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Disney Princesses In Disney Movies

632 Words3 Pages

Many people believe Disney princesses can alter a child’s perspective about his or her self. The way princesses act and what they wear both affect children’s state of mind. The essay “Girls on Film: The Real Problem with the Disney Princess Brand” by Monika Bartyzel claims that the image of Disney princesses changes the way both children and society feel about women. The author shows her credibility with the type of sources she uses to support her argument. The sources she uses are from a New York Times article, a psychotherapist, and A Mighty Girl cofounder. The author’s ethos is effective as she chose sources that are reliable and the least likely to be “fake news”. It confirms that Bartyzel heavily researched her topic and selected the best quotes to support her claim. Bartyzel also shows her knowledge of the subject by stating how each Disney princess has been changed to fit the common stereotype of beauty. She recognizes that in the movies, the characters slightly realistic, but once they become redesigned they look unrealistic with “liposuction and rib removal” (Bartyzel 469). The author examined each princess and their change to explain to the reader, how even …show more content…

She reminds the reader that in the movie Brave, Merida did not want to conform to the typical princess stereotype, but instead wanted to be fearless and adventurous. When Merida becomes reimagined by Disney Princess line, she now wears a body-hugging dress, has tame hair, and a full face of makeup-everything that Merida was against. The author states that, “Instead of celebrating the fiery spirit…Disney chose to do the opposite” (Bartyzel 469). Disney doesn’t embrace Merida’s free spirit but smothers it and displays her as another submissive princess. The author also gives other examples of Disney princesses that have been transformed to fit the typical princess

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Princess Paradox By James Poniewozik Summary

1015 Words | 5 Pages

He begins to say, “You give your daughter legos and soccer balls, not barbies” (323). Poniewozik proceeds to argue his point by explaining how Hollywood finally discovered that it is pointless to fight the urge of the astonishing pink princess epidemic, while producing many more princess themed items because it is what girls seem to want. Similarly, Peggy Orenstein opens with a story about a mother who is simply appalled by anything and everything princess based on how her daughter gets treated by other adults. However, Orenstein tried to keep a consistent theme of not accepting the whole idea of being picture perfect throughout the article, but while making an argument, she would then come up with a contrasting argument. The question of, “Does every little girl really have to be a princess?”(Orenstein 326), arises when thinking about all of the times how even strangers assume little girls always want pink.

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The Myth Of American Girl By Peggy Orenstein

378 Words | 2 Pages

In Peggy Orenstein’s book, she effectively argues that a princess-like society immersed in America's culture is damaging to young girls through her interviews, evidence, personal experience, and humorous tone. Starting towards the beginning of her book, Orenstein exposes to the audience that she too liked Disney. She says that "God knows I was a Disney kid. I still have my bona fide mouse ears" (Orenstein 13). By doing this, Orenstein conveys her knowledge of the two sides of her argument: Disney is damaging to young kids or vice versa.

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Is The Difference Between James Ponniewozik's Cinderella And Princess Culture

990 Words | 4 Pages

In the excerpts from both James Poniewozik's "The Princess Paradox" and Peggy Orenstein's "Cinderella and Princess Culture", the authors address the growing market of princess products and how big ticket companies are using this knowledge to turn a profit. Both authors are highly respected journalists who have been published in the New York Times multiple times. Each has done their own intensive research on the media's use of princesses and their culture to make money. While both authors address how corporations are finding profit in "princess culture", Poniewozik focuses on how movie studios found princess stories to bring money in from young audiences, while Orenstein appears more concerned with how Disney branded princesses.

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Gender Roles In The Princess And The Frog

597 Words | 3 Pages

The movie “The Princess and the Frog” is not your typical “boy saves girl” movie. Instead, this Disney movie presents us with a strong female lead who doesn’t need a man to achieve her goals. In many previous Disney movies, it is demonstrated that a girl needs a man in order to get her happily ever after. Without a prince, she is nothing. In “The Princess and the Frog” the gender roles are presented to us as equal, even reverse at times.

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Analysis Of Mary Pipher's Saplings In The Storm

713 Words | 3 Pages

These phenomenons bring up the fact that just by them watching this they get a certain perception of a princess and how to be one. Not only does this have an effect on girls so do the approval of others as they understand

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Post-Princess Models Of Gender: The New Man In Disney

722 Words | 3 Pages

Rhetorical Analysis Cinderella, Snow White, Sleeping Beauty and many other Disney movies all have one thing in common, they feature a female lead who need a male figure to save them. However, things started to change after the release of Mulan 1988. It changed from only having those female leads who always needed to rely on someone, to females who were able to show off their more masculine side. In the article “Post-Princess Models of Gender: The New Man in Pixar/Disney,” Ken Gillam and Shannon R. Wooden explored the idea that Pixar movies were starting to show male characters who weren 't afraid to show their emotions and feminine attributes, to promote the “New Man” model.

