Revenge, a thought that has crept into the minds of almost everyone yet, most would not kill to attain it. Poe’s “The Cask of Amontillado” depicts the murder of a man named Fortunato at the hands of Montresor. “Revenge” being the justification for this cruel act makes the morals of Montresor questionable and gradually builds to form a terrifying story. The dialogue between the two characters and the imagery used to create the catacombs and the twisted carnival atmosphere ultimately makes up this dark story.
He fits all the criteria for a tragic hero; he has a flaw, hubris, that eventually leads to his downfall. This downfall is when he causes his son and wife’s deaths by sentencing Antigone to death and eventually killing her. Also, Creon realizes his flaw in the end, which is the final criteria for a tragic hero. Creon's suffering was defiantly insisted upon through his pride, and it most definitely made him much, much worse. Therefore, with a life both tragic and saddening, Creon is the tragic hero in
Throughout the infamous Greek tragedy, “Oedipus the King”, Oedipus’ characteristics of excessive arrogance and ignorance ultimately led to his demise. First off, Oedipus had developed a strong sense of pride, being the savior of the people of Thebes, and this stuck with him until the very end of the play. Arrogance itself kept a veil over the entire truth, in the way that Oedipus’ mind was filled with the lies of his own hubris. In addition, Oedipus’ strong trait of ignorance contributed to his fall. Readers get to watch as this character remains oblivious to his immoral actions, and faces the terrible consequences after the fact.
Horror is the most blood curdling of all man’s passions. Human fascination with fear drives an industry of cultivating genres full of frightful, gorey content for entertainment purposes. Sudden frights startle audiences and inspire awe and apprehension; though the most chilling, dismal displays of pure terror come from the deepest, darkest pits of human misery. To truly terrify, one must convey a torment so unrelentingly pertinent that every terrific aspect strikes the witness as an undeniable reality. Humans, the greatest source of pain and suffering, afford authors the chance to capture a tormented soul in writing and control a reader’s heart.
Macbeth, by William Shakespeare, is a tragic story about man’s faults. While fictional, Macbeth shows many true aspects of man, such as pride and corruption. Pride is shown in almost every act of Macbeth. It shows that even men whom are considered the best, most loyal men, can fall folly to the pride of life. Shakespeare uses Macbeth to show how pride is destructive, sin corrupts the mind, and that not all counsel should be taken.
The tension between the characters is obvious. Elizabeth finally establishes her dominance as Gabriel tries to blame John. I felt extremely bad for John because the only thing he didn’t do in his situation was speak up. He had absolutely nothing to do with Roy getting hurt. Of course, his step-father believes otherwise because he wants to blame his step-son.
In Paul’s Case, the main character Paul embodies the true characteristics of narcissism. Paul exhibits greed, entitlement and he places himself above all others. Because of Paul’s narcissism, he treated others with disrespect and was often critical of other’s. Paul’s narcissism is so debilitating that he is unable to find satisfaction in anything and that is ultimately what drives him to commit suicide. Could it have been that even though Paul presented himself as a superior, important person that people should be envious of, he was actually self-consciousness with a self-esteem as fragile as glass?
The stress of liability under the powers of the throne caused a lot of built up rage to come out through Creon during the time of the prince 's deaths. The king carried a very palpable fault with him which shined through in this rulings and reactions about Polyneices ' burial. However, a personality flaw is one of the most self-evident characteristics of a tragic hero. Creon 's hubris, or extreme pride, leads him to many irrational choices and conversations with his closest loved ones. At the news of his nephew 's deaths, Creon makes a sudden decision on behalf of the men stating that "Polyneices... is to have no burial.
Macbeth’s deterioration initiated with slaying Macduff’s family. By doing this, he only creates Macduff as an enemy who is now declaring revenge for his slaughtered family. When Macbeth commits this crime, it reveals that he is a tragic hero, in view of the fact that he continues performing disastrous deeds which only demolished his downfall. Upon following this, Macbeth’s epiphany, when he recognizes that the three witches had cleverly tricked him, was an exemplary point on how Macbeth is a tragic hero seeing that this individual finally becomes aware of the horrendous crimes he has accomplished in the play. In the following catharsis, Macbeth releases those emotion, “And be these juggling fiends no more believed,/that palter with us in a double sense,/that keep the word of promise to our ear,/and break it to our hope” (5,8,23-26).
Truman Capote wrote the nonfiction novel In Cold Blood with the accounts from the murderers and investigators of the Clutter family. As Capote grew up, he found himself neglected by his mother and father. Because his mother and father often neglected him, he spent much of his young life with his mother’s relatives. While Capote was young, his mother often made fun of him for being “different” than other children. Although Capote faced many hardships throughout his early life, he was able to overcome them and attain a successful writing career.
When most people think of monsters, they think of ugly creatures whose purpose is to scare anything that it comes across. In Mary Shelley’s Frankenstein, that is the case. Dr. Victor Frankenstein’s creation is a hideous monster that terrorizes his creator and townspeople. On the other hand, Oscar Wilde’s The Picture of Dorian Gray depicts a monster as a beautiful young man whose painted portrait starts to look more like a monster than his actual self. Frankenstein and The Picture of Dorian Gray both tell stories of monsters who do evil things.