Since the 1990s, there has been a comprehensive tendency in art. With the development of recreational and popular culture and the wide spread of digital media, people began to be interested in interactive medias, video art and audio-visual communications. And with the popularity of the Internet, many people indulge in the realization of ideals in the virtual world. Art design is no longer the concept with narrow sense as it was. Modern art designs face challenges from new technologies like new media art, internet multimedia, virtual reality, digital art and multimedia advertisements. At the same time, with new diverse aesthetic standards, new visual communications will break the limitation of the traditional designs, which makes it a cross …show more content…
The importance of national culture in digital design Chinese traditional art has a long history and plays an important position in world art. However, in someone’s eyes, the western countries are superior to our countries in all aspects, for we were left far behind them a century in economy and art, and it is too naff. They think that in the process of the reform, there is a need for the combination with the western culture and connection to international practice and that without doing so, Chinese art is only an undignified folk art. Fortunately, more and more people realized that something with national characteristics is really what the world like. Chinese traditional art has its own artistic system. The typical Chinese philosophy of “harmony between man and nature” has great influence on art as Mr. Li Zehou once said “ Chinese ancient philosophers firmly believed that the nature of the world and human society is the harmony, which is the highest level of beauty. This is a plain but provoking thought.” As a part of traditional eastern culture, Chinese traditional art embodies the unique aesthetic idea and cultural symbols. The earlier generations of artists have made numerous designs with national features and originality. The list is endless, from the palaces and pavilions to furniture, decoration and ornaments, to calligraphy and paintings, which reflect this aesthetic idea referred to as the highest spirit inheriting and reflecting the highest state of Chinese …show more content…
It is made up of five lovely cartoon figures symbolizing friendship, peace, enterprising spirit and good wish for the harmony between human being and the nature. The aspiration of the images of fish, panda, Tibetan antelope, swallow and the flame originate from the five Olympic Rings, from Chinese mountains and rivers and the favorite animals. Each Fuwa has his or her household name: “Beibei, Jingjing, Huanhuan, Yingying and Nini”. In China, people like to use a word with two identical syllables to show the love for children. If the names of five Fuwa are put together, it sounds like “Beijing Huan ying Ni” in Chinese. (“Beijing welcome you” in English). In addition, the decorations on their heads symbolize the connection to the sea, forest, fire, the earth and the sky. Here the Chinese traditional art is used in the design to show people Chinese splendid culture since it is the tradition to convey good wishes by using symbols in Chinese tradition, and these five Fuwa symbolize prosperity, happiness, passion, health and
Symbolism is displayed from top to bottom within the figure itself. These symbols are meant to spread the statue’s message not only in America but all over the world. For example, the seven points on the crown exemplify the seven seas and continents around the globe. It emphasizes that liberty should be dispersed universally and shared among all people (Source D). Along with the idea of liberty and freedom is where the torch also makes its mark.
The symbols in this book emphasise the themes of self-discovery and personal growth, which are related to the characters' need to belong. Throughout American Born Chinese, symbols of accessories to appearance communicate a great aspect of each character’s identity. Three powerful symbols in the book that
The Art is what significantly differentiate us from the other
The main figure's magical hand gesture points out that he is a Daoist or a Buddhist deity. Evidence, such as all of the figures are wearing golden crowns and traditional Chinese robes rather than Indian style robes, they all have beard, and the attendants holding hu, suggest the figures in this scroll relate to Daoism this Chinese religion. In addition, comparing with the images of Celestial Worthy of Numinous Treasure which are more commonly seen as holding a Ruyi (如意) scepter, and images of Celestial Worthy of the Dao and Inner Power which are normally holding a fan, the figure of Celestial Worthy of Primordial Beginning in Daoism art forms is often holding a circular object in his hand, the Pearl of Chaotic Primordiality (hunyuan baozhu/ 混元宝珠), which represents unity. In this scroll, there is a small sphere object in the main figure's right hand, which is believed as the
There are many Daoist influences to be seen in the Chinese art. Chinese paintings often include common themes from the Daodejing: the infinity, flow, and mystery of nature. To be more specific, the book’s images of the flowing river, the valley, or the uncarved block of stone are some of the typical elements in such paintings. Another significant field of art influenced by Daoism is poetry. Chinese poetry frequently recalls themes found in the Daodejing and the Zhuangzi: the joy of life in the countryside, away from the rushed atmosphere of the city; the change of seasons; harmony with nature; and general simplicity.