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Analysis Of What's Wrong With Cinderella

1343 Words | 6 Pages

However, the later Disney films have gradually attempted to break away from this stereotype resulting in stronger female characters like Ariel, Mulan, and Elsa among others. Keeping this transition in mind, this paper uses semiotic analysis of four popular Disney films, namely, Snow White and the Seven Dwarfs (1937), The Little Mermaid (1989) and Mulan (1998) to depict the influence of societies ' changing perceptions of women on the portrayal of Disney princesses. These films taking into account the earliest film and certain popular characters that have represented a shift from being the coy damsel in distress to a woman who plays an active role in determining her own destiny. The portrayal of the Disney princess has changed in accordance with the development of women in society over time (1937 to 2013) from demure and traditional to

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Little Girls Or Little Women: The Disney Princess Effect

582 Words | 3 Pages

Logos creates a sense of urgency in the reader’s head that they need to monitor their child’s behavior. One of the credible sources Hanes uses is from a University of Central Florida poll, which found that, “50 percent of 3-6 year old girls worry they’re fat” (*). Hanes argues this statistic could be stemmed from the Disney Princesses image. The princesses have a particular shape and size that has created a standard for body image. The author uses these facts to show her audience that if parents continue to allow their children to view these images, their child will desire to be just like the Disney Princesses.

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Disney Princesses Are Bad Role Models

1285 Words | 6 Pages

Walt Disney has been making girls think that in order to be beautiful you have to be the perfect shape and size. (Shortridge). Some people believe that the Disney Princesses are great role models for children because Mulan teaches us to never give up on the strengths we have just because we are girls, Belle teaches us to never judge a book by its cover, and Pocahontas shows us real princesses are strong leaders. On the other hand, some individuals feel that Disney Princesses are bad role models because of their unrealistic body appearance, telling girls every marriage ends with a happily ever after when you get married at a young age, and saying every girl needs a man in order to be happy. Both sides have valid points but in reality everyone

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Paper Bag Princess Stereotypes

494 Words | 2 Pages

Princesses’ in Disney movies are tied down to a recurring theme: the princess that must be saved from the evil woman by the charming prince. A significant contrast to the usually weak and easily persuaded figure of the father. Even though the women are portrayed as weak, nobody stops to think how strong they have to be to carry the responsibility of an entire household on her shoulder, while the men always seem to be traveling or ill. Fairytales are based on a patriarchal way of thinking and as time passes by, it’s proven to be detrimental to society Women and men are constantly being bound to a series of stereotypes.

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The Little Mermaid Gender Stereotypes

1690 Words | 7 Pages

The Little Mermaid which was produced in 1989, was the first Disney movie to challenge the traditional gender roles, for the fact that Ariel wanted to explore, and was more independent and assertive in her desires than the earlier princesses of the 1930’s and 50s films. Also the prince in The Little Mermaid went against traditional gender roles as well, simply because he was more affectionate and loving than his prince counterparts in other Disney films. “Both the male and female roles have changed over time, but overall the male characters evinced less change then the female characters and were more androgynous throughout.” (Descartes & England, pg.566). Disney movies have been for a long time a strong media target for children, and can serve as a way to address stereotypical gender roles (Leaper, 2000).

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Body Images In Disney Movies Essay

901 Words | 4 Pages

Although, in disney movies the female characters have outstanding bodies, they also have unrealistic bodies, little kids are influenced by disney princess to change in order to fit into society's definition of how a woman should look. In our society, young girls are already growing up in a world where it’s more important to please people rather than to be who they actually are. In many disney

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Karen Horney's Personality Development In The Movie Brave

1482 Words | 6 Pages

Abstract: This term paper studies about the personality development of the Disney fictional character “Merida” from the movie “Brave” in the light of the two theorist i-e, Alfred Adler and Karen Horney. This paper will try to enlighten which theory is more influential in describing the characters personality. Princess Merida is a teen rebellious tomboyish daughter of King Fergus and Queen Elinor, belongs to a Scottish Kingdom. Merida’s mother anticipates seeing her daughter as an

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Disney Female Discourse In Disney Belle's Beauty And The Beast

1466 Words | 6 Pages

Collier-Meek, 2011) examined the gender role depictions of the prince and princess' characters. It focuses on their behavioral characteristics and climatic outcomes in the films using gender role approach. The female characters were categorized according to the typical feminist lens. In Beauty and the Beast the princess, Belle, was equally as brave, a traditionally masculine trait, as she was nurturing, a feminine one. The princess was more assertive and the prince was equally as sensitive as the princess (Dawn Elizabeth England & Lara Descartes &Melissa A. Collier-Meek, 2011; page 564).

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Psychoanalytic Analysis Of The Disney Film 'Cinderella'

1318 Words | 6 Pages

Abstract Most of us have grown up watching Disney films but never really thought of what they exactly mean to us. Our understanding of what it means to be a Disney princess is probably one of the reasons to what made us subject to the regulation of cultural values. Cinderella and other similar Disney princesses may be recognised as a part of an individual’s childhood but the values and ideas it conveyed can still be reflected in our decisions and behaviour as adults. Many young girls perceive Cinderella as a role model and create expectations and beliefs based on what is portrayed through her unfortunately these expectations are not fulfilled and ends in dissatisfaction.

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