The Batboy Brian Dudley is living every baseball kids dream. He is a batboy for his hometown Major League team. He is finally seeing the game the way his big-leaguer dad sees it, from the inside. But it’s more than that for Brian. His dad loved the game so much that he chose it over Brian and his mom.
They were partners in crime. Their friendship is represented with the superheroes. Robin is always there to support Batman in life or death situation. Batman holds down a Robin when he is folding down. Batman and Robin treats each other like brothers.
Bruce Wayne exemplifies these qualities in the novel, as he confronts the criminal underworld of Gotham City while also struggling with his own identity
require their own head count with time reserved to shower, and change and personal things like that. (" Alcatraz") If prisoners refused to do these activities they would be sent to solitary confinement where they could spend up to a week. ( "Alcatraz")Prisoners had to do all of these activities in one day and repeat them every day.("Alcatraz") B. Al Capone, a famous inmate of Alcatraz started his life of crime at a young age. ("Alcatraz")
The Underworld In the underworld, life is absolute misery. It is definitely not the ideal place to travel to after death. Luckily, the only people designated to go to the underworld are the ones who truly deserve it. For example, Jeffrey Dahmer and Al Capone would spend all of eternity there, but they would not be placed in the same section of the underworld.
However, the most intriguing topic concerning Batman’s mental stability was the evaluation of Batman’s love life. Batman has fallen in love but he lives a life of mystery and interacts with a false identity. To keep Gotham citizens unaware that Batman is Bruce Wayne, Bruce wears a bat-suit which is a dark outfit that includes a night bat-like mask while fighting crime. To further conceal his identity from the world, Bruce gave his real name an alter-ego that has the personality of a wealthy playboy while he acts out his true identity as Batman. Thus, Batman is unable to maintain a romantic relationship with anyone due to intimacy and his alter-ego, regardless if Batman wants a love life or not.
Throughout the novel, he puts himself in danger to protect innocent people and stop the Nightwalker's plans. He willingly endures physical and emotional pain, understanding that his own well-being is secondary to the greater good. This selflessness is a defining characteristic of a hero, and it reinforces Batman's sense of purpose as a protector of Gotham's citizens. Another hero archetype seen in Batman: Nightwalker is the "mentor." In the novel, we see a young Bruce Wayne seeking guidance from his trusted butler, Alfred, as well as the city's chief of police, Captain Gordon.
Batman also wears black because so no can see him plus he wants to dress like bat. Superman different from Batman because Superman can shoot lasers from his eyes and breaths out ice. Superman also wears blue and red and fights in Metropolis city.
To begin, a stark contrast exists between the members of the Avengers and Suicide Squad. The Avengers are comprised of well to do, basically people. Iron Man is Tony Stark (genius, playboy, billionaire, philanthropist), who uses his fame to help the public. Captain America is a genetically modified super soldier, nearly always sacrificially giving to save others. Hawkeye is a simple, pizza-loving dog owner who lives on a farm and has an uncanny skill with a bow and arrow.
In Batman Begins, Rachel constitutes the archetypical character of the innocent woman as Wayne’s central love interest. Before Rachel is forced to kill somebody in order to protect herself during the showdown, Batman rescues her, thus preserving her innocence. Furthermore, Rachel appears passive in her portrayal in Batman Begins and becomes the damsel in distress archetype when being captured by the Scarecrow. Despite the fact that Rachel is played by Maggie Gyllenhaal instead of Katie Holmes in The Dark Knight and although she is portrayed as a more capable woman, Rachel frequently ends up as the damsel in distress in the second Nolan movie as well. The regressive portrayal of women, however, is not confined to the female protagonists of the trilogy.
Throughout the decades men have dominated the comic-book industry. They played a very important role in perpetuating stereotypes. The male writers, publishers, editors, and creators wrote for the their target audience, which was primarily young boys. The 90s was a period of time where society obsessed over male strength, which in turn led the idea of how fragile a woman is compared to a man. Batman and Batgirl are both human superheroes; they do not have any special healing factor or any other kind of superpowers.
The film that will be analysed is ‘The Dark Knight’ which is a drama/ crime film directed by Christopher Nolan, which was released on the 16th of July 2008. The director is trying to convey good vs evil through Lighting, sound, props, costumes, setting, camera angles and camera shots. The main characters in ‘The Dark Knight’ are Batman/ Bruce Wayne (Christen Bale), Harvey Dent/ Two-face (Aaron Eckhart), Joker (Heath Ledger), Rachel Dawes (Maggie Gyllenhaal) and Commissioner Gordon (Gary Oldman). The scenes which will be investigated are Wayne’s party, the SWAT car chase and Jokers interrogation.
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This is the archetype that has the “basic, primitive animal instincts...behaviors that society considers evil and immoral… [that] must be restrained... If not, society will likely punish us.”(Cite Textbook). Bruce is a character who is aware of these instincts and behaviors. However, he cannot completely restrain or suppress them, so he channels them to the Batman persona.
The hero of the movie is Batman while the villain is the Joker ( Chris Nolan, The Dark Knight). What is significant is how the characters have different moral views on killing. The Joker is depicted as insane, ruthless and has the desire to bring chaos to the city of Gotham (Batman Wikia The Joker). What makes the Joker important is that he acts amoral. Amoral means that a person does not believe in a system of morals (Stein and Urdang 49).