Identity is the pursuit of artists in their work, especially after the end of World War II. Artists have different ways to express their own identity of meanings in their works by many diverse factors such as gender, class, cultural factor, and political factor. In this article, I will compare Ah Xian and Kerry James Marshall works of art, and analyze the similarities and uniqueness of their works as well as the process and reasons of their identity. I will explain the construction of identity and fluidity of identity by comparing the art works of Ah Xian and Kerry James Marshall. Ah Xian grew up in China, and then emigrated to Australia and lived for almost twenty years.
This represents the creature’s adaptability as he accommodates people’s cultures and languages by learning them. Similarly, the creature is a social being just like humans. He strives for love and companionship. On page 99, the right bottom panel shows the creature dreaming of being happy with the family. This illuminates his yearning to be accepted by
The 1950s saw the full development of a design movement that is apparently the most critical visual design style of the twentieth century as far as its sweeping effect, its life span, and its scope of pragmatic applications is concerned. The style started in Switzerland and Germany and is often alluded to as Swiss Style, yet it is formally known as the International Typographic Style. Its strength in numerous territories of graphic design covers a twenty-year period from the early 1950s to the late 60s, yet it remains impactful up till the recent times. As Richard Hollis puts forward in his book “Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965”, the Swiss Style has vital elements that are widespread throughout
Communication is a variable that designers manipulate in order to send out a truthful, bold, and eye catching message to their audience. Milton Glaser, an American designer, uses this medium to his advantage. His long and spontaneous career in art and design is a journey and a process that is evident through his work. With years of experience and going through processes of trial and error, Glaser’s works continue to adapt to the circumstances around him, which has made him a successful designer. Furthermore, Glaser takes risks and focuses on aspects like understanding his audience, and taking different approaches to learn from other non-design fields, to enrich his works.
Throughout the painting there is iconography and symbolism. To illustrate his authority, the Kangxi sits on a dragon throne, which raises him higher than his court. With Kangxi being the Emperor, his feet were not to touch the ground. The Dragon is thought to be the guardian and aide to the Emperor. In addition, the dragon is also repeated on his robe several times.
Since having two faces isn’t common, it, in combination with the hair, becomes the focal point of the sculpture. The scale of this sculpture is miniature reaching only 9.5 cm. The small size of the sculpture makes the intricacy of the sculpture all the more
In many places across the world, the flamingo has always been seen as something of great fortune and value. Price explains the many objects the pink flamingo have a connection in value today. In a detailed appeal to logos, Price insights the reader on how the pink flamingo has always been singled out as” special.” Not only in America is the pink flamingo considered special but all all over the world. Early Christians associate it with the “Red Phoenix,” in ancient Egypt it symbolizes the sun god ra, and “in Mexico and the Caribbean, it remains a major motif in art, dance, and
This painting contains different subjects like birds and symbols The rooster in the painting represents Aristide. The red and blue color of Haitian flag symbolizes his Lavalas party. This painting contains different colors like, Red, that symbolizes power, love, passion, energy and health, Blue, love, the color of Marie Laveau,Yellow: success, understanding, attractiveness, confidence, Black: transfiguration, removal of bad habits, grief, strife, poverty, confusion, bad luck. Fully black colored dolls are used in black magic. White: peace, security, cleanliness, health, honesty, sincerity, protection from rumors.
In the 20th century, Graphic Design evolved and changed for the better in many ways. During this century, many prominent Graphic Designers emerged and changed everything that was known about graphic design with their revolutionary works. Also, general ideas about art changed and art was developed for different reasons, like propaganda posters. First, I will discuss the new graphic design in the early 20th century.
Internet technology has new created new medium for designers. Design has become a breathing and living animal that users can interact with. The web has become a natural evolution of skills for broadcast designers while print designers may struggle. When watching a movie, using interactive tools on a properly designed website and flash animation has been an active participant. Technology has enabled online communities in collaboration with the internet to work with designers in solving problems