He fits all the criteria for a tragic hero; he has a flaw, hubris, that eventually leads to his downfall. This downfall is when he causes his son and wife’s deaths by sentencing Antigone to death and eventually killing her. Also, Creon realizes his flaw in the end, which is the final criteria for a tragic hero. Creon's suffering was defiantly insisted upon through his pride, and it most definitely made him much, much worse. Therefore, with a life both tragic and saddening, Creon is the tragic hero in
Macbeth’s deterioration initiated with slaying Macduff’s family. By doing this, he only creates Macduff as an enemy who is now declaring revenge for his slaughtered family. When Macbeth commits this crime, it reveals that he is a tragic hero, in view of the fact that he continues performing disastrous deeds which only demolished his downfall. Upon following this, Macbeth’s epiphany, when he recognizes that the three witches had cleverly tricked him, was an exemplary point on how Macbeth is a tragic hero seeing that this individual finally becomes aware of the horrendous crimes he has accomplished in the play. In the following catharsis, Macbeth releases those emotion, “And be these juggling fiends no more believed,/that palter with us in a double sense,/that keep the word of promise to our ear,/and break it to our hope” (5,8,23-26).
Oedipus, the brainchild of Sophocles in his play Oedipus the King, matches well to what Aristotle defined as a tragic hero (Tragic hero as defined by Aristotle). He possesses hamartia (tragic flaw), peripeteia (reversal), and anagnorisis (full knowledge). This archetype of a tragic hero, though, was not rigidly followed by the modern model of a tragic hero. Perhaps the most prominent example of the twentieth-century tragic hero is John Proctor, the protagonist in Arthur Miller’s The Crucible. Though John Proctor shares the many characteristics of an ancient tragic hero i.e: hamartia, peripeteia and anagnorisis, he is different by definition of a tragic hero as interpreted by Arthur Miller.
When asked, “Who is the tragic hero in Antigone?,” you might automatically think of the character Antigone. The character’s name is the title of the play like in “Hamlet”. The only difference is that Hamlet was the tragic hero in “Hamlet” moreover Creon is the tragic hero in “Antigone”. It all comes down to the definition of Aristotle’s tragic hero. Aristotle states that a tragic hero is, “a person who must evoke a sense of pity and fear in the audience.
The stress of liability under the powers of the throne caused a lot of built up rage to come out through Creon during the time of the prince 's deaths. The king carried a very palpable fault with him which shined through in this rulings and reactions about Polyneices ' burial. However, a personality flaw is one of the most self-evident characteristics of a tragic hero. Creon 's hubris, or extreme pride, leads him to many irrational choices and conversations with his closest loved ones. At the news of his nephew 's deaths, Creon makes a sudden decision on behalf of the men stating that "Polyneices... is to have no burial.
Antigone defies Creon 's orders and buries her fallen brother in spite of the law forbidding the act. This action seals her fate and causes Antigone to be sentenced to death. Ultimately, what makes Antigone a tragic hero in this play are the traits she possesses which lead to her downfall. It is not necessarily her actions, but her convictions and values which cause her to be such a tragic figure. Antigone’s tragedy comes because of her unswerving loyalty to her brother, Polynices, and her determination to give him burial honors despite the personal danger.
Many people don’t realize that The Crucible is a tragedy. As defined by Oxford Dictionary, a tragedy is “a play dealing with tragic events and having an unhappy ending, especially one concerning the downfall of the main character.” This very accurately describes The Crucible. Its tragic events include people being falsely accused of witchcraft and sentenced to jail or death. It has an unhappy ending in which many major characters are killed. The final trait of a tragedy is that it has a “tragic hero”- the main character which experiences a downfall as a result of a tragic flaw.
Although her actions would defy the commands of her ruler, she follows through with the rebellion to achieve justice for her brother. In response to Creon’s verdict, Antigone explained: “ This punishment will not be pain. Only if I let my mother’s son lie there unburied then I could not have borne it. This I can bear “ (Lines 391-394). Being the stubborn character that Antigone is she was not ready to give into her
Macbeth is firstly at fault due to his own hubris. From the start of the play we hear praise for Macbeth from the captain when he addresses Duncan, “For brave Macbeth—well he deserves that name—Disdaining fortune, with his brandished steel,Which smoked with bloody execution,Like valor’s minion carved out his passage” (1.2.16-19), this sort of praise was likely commonplace after the battle, and likely was heard by macbeth himself, and being the proud man he was may have led him to feel deserving of greater power and authority. Another way his hubris is to blame is for being convinced by his wife's scorning oh his manhood should he not kill duncan “When you durst do it, then you were a man; And to be more than what