In using diction the author was able to invigorate a higher connection, and therefore amplify a connection between reader and writer. Another example, that can really inform readers in multiple aspects is, “The houses up here were shabbier than the brick houses lower down in the valley. They were made of wood, with lopsided porches, sagging roofs, rusted-out gutters, and balding tar paper or asphalt shingles slowly but surely parting from the underwall.” (Walls 150) Jeanette connected her lifestyle with her environment around her, as well as connecting the readers with her feelings.
Rishi Mallipeddi In her essay on the Search for Utopia and the Blood imagery in Cormac McCarthy’s All the Pretty Horses, Susan Lee describes how the landscape serves as a meaningful backdrop to John Grady Cole’s adventures in Mexico. She believes that while Cole seems to journey to Mexico purely to search for his utopia, John Grady’s underlying inspiration for the journey stems from his desire to return to “the human emotions and internal desires displaced by the intrusion of modernity”(Susan Lee 189). Later, she claims that Cormac McCarthy equates “the desire for utopia with inherent human features,” specifically blood imagery(Lee 189). The blood imagery in the novel seems to emphasize the “life-sustaining features at the heart of the protagonist's
When parents start to neglect their own children’s interests, it shows in the children. Two novels illustrate this concept vividly: Confetti Girl and Tortilla Sun. Although these two have very spontaneous titles, this does not make them one of the same. In fact, Confetti Girl and Tortilla Sun have a world of differences, but also some similarities as well. To start, there is Confetti Girl.
Another example of diction being utilized is shown when Bradbury wrote “angry sparks” and “tenderly crisping,” (Bradbury 3) to describe a fire that has begun
Edgar Allan Poe creates horror and suspense in his use of irony -including verbal irony, situational irony, and dramatic irony-in his short story “ The Tell-Tale Heart”. Verbal irony is when something that is said means the opposite of what is meant. Poe uses verbal irony when he states, “ I loved the old man.” Situational irony is similar. It is defined as when what happens is different from or even the opposite of what we expected.
In her discussion about the permanent inequality, she mentioned the dominant groups. Inferior groups are a lower part in our society, thus are judged
She would be in a university lecturing to people who knew what she was talking about. ”(O’Connor 223) The sentences
Moreover, a third example of impressive use of diction is a metaphor in the sentence “they nicknamed me chicken-hips” (Pigott 79). In this sentence they are comparing Pigott to a chicken because she has no mass on her hips. The significance in this sentence is the word chicken hips, this word is used to show the reader that in a woman in Africa who is slim would be called chicken hips while in a modern location they would be considered
One example of figurative language in Laurie Hale Anderson’s book “Speak” is when Melinda decides to rid her garden of all weeds, and does some spring cleaning after it finally stops raining during May. Around the same time, Melinda is realizing that she wants to make some new changes in her life and in this figurative language example, Melinda’s life is her garden. She decides first to rake the leaves “suffocating the bushes” ; Melinda is ridding the demons from herself on the first layer of her skin. She says that she has to “fight the bushes (her problems)” and the bushes don’t like getting cleaned out but it is something one has to do if one makes
She encourages the members of her audience to be a mentor to someone who is different from them, and who does not have the same opportunities as them (Abdel-Magied, 9:56). Everyone has the tendency to gravitate towards those similar as themselves, she acknowledges (Abdel-Magied, 10:00). But by finding someone with a completely different background than you, you can create opportunities for them that were not there before. Many times we don’t even realize that others lack the opportunities that we have (Abdel-Magied, 10:35-10:45). By making the decision to look beyond your own bias and reach out to someone, you have the potential to create more opportunities for people, and in doing so you are helping the world by creating equal
He is a professor who specialized in literacy and learning. He also did a “study of the thought processes involved in work like that of his mother and uncle. I cataloged the cognitive demands of a range of blue-collar and service jobs, from waitressing and hair styling to plumbing and welding. To gain a sense of how knowledge and skill develop, I observed experts as well as novices. From the details of this close examination, I tried to fashion what I called “cognitive Biographies” of blue-collar workers.
While Edgar Allan Poe as the narrator of the The Tell-Tale Heart has the reader believe that he was indeed sane, his thoughts and actions throughout the story would prove otherwise. As the short story unfolds, we see the narrator as a man divided between his love for the old man and his obsession with the old man’s eye. The eye repeatedly becomes the narrator’s pretext for his actions, and while his delusional state caused him much aggravation, he also revealed signs of a conscience. In the first paragraph of the short story, The Tell-Tale Heart, Edgar Allan Poe establishes an important tone that carries throughout his whole story, which is ironic.
For example, the author uses words like “pungent”, “feline”, “cultivate”, “tract” and “bevy of vixen” to describe the animals, things she is doing and smells. In the poem “A Blessing”, the author uses the
She conveys the basic victims, or in this case values, that are being affected due to social
She is ridiculing society and its limitations of women in higher
