as a prominent theme in her essay to represent the thought of looking past the superficial obvious in order to go deeper to where the hidden beauty rests. Dillard wants the reader to realize in order to observe clearly you have to live in the moment and let go of the knowledge you think you know on the situation. Dillard uses the example of her “walking with a camera vs walking without one” (para.31) and how her own observations differed with each. When she walked with the camera she “read the light” (para.31), and when she didn’t “light printed” (para.31).
“She couldn’t live like Mr. Dolphus Raymond, who preferred the company of Negroes, because she didn’t own a riverbank and she wasn’t from a fine old family. Nobody said, “That’s just their way,” about the Ewells. Maycomb gave them Christmas baskets, welfare money, and the back of its hand.”. Scout is permitting about Mayella Ewell and the way Mayella’s inferior- folk status constricts her socially.
The two poems, “The Barred Owl” and “The History Teacher”, display different ways of soothing child fears and attempting to protect the children's innocence with their tone, rhyme scheme, and humor. Wilbur specifically uses personification with a different point of view than Collins. Collins comes from a more ironic tone in his poem and portrays the history teacher as a protector of the children’s innocence, when in reality, they have already lost it. “A Barred Owl” by Richard Wilbur is an iambic pentameter that has steady beat and a couplet rhyme scheme. This gives the poem a more childlike and comforting tone.
Early in the work Dillard follows her description the pond where she first sees the weasel with, “This is, mind you, suburbia. It is a five-minute walk in three directions to rows of houses, though none is visible here. There's a 55-mph highway at one end of the pond…” (Dillard). By offering this description Dillard is established as a member of this community, standard in many aspects, and not a part of the wilds of the pond.
In this essay, Annie Dillard explains the meaningful experience of Dave Rahm. He was forty-year old man with handsome, blunt-featured, wide-jawed, wide-burned, and quiet. On his career, he was an extremely professional stunt pilot and the geologist teacher at Western Washington University. As a pilot, he was proficient in doing a lot of maneuver, and he could use his plane inexhaustibly. As a geologist, he released two books and numerous articles.
(page 1). The moth lives his life, as if positivity is the only thing it knows. This creates the moth as an embodiment of life. As the others work in the sun, and appreciate the summers day, the moth flies around, its’s only concern in getting from corner to corner. The moth does not think about
Annie discovers Sarah Jane is staying in Los Angeles and tracks her down in a last desperate attempt to make a connection. Annie is disappointed and heart-broken to learn Sarah Jane is “passing” and working as a dancer at an all-white club. Collins asserts that: “Outsider within status is bound to generate tension, for people who become outsiders within are forever changed by their new status” (S29). When Annie goes to visit Sarah Jane, she shuns her mother, telling Annie that she should act as if she never had a child and if the two should cross paths that Annie should not acknowledge her. In “Shifting the Center”, Collins concludes that “Highlighting racial ethnic mothers’ struggles concerning their children’s right to exist focuses attention on the importance of survival” (72), Sarah Jane believes that her survival and success in the “white world” depends solely on her ability to make people believe she is white.
In “Good Country People,” by Flannery O’Connor, the protagonist’s internal struggle with her identity stems from both an undiagnosed mental disorder and a lack of parental guidance since her traumatic accident. Post Traumatic Stress Disorder (PTSD) causes 32-year-old Joy Hopewell to be a perpetual teenager, which affects her relationships as an adult. In addition, Joy’s mother's parenting style was based off of pity from the accident resulting in an absence of guidance during Joy’s formative years. As a teenager, Joy gets accustomed to receiving unsolicited pity from everyone, which burdens her later in life. Thus, by being pitied, Joy expresses discontent with her life by acting out in a rebellious state.