Antigone Vs Creon Tragic Hero

As a noble king, the mistakes and errors you make can affect you in the future and other people. Creon is a king and he makes a lot mistakes that will affect him and others from death and a lot of sadness. The claim that Creon is a tragic hero is that he was born into nobility, doomed to make serious errors in judgement, and there is a lot of suffering and calamity and its widespread.

In the short story titled “Antigone,” the author portrays Creon as a tragic hero by displaying flaws in Creon's character shown throughout the story. Creon’s character contains many flaws which lead to many problems. His decisions end up deciding the fates of his son, his wife, and Antigone. Creon finally realizes that what he has done is sinful to the gods. He has put his own pride over the appreciation of the gods.

In every piece of literature, there are multiple kinds of characters. In Greek literature, the tragic hero often makes an appearance. Sometimes, there is more than one. A tragic hero is one whose tragic flaw leads to the suffering of others and their downfall. In Antigone, a Greek tragedy written by Sophocles, there are two characters who could be considered tragic heroes. Creon, the King of Thebes, is the tragic hero because of his tragic flaw, hubris, his awareness in the end that it led to his downfall, and his fate that leaches a lesson to the audience.

When asked, “Who is the tragic hero in Antigone?,” you might automatically think of the character Antigone. The character’s name is the title of the play like in “Hamlet”. The only difference is that Hamlet was the tragic hero in “Hamlet” moreover Creon is the tragic hero in “Antigone”. It all comes down to the definition of Aristotle’s tragic hero. Aristotle states that a tragic hero is, “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through an error of judgment.” Notice that Aristotle uses the words he, man, and him and not she, woman, or her. This hints that the tragic hero must be a man, not a woman. A tragic hero must also have certain characteristics such as hubris, hamartia, peripeteia, anagnorisis, nemesis, and catharsis. These all mean that the character’s tragic downfall must have a beginning, middle, and end and emanate a feeling of pity and fear in the audience.

“A city which belongs to just one man is no true city.” (lines 838-39) Throughout the play, Antigone, written by Sophocles, the character Haemon constantly tries to persuade his father, Creon, to listen to the people of his city and to become a more humble leader. Haemon’s words, actions, and ideas contrast with Creon’s character. Which results in the two characters having continual conflicting motivations. These conflicting motivations cause the characteristics of anxiety, anger, and selfishness to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by giving Creon his free choice that makes his downfall exclusively his own fault and the character interactions advance the plot by pushing King Creon to insanity and showing that even the King’s own family was trying to urge him to change his decree, and develops the theme of love and loyalty by showing the struggle between faith and family.

Tragic heroes are apart of almost all plays worldwide weather you know it or not. In the play Antigone. One of the main characters who is the king of the city,Creon, is the tragic hero for three main reason. First of all he is born into nobility, he meets a tragic death, and lastly, Creon is endowed with a tragic flaw.

Love is a powerful motivation it can even drive you into hating someone, love drives you to do even what you wouldn’t normally do. Creon makes a law that forbids anyone from burying Antigone’s brother. When she finds out she goes against the king and buries her brother. When he is informed about what happened he punishes her. Antigone kills herself and then his son kills himself when he finds out that his love had died. Antigone’s love is so great for her brother that she went against the king and buried him with religious rights. Then Haemon kills himself because Antigone had died and he wanted to be with her. In the end Creon’s wife killed herself because her son had died. Creon is perceived as the tragic hero of the play when he is talking

The play Antigone, by Sophocles, presents the power of love, which the sword cannot defeat. Nevertheless, the play itself provides the idea in which it might be argued whether love is one of the superior forces in society that drives people to pursue their ideals.

In Sophocles’ play Antigone, Creon, the king of Thebes, best represents a tragic hero. Creon demonstrates goodness in his intentions for Thebes as well as his fragile state due to the fact that he recently lost several family members. Creon, newly named king, finds himself as highest ranking official around, showing superiority. Creon often acts stubborn and prideful, his tragic flaw. And lastly, he must come to terms with the fact that he caused the death of his wife, son, and niece. Therefore, Creon best represents a tragic hero.

