One major contrast between the two is that in Dillard’s article, the main sculptures created by the Etruscans were the human like figures that stood flat footed as for the in the book Benton and DiYanni wrote on page 131, the twin infants added in the Renaissance actually became the symbol of Rome making the figures less important than what Dillard described them
In the early Archaic period, the Greek sculptures were very similar to the Geometric art period. As the Greeks are being exposed to other art, they started to make their statuary look more like a real human beings instead of the gods with no facial structure. During the New York Kouros, the Kroisos, from Anavysos, Greece, statue is a good example of how the statue of a young male, posing in a natural stance. With closed hollow eyes, no expression on his face.
Political figures in art has always been an important part of our history, culture and artistic representation, Roman and Byzantine art is a classic case of these representations. The Equestrian Statue of Marcus Aurelius and Justinian as World Conqueror are two examples that demonstrate the power and prestige of these political authorities. First, Equestrian Statue of Marcus Aurelius from the Roman, Italy (173-176 CE) measures 11’6” high, cast in bronze. Secondly, Justinian as World conqueror from Byzantium period measures 13” x 11” entire panel, center panel 7” x 5” and 1” deep. The creator of the equestrian statue is unknown, however, the creator of Justinian’s ivory relief was probably made by the imperial work of Constantinople.
Response Paper 1 Justin Chau For my research paper, I am going to two about two types of art throughout certain time periods in history. What I am going to compare and differentiate are types of art within the Prehistoric time period, and the Roman time period. Within time periods in general, there are artworks that are relevant throughout their existing time period, and picked up later in future generations, where people can learn about their past cultures and various types of art. For the first time period, the Prehistoric period, it includes the Paleolithic culture and its art. It is divided into three parts.
Blink: The Power of Thinking Without Thinking is Malcolm Gladwell’s second book. It was first published in 2005 and explores connections between psychological and neurological research and human intuition. Through various anecdotes and detailed examples Gladwell uses Blink to explore how someone’s subconscious affects their decisions. Especially when it comes to quick judgments.
While reading “The Trouble with (the Term) Art,” written by Carolyn Dean in the summer of 2006, we are taken through an array of different scenarios that lead us to questions what art really is. Dean explores the idea that the word “art” is used far too often and too habitually, and that as we study the non-Western cultures we need to use much more discretion regarding what we call the different pieces of their culture. Throughout the essay, Dean supports her thesis that we too often categorize non-Western pieces as art by using different examples of how certain non-art pieces were deemed as art throughout the course of their history. Dean does this by using four key examples of how these ancient pieces are inappropriately called art to successfully support her thesis and avoid biases.
Though they appear to be drastically different, they have some similarities upon further inspection. Menkaure and His Wife is thought to be from the Old Kingdom time period, which was from 2686-2181 BCE. On the other hand, Akhenaten is from the New Kingdom, specifically the Amarna time period, which happened between 1391-1353. Both of the statues were found in Egypt and they have a great many similarities considering they were created many years apart. Both of the statues depict Egyptian kings, or Pharaohs.
He is a marble statue found in the ruins of the Athenian Acropolis, a bit smaller than life-sized, and is dated at 480 BC, a transitionary period from the Archaic to Early Classical era of Greek art. He is an emerging youth nearing the cusp of puberty, with a weight shift characteristic of this artistic period. Overall, the piece displays an incredible understanding of human physiology, and has moved away from the twisted perspectives and unnatural stiffness of earlier art. An anatomical chain of events occurs with the weight shift, and his overall musculature and skeletal structure are unforced and lifelike. He is the most famous Early Classical statue.
While art varies in many ways, one can also easily identify many similarities between cultures. These similarities and differences have been seen and identified throughout history as art has continued to evolve. Architecture is no different, meaning although two grand structures were built on different sides of the world, similarities can be drawn between them. These similarities are consist of symbolism, architecture, and materials used in the structures. For example, the Hagia Sophia and Charlemagne’s Chapel both share similarities and differences through their histories and the architecture and decorations that make these structures so grand.
This sculpture is a mixture of female and male traits; its idea is to describe the realism without mythical and big muscles as was found in the Hellenistic period. Donatello’s David shows realism more than it does an ideal condition of man as in the Greek Hellenistic period. There are a few ways to tell. First, David’s skinny body and his arrogant expression reveal a confident man and anon-mythical expression that would not have been made as artwork during the Hellenistic period.
Through this essay I will be discussing the comparisons and the contrast between temples in Greek architecture and roman architecture. I will be commenting on the forms, materials, technology and the siting to compare and contrast the architecture of ancient Greece and Ancient Rome. Also I will discuss how these points reflect the structure of the Greek and roman societies from which the temples emerged. Greek Architecture There were three main styles in Greek architecture, these styles were called the Doric style, Ionic style and the Corinthian style.
David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.
The stele is made out of pink sandstone, Hatshepsut’s statue was made with red granite, and Khafre’s statue was made with diorite. The material with what these pieces were made was chosen by the ruler for reasons like durability and expression of his or her wealth. The purpose of the piece ‘Victory Stele of Naram-Sin’ was made do illustrate Kind Naram-Sin’s victory and conquer of the mountain, ‘Hatshepsut with Offering Jars’ was made to honor the gods, and finally, ‘Khafre Enthroned’ which was made to just simply depict him as an enthroned divine ruler. Thanks to the many portraitures found from the ancient times, such as these three, we are allowed in this point of time to familiarize with what our ancestors believed and how it all evolved over
The bust of Commodus is one of the most famous masterpieces of Roman portraiture and depicts the emperor as the reincarnation of the hero Hercules. Commodus is seen wearing the lion 's skin over his head, holding the club in his right hand, and the golden apple of Hesperides in his left hand as a reminder of how he is seen to be as the Greek hero Hercules. Two Amazon women are kneeling on the base beside a globe with the sign of the zodiac. These zodiac signs show important moments in Commodus’s life. On top of the globe is a cornucopia with the Amazon’s shield, one long enough to almost cover his torso.
The style of the building and the purpose it is built give a brief and thoughtful storybook about the culture of the architect as art, generally, and architecture, particularly, is a language itself. Thus, buildings narrate the stories of the people among the history and tell their traditions and habits to the next generation through its design, inscriptions, and details. In this essay, I will discuss how both the style and function of the Greek Parthenon and the Roman Pantheon served as typical examples of their cultures in Athens and ancient Rome. In addition to the similarities and differences between these two cultures through the two buildings. Both the Greek and the Roman architecture inspired the cultures and architects until these days due to the diverse meaning they carry and symbolize in astonishing ways through the different orders, columns, roofs, friezes, and domes.
