The Influence Of Nature Vs. Nurture In Frankenstein

In the book Frankenstein, by Mary Shelley, the creature is raised by nature rather than nurture. Human nature is defined as our psychological characteristics , feelings, and behavioral traits shared by mankind. Human nature by itself gives humans the ability to feel and socialize, but without nurture we wouldn't be different from one another. Nurture gives humans an identity, while nature allows humans to function properly. Human nature is an important part in how humans behave and interact, but it does not play a part in the making of our individuality. Nurture is one of the most important processes in life because it encourages the growth of our personality and identity. Nature and nurture can determine someone's identity, but there are

Primarily, Victor Frankenstein’s home life had a formative influence in his early life since it molded him into who he became as an adult. Victor was born into a very wealthy and distinguished family, who did not let their social status and wealth define who they were in society. His family remained generous and noble. By being the affectionate people they were, Victor’s parents raised him as their plaything which left him with a large amount of confidence, and the belief that greatness is part of his destiny. This makes Victor unusually determined and ambitious (his ambition becomes great and he crosses the boundary of mankind and experimenting). Victor grew up to become a very loving, affectionate and humane individual, due to the love and

In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical

Victor Frankenstein is selfish. The novel portrays Victor as a selfish character who is only concerned about his own well-being. Frankenstein wanted to manipulate the power of life. He abandons his creation because of the creature’s appearance and also withholds information or lies about his creation. Due to Victor 's selfishness, readers feel sorry for his creation.

Shelley, Mary. Frankenstein. Ed. Hunter, Paul J. Norton Critical Edition. New York: W.W. North & Company, 2012. Print.

This brings us back to Frankenstein, Victor 's relationship with his parents friend, and Elizabeth translated by good words, Shelley uses quotes to emphasize the importance of human relationships (especially, family 's relationship) and how important they are to a person 's well-being “My children, my firmest hopes of future happiness were placed on the prospect of your union. This expectation will now be the consolation of your father. Elizabeth, my love, you must supply my place to my younger children. Alas! I regret that I am taken from you; and, happy and beloved as I have been, is it not hard to quit you all? But these are not thoughts befitting me; I will endeavour to resign myself cheerfully to death, and will indulge a hope of meeting you in another world”(24).

Oftentimes people are too afraid of what people might think to show their full potential. This is not the case for Victor in Mary Shelley’s novel Frankenstein. In Frankenstein we see the journey of Victor and his creation as they separately get rejected and misunderstood by society. Mary Shelley’s Frankenstein supports Emerson’s ideas of self-reliance because Victor shows that fearless people can achieve greatness.

In the first few chapter of Shelley’s novel, Victor describes growing up in great detail. From his loving parents, to his great friendships, Victor Frankenstein had a very happy childhood. He even goes as far as stating that “no human could have passed a happier childhood than myself.” (page 36) Growing up Victor also had a strong desire to learn about things

Victor Frankenstein is a scientist from Switzerland who is obsessed with the creation of life. When he is seventeen, Victor 's family decides to send him to the university of Ingolstadt, so that he might become worldlier, but before his departure his mother dies. This loss drives Victor to start over and to become successful. As you can see, Victor 's departure from home is a dark foreshadowing of things to come. There is nothing affirmative in his departure from home: it is immediately preceded by his mother 's death, the journey itself is "long and fatiguing," and he knows no one at all at Ingolstadt. At university, the obsessive pursuit of knowledge will come to take the place of Victor 's friends and family; it will both substitute for human connection and make any such connection impossible. Frankenstein becomes progressively less human-that is to say, more monstrous ­ as he attempts to create a human being. He tortures living creatures, neglects his family, and haunts cemeteries and charnel houses. As his morals suffer, his health does as well: he becomes pale and emaciated. Frankenstein 's work is literally sickening the man

Such passion is seen in Victor’s ‘noble intent’ to design a being that could contribute to society, but he had overextended himself, falling under the spell of playing ‘God,’ further digging his grave as he is blinded by glory. His creation – aptly called monstrous being due to its stature, appearance, and strength – proved to be more of a pure and intellectually disposed ‘child’ that moves throughout the novel as a mere oddity, given the short end of the stick in relation to a lack of familial figures within his life, especially that of parents. Clearly, Victor Frankenstein had sealed his fate: by playing God he was losing his humanity, ultimately becoming the manifestation of Mary Shelley’s hidden desires, deteriorating into The Lucifer Principle by which the author Howard Bloom notes social groups, not individuals, as the primary “unit of selection” in human psychological

Previous to the existence of the monster, readers are introduced to an ambitious, benevolent Victor Frankenstein. He exuded an excitement and passion about learning, though only for very specific subjects. “My temper was sometimes violent, and my passions vehement; but by some law in my temperature they were turned not towards childish pursuits but to an eager desire to learn.” (Shelley 19) Though his studies on creating life artificially had eventually grown tiresome—“My cheek had grown pale with study, and my person had

In the novel, Frankenstein by Mary Shelley, ambition evolves into a form of obsession with revenge. But the result of vengeance is a curse to human life and its longevity. Both main characters in the novel, Victor and the monster become obsessed and let vengeance be their downfall.

Victor’s parental figures in Frankenstein poison him by surrounding him with countless indulgences. From childhood, Victor was given all of his desires without question and this led to him becoming self-centered and dependent on the service of others. Victor describes his childhood with

Duality is shown in Mary Shelly’s Frankenstein, a gothic tale of a scientist whom looks to advance the life-giving qualities of mother nature. Through this novel, Shelley proves that good and evil in human nature is not always simple to define, and that everyone has both of these qualities within them. The duality of human nature is shown through the characters of Victor Frankenstein and his monster, who are both heroes in the novel while simultaneously displaying anti-hero qualities. Shelley forces the reader to sympathize with them both but also creates gruesome ideas of the two.

reation enslave him and spends from the moment he brings the creature to life to the day he dies running from the bondage he unintentionally creates.