Eulogy For Sonny

From many moons ago The narrator has treated sonny as though he isn't his brother ,but as his son without intention.
The story coolly proceeds into the narrator's considerations about his more youthful sibling's conduct, and in the meantime he sees an old adolescence companion of Sonny's, taking the readers back to the present. Later on, after Sonny is discharged, the storyteller has the capacity float from his present discussion to a past memory-the memory being activated by the word 'safe'. " I was dying to hear him tell me he was safe. .... [new paragraph] “‘Safe!’ my father grunted, whenever Mama suggested trying to move to a neighborhood which might be safer for children. ‘Safe, hell! Ain’t no place safe for kids, nor nobody” (48). By exchanging into the narrator's

By Baldwin shrewdly returning into the psyche of the storyteller's twenty two year old self, we perceive how emphatically his Mama's words transformed him. Her passing constrained him to need to need to manage Sonny in a more developed manner , and that minute diverted from the entire equalization of fellowship of Sonny and the narrator's relationship, changing over it into a more parent-child kind of relationship. With their element changed so definitely, even the storyteller doesn't know how to oversee it, noticing " “I sensed myself in the presence of something I didn’t really know how to handle, didn’t understand” (51). In attempting to make himself decisive, the storyteller tells Sonny the following stride in his life: that he will be staying at Isabel's. Initially miserable with this pre-settled on choice, “‘You decided it,’ he pointed out. ‘I didn’t decide nothing’” (53), Sonny takes out his feeling through the piano, and Baldwin is once more, ready to move the numerous months passed while the narrator is away through Sonny's playing, and possible takeoff. Sonny's music sits