The film that will be analysed is ‘The Dark Knight’ which is a drama/ crime film directed by Christopher Nolan, which was released on the 16th of July 2008. The director is trying to convey good vs evil through Lighting, sound, props, costumes, setting, camera angles and camera shots. The main characters in ‘The Dark Knight’ are Batman/ Bruce Wayne (Christen Bale), Harvey Dent/ Two-face (Aaron Eckhart), Joker (Heath Ledger), Rachel Dawes (Maggie Gyllenhaal) and Commissioner Gordon (Gary Oldman). The scenes which will be investigated are Wayne’s party, the SWAT car chase and Jokers interrogation. At Wayne’s party they were fundraising for Harvey Dent when the Joker crashes the party, this scene is set in Wayne’s penthouse which includes Harvey Dent, Rachel, Joker and Batman. Rachel is wearing a green dress, Joker is wearing a purple suit with a green shirt, Harvey is wearing a black suit with a white shirt and batman is wearing his black …show more content…
The director conveys good vs evil through the use of mise-en-scene. The scene begins with a long shot in low key lighting of the Commissioner walking into interrogate the Joker, after Commissioner sits down the scene gets shot with side lighting slowly zooming into his face close up. After Commissioner leaves in changes to high key lighting with a low angle shot of batman slamming Jokers head on the table with diegetic sounds of a bang and the Joker saying “Never start with the head the victim gets all fuzzy, he can’t feel the next.” When Batman grabs Joker and shoves him against the wall there is a diegetic sound of a bang with a two-shot side on close up, then going to a close up with more diegetic sounds of bangs and then glass shattering. After glass has shattered it changes to a low angle shot of Batman’s face and a high angle shot of Jokers face with nondiegetic sound of intense
The battle of Gettysburg consisted of three days of combat between the Union and the Confederacy in the American Civil War in 1863. After defeating the Union Army of the Potomac at Chancellorsville, Confederate General Robert E. Lee was optimistic and switched from defense to offense. He hoped to gain the support of foreign forces with a successful second invasion of the North. In Gettysburg, Pennsylvania, the Army of the Potomac stood between Lee and Washington D. C. under the command of General George Gordon Meade. On July 1st, the two sides fought.
Districting the New Segregation? Education has been a major influence on government policy and social standards concerning American youth. With hard work and education, one can better themselves and open up more opportunities for financial and social success. Waiting for Superman directed by Oscar winner, Davis Guggenheim, counters that the current education system is failing students by limiting their upward mobility, particularly among minority and low income groups. The documentary advocates for a radical change in the modern education system, modeled after charter school curriculums.
There is no denying that the film, Aftershock, directed by Feng Xiaogang is the most bankable domestic blockbusters in mainland China and wins the box office of more than six hundred million in 2010 (Coonan, 2010). It reproduces the grave earthquake took place in Tangshan, Hebei Province on July 28, 1976. Such a 7.8 magnitude earthquake turned Tangshan into ruins in only twenty-three seconds and caused 250 thousands death. The successful release of the film has caused the high attention and intense discussion among the community until nowadays. As an excellent work of contemporary Chinese realism film, it moves audiences through its setting, expression, characters and also the touching plot.
By using a long shot, the audience can see both how many people there are, and their angry, almost crazed body language. When these two things are shown together in one shot, one can understand the gravity of the situation, and begins to fear for Edward’s life. Throughout all his films, director Tim Burton uses many film techniques and cinematic elements. However, when Burton wants to control the audiences’ emotions, and twist the mood of the scene, he uses lighting, non-diegetic music, and framing
In the movie “Batman: the dark knight” (2008), we are introduced to the character Harvey Dent. He is the District Attorney of Gotham City. Everyone loves him, he is charming and good looking and most important is that he fights for justice. Even though he is a good man, he uses his father’s lucky coin to gain benefits for himself; he suggests playing coin toss over many different things, mainly involving Rachel (the woman Harvey wants to marry). He always picks head because there is a picture of a woman on both sides of the coin.
This paper describes three particular scenes throughout The Dark Knight and elaborates on those scenes in terms of three specific psychological principles. The psychological principles discussed in this paper is Kohlberg 's theory of postconventional morality, the social trap theory, and antisocial personality disorder. One scene that illustrates Kohlberg 's postconventional morality is Batman 's rather rough interrogation of the Joker. In this scene, Batman is interrogating the Joker in order to receive directions regarding where Harvey Dent and Rachel were (they were strapped up to chairs surrounded by bombs in different locations).
N00145563 The Maltese Falcon is a film noir directed by John Huston. The film is based on the novel by Dashiell Hammett of the same name. The film was made and distributed by Warner Bros. and was released in October 1941. In this film, detective Sam Spade, played by Humphrey Bogart, takes on a case from the beautiful but deceptive Miss Wonderly, played by Mary Astor.
Christopher Nolan’s Dark Knight Trilogy constitutes a rather contemporary manifestation of an extensive body of artifacts in media culture. Media culture, Henry Giroux holds, “has become a substantial, if not the primary educational force in regulating the meanings, values, and tastes that set the norms, that offer up and legitimate particular subject positions – what it means to claim an identity as male, female, white, black, citizen, noncitizen” (2-3). Being the most popular remediation of the Batman over the past two decades, the Dark Knight Trilogy reveals contemporary attitudes of mainstream Hollywood film to issues revolving around sexuality and gender as two of the core facets of identity. In particular, the representation of masculinity,
1. Introduction The Dark Knight is part of the Batman trilogy. In this movie, it focuses more onto Batman and The Joker. The Joker is known to be one of the most fearful criminals in Gotham city because of his attacks that is unpredictable and causes chaos towards the city.
Throughout life we are told to express our individuality and swim against the stream of the general population to put emphasis on the characteristics that make us, in short, individuals. Cherishing what makes an individual special and different is what establishes roots in creativity and self expression, however there is a forced false sense of comradery in today’s society that takes the form of involvement with the masses; peer pressure forces many people to fall into the mold of an average character. The Academy award winning film, “The Incredibles” displays the themes of expressing one’s true self and special qualities, and in contrast repression by society to fit a basic mold. These themes are elaborated on through the development of the main characters and expressed further through the supporting roles and their dialogue and endeavors.
In the 1989 Batman film, Tim burton uses a mix of medium shots to show the hand-to-hand combat scenes and close-up shots to show the emotion on Batman’s face. An example would be when the Joker was first introduced to the audience, the Joker turns around where his face was very close to the camera to show the bad condition his face was in. Another example would be in the movie Edward Scissorhands Tim Burton uses a long shot when Peg is standing on the edge of the castle where the roof was torn off. This shows the vulnerability of Peg, it makes her look weak and small.
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters
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Film Comparisons: Same cinematography, Matured Purposes As you can see, once the director’s general objectives have been put side by side, it becomes clear that there is a relationship. The most apparent connection would obviously be the books because the plot lines are continuous and intertwine. However, it seems that their influence may artistically be overlooked and is interesting to see how the same cinematic element can be used for opposing purposes. The Prisoner of Azkaban vs. The Deathly Hallows: Part 1 As mentioned before, the main link between the third and seventh film is the focus on environment.