The passage on page 93, to page 95 is an excerpt from the old man and the sea a novel by Ernest Hemingway. This section of the book is where Santiago finally catches the fish he has been with for days. There is a lengthy description of how Santiago kills him with all his strength and lets his heart bleed into the sea. Ernest Hemingway portrays the twisted relationship between the man and the fish with literary techniques. He portrays this relationship through the use of imagery, structure, and paradox.
Throughout the entire passage, imagery is a constant. It is used to not only create images in your mind, but to also bond you to the man, the fish, and their relationship. Hemingway deliberately uses words and sentence structures so that
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Throughout the text, the author uses structure to bring important sections to attention and to differentiate between the emotions and perspectives Santiago is having. In the passage, the fish is either referred to as “the fish”, or “him”. Depending on which Hemingway uses has an impact on the emotions attached to the fish. When the fish is referred to as he or him, it is almost as though he is a human and that strengthens the bond between Santiago and the fish. Santiago is persevering the fish as someone like him, as more of a brother than a fish in the sea. However, at times he reverts back to referring to the fish as “the fish”. This may imply the moments when Santiago needs his inner strength to kill the fish and accept its death. If he continued to refer to the fish as he, he would still feel that connection to him and it was important for him to momentarily let go of that sense of connection, and stick the harpoon through the fish’s heart. These important additions of structure can be used as a perfect demonstration of the relationship between the man and fish. If the man were not so closely connected to the fish he would have no need to call it him, and he would especially not need to momentarily start calling him “the fish” in order to kill him. While the structure is not the first element of a text that most people analyze, once discovered it often brings the purpose of the text into
With the wife also displaying similar brown lines on her body, the comparison between the fish and the wife is shown with a sense of similar feelings of distress in their current situations. The narrator is able to feel sympathy towards the female fish because she can sense her fear of being cornered and a need to hide herself from the male. Just like the female fish, the narrator is going through a similar situation with her husband, in that the narrator felt belittled by her husband and a need to hide herself from him when he would be in one of his moods. For example, the birth of their daughter, they had different views on childbirth. The wife wanted to do a water birth because she heard it was a better for the baby, but she didn't argue for it because she
The use of imagery in this poem gives a lot of insight to the life of the fish. For example, “Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper,” giving the fish a more wise and experienced type of personality. The
The chapter illustrates how the artist incorporates ideas within her art that reveal aspects about dreaming. The image I have selected is Hammerhead Shark on Padre Island, 1987. The medium of this painting is oil on canvas, it is 36x48 inches in size. Within this painting, the view is of a beach, where most of the community is enjoying a day at the beach but they have encountered a bleeding almost dead shark on the sands of the beach. They imagery shows how that the most familiar areas aren’t free of endangerment.
The fisherman gets closer, his sharp knife glinting. The shark eyes plead for release. A boy stands conflicted, should he help? In the next text, “The Day I Saved A Life” by Thomas Ponce, the author writes about a time when he stood up to a fisherman that was hoping to make a large sum of money by killing a shark. As an environmental advocate, Thomas convinces him to free the shark he caught.
In “Civil Disobedience,” Thoreau claims that the people obey the government like machines and don’t use their brains and their conscience. He says that the government needs to improve and they need to respect everyone. Thoreau uses imagery, allusions and rhetorical questions to build his argument. Throughout the text are many examples of imagery. One of those examples would be in paragraph 17 when he describes the jail cell he stayed in.
Like the Furies, they relentlessly pursue Santiago until divine vengeance is wreaked upon him. Clinton S. Burhans comments that “the sharks [are] not a matter of chance nor a stroke of bad luck . . . They are the direct result of the old man’s action in killing the fish” (75). ” We can gather other messages from the novella regarding the New Testament, such as the importance of work, discipleship and love and charity, all seen through the Old Man’s relationship with the
The use of personification is common in children. Therefore, this use conveys a feeling that a child wrote the poem. In addition, the narrator reminds the fish the time, in which it could not swim. If the reader reads this sentence, he will not understand it since there is not a fish that cannot swim. Nevertheless, if the reader reads it as a metaphor, he will understand the meaning behind it.
“An obsession is a way for damaged people to damage themselves more.” (Mark Barrowcliffe) In this statement, Barrowcliffe, a writer and novelist from the United Kingdom, suggests the idea that having an obsession is not good thing to have. This idea relates to the themes of two classic pieces of literature, The Great Gatsby and The Old Man and the Sea. The Great Gatsby was written in 1925 by F. Scott Fitzgerald.
As Santiago returns, he encounters more dangers. Desperately protecting his catch, Santiago defends himself and the marlin, from sharks. In vain, Santiago returns home, with a skeleton, except for the head and tail of the marlin. In Ernest Hemingway’s “The Old Man and the Sea”, Santiago faces the trials of becoming a fully
The punishment of hunger, and that he is against something that he does not comprehend, is everything”. These two examples constitute part of his journey on the sea, by comparing things like the brotherhood between the fish and his two
They begin discussing the old man’s attempt at suicide. The story which seems to start off about the old man really becomes about the fear the old waiter has of becoming like the old man. The importance of the characters, setting, and symbolism of the story all help Hemingway to express the hopelessness and loneliness of the old man and the older waiter. The story’s characters consist of the young waiter who is confident but seems to be a bit naïve about what life is really about.
His strength of mind is still strong like his youth. Therefore this essay will emphasize on the old man’s struggle against marlin, battle of willingness and his bravery which supports the theme determination. The old man Santiago struggles against marlin over day and night. Santiago travels far beyond from his home because he needs to reveal his strength and prove that he is still able to be the fisherman that he once was.
Although the old man suffers in pain and exhaustion due to the great size of the fish, the overwhelming sun, and his injured hands, he does not quit but keeps persisting. He does not let go of the fish. He maintained his strong desire to conquer the
Hemingway wrote, “the sun rose thinly from the sea and the old man could see the other boats, low on the water and well in toward the shore, spread out across the current” (32). The old man was not scared of going out farther into the sea if it meant the possibility of catching a fish and ending his drought. Another time in the novel that the old man showed the properties of hero is when he hooked an enormous marlin and wouldn’t give up, even if it killed him. On page 92, the old man thinks to himself, “you are killing me, fish…” (Hemingway). The old man is showing his resolve to catch the
Hemingway presents the elements of failure and suffering in The Old Man and the Sea by depicting several instances of suffering and failure which the Old Man, Santiago, has to go through throughout the course of the novel. According to Hemingway, life is just one big struggle. In the beginning of the novel itself, The Old Man, is presented as a somewhat frail old man who is still struggling with his life as well as his past failures. His skiff even had a sail which bore great resemblance to “the flag of permanent defeat”, with its multiple patches all over.