Creon finally realizes that his hubris has not let him effectively deal with his conflicts. Creon has his epiphany and even says, “I have been rash and foolish.” He finally acknowledges that he has let his pride take over for the worse. Creon also realizes that it was his fault Haemon dies. He would not listen to Haemon and take his advice. Creon almost seemed like he wanted Haimon to be angry so he put Antigone in the vault. He couldn’t see that Haemon was in love and Antigone was just trying to honor the dead because of his hubris. Creon also says, “My own blind heart has brought me from darkness to final darkness.” This shows he knows he didn’t use his intelligence to solve his problems. He was already heading the wrong direction with his pride and it finally was too much. Creon’s hubris has not let him effectively deal with his

The play, Antigone, is a tragedy written by the Greek poet Sophocles. A common theme among tragedies is that they have a tragic hero, and Antigone is no different. The tragic hero of this poem is Creon, the King of Thebes. Creon is faced with the difficult task of punishing his niece, Antigone. She has broken one of his laws stating that no one is to give proper burial rites to Polyneices, Antigone’s brother, because he tried to overthrow Creon. Against the warning of others, Creon goes on with his plan to essentially sentence Antigone to her death. Creon continually ignores what others counsel him to do because he believes that just because he is king, everything he does is right. It is this thinking that ultimately leads to the death of not only Antigone, but also Creon’s son and wife as well. All tragic heroes suffer from a tragic flaw that leads to their downfall. Creon suffers from two tragic flaws, pride and stubbornness. Both of these flaws lead Creon down a path of destruction that he is unable to return from.

And because of this he is trying to show Haemon that he did the right thing. Creon is saying that if a man can do what is right and not let things get out of hand in his house he has the right to continue to rule the state. But if a man flaunts authority and lets things get out of control in his own home they have no right to lead, and he will never allow that to happen. So by doing this to Antigone he is keeping his house in order thereby keeping the state in order as well. Later we can see Creon using emotion as well to try to persuade Haemon that he did the right thing. And later in scene 3 we see Creon talking about how Antigone did an act that Hades even thought wrong and that she has the right to be down there with him: “I’ll leave her pleading to her favorite god,/ Hades. He may charm her out a way to life./ Or perhaps she’ll learn through late the cost/ Of homage to the dead is labor lost.” (I.iii.226). Creon plays with the emotions of his son by taking a shot at his

In Sophocles’ Antigone, Antigone and Creon both have qualities of a tragic hero according to Aristotle’s definition. Aristotle believes a tragic hero is a decent human, but falls due to a weakness in one’s character. In the plot, Antigone decides to bury her brother, which defies the laws of Creon, the dictator of Thebes. Antigone believes she must hold her family values and the gods’ beliefs with utmost respect. Antigone refuses to deny her crime, so she is sentenced to be death by Creon. Antigone is the tragic hero because she inspires pity and fear when her devotion to the gods and her morals lead to her downfall.

The character Antigone is the protagonist in Antigone, the second play out of the Oedipus Rex trilogy. Out of the trilogy she is apart of she is the most tragic figure, though other claims say that Creon is a more tragic figure. A tragic figure in Greek plays, according to Aristotle, is a fictional character in a story or play that has an error in judgment, known as hamartia. This error of judgment causes his or her own misery, known as peripeteia. In Greek plays, such as the one Antigone premiers in, this person is must be of nobility. A tragic figure also has a tragic flaw that incorporates into the story or play. This tragic flaw can be shown through arrogance, stubbornness, love, or any quality that usually causes conflict, this is known as hubris. A tragic figure also must be portrayed as relatable to the

“Power tends to corrupt, and absolute power corrupts absolutely” said historian Lord Acton. In Sophocles’ Antigone, Oedipus the King of Thebes newly departs after disgracing his people, and his successors to the throne, Polynices and Eteocles die in battle, thus leaving his brother Creon to inherit his throne. From the beginning, Creon uses his newfound power to impose excessive punishments against not only the people of Thebes, but also his family. As a result, the Thebans recognize his abuse of power, and express their fears through not only the chorus, but also his son. To finalize his play, Sophocles exposes how Creon uses his power to manipulate the hierarchy in Greek society; consequently offending the gods. Therefore, through King Creon’s