Ma is like the Backbone of the Joad Family In the book “The Grapes of Wrath”. John Steinbeck, an American author, asserts the idea that going through hard times can show the meaninglessness of traditional family structures/gender roles through the character Ma. He first supports this claim by showing when the men make a decision but Ma rebels and ultimately makes the choice. “‘I tell you, you got to go. We made up our mind’. And now Ma’s mouth set hard. She said softly, ‘On’y way you gonna get me to go is whip me.’” (230) It shows how Ma is against the mens’ decision because she doesn’t want to split up the family and she knows that would make everything harder than it already is. Next, “The eyes of the whole family shifted back to Ma. She was the power. She had taken control.” (231) This is when Ma ultimately realizes that she has power and can make decisions without the men. “Pa’s lost his place. He ain’t the head no more.” (536) This quote shows additional explanation to how the gender role can change under stress and pressure. …show more content…
Well this subject was explained very well by Steinbeck throughout the whole book of “The Grapes of Wrath”. When the family is settled at a camp, Ruthie begins to be needy and wants things because she is tired of just having the bare minimum, but Ma won’t let anything slide. “Ruthie heard the threat in Ma’s tone, and changed her tactics.” (615) For a further image and explanation, this also shows how Ma had to also become the disciplinary figure in the family. Someone might think, well Pa is still the man in the family, so he still has say, but as this quote explains, it is the exact opposite. “Pa’s lost his place. He ain’t the head no more.” (536) To conclude this, everything Steinbeck illustrates to the reader can suggest that Ma is truly like the backbone of the Joad
She was able to make Mary Warren go into mass hysteria and convince her to take back the truth, and support Abigail's claims of seeing demons and spirits as truth. This shows one of the main themes of the play, the actions people take, ultimately betrayal, to keep their
Ruth is unhappy with her relationship. Ruth said, “No. Mama, something is happening between Walter and me. I don’t know what it is--- but he needs some something--- something I can't give him anymore. He needs this chance, Lena" (32).
In Document D, Abigail Adams exclaims, in the John Adams miniseries, that Congress is like the King, because they don’t care for women and slaves (Source D). When Abigail tells her husband this, it displays her opinion that the King isn’t being fair to the Congress. In return, the Congress isn’t being fair to the women, which means that she needs to stand up for herself and the other women that need a say in laws and government. In Source B, Adams writes, “…we are determined to foment a Rebellion, and will not hold ourselves bound by any laws in which we have no voice, or representation.” Similar to Source D, this quote illustrates how strongly Abigail Adams’ determination would take her.
Ma Joad’s Protagonist Abilities Who is considered to be a protagonist in the novel by John Steinbeck’s, “The Grapes of Wrath”? Ma Joad serves as an intellectual hero, based upon her influence of wisdom towards her family. As a caring individual for her sons/daughters, new recruits, and everyone else who serves as an asset to the Joad family, Ma is frequently keeping the family together on their exclusive journey to the “promised land”, California.
She gives the of the pot of stew to them and “went into the tent quickly so she would not see” (352). Ma Joad has a full heart and believes everyone should be accepted. She can’t stand the fact that she has extra food and others are starving on a daily. The only way to cope with the hurt she has for others is to suppress the fact that she saw the crowd of children around the pot by running back into the tent. Unexpectantly, a mother of a boy who ate the stew approaches Ma and says “Don’ you go a-boastin’ an’ a-braggin’
“All we got is the family unbroke. Like a bunch a cows, when the lobos are ranging, stick all together. I ain’t scared while we’re all here, all that’s alive, but I ain’t gonna see us bust up. The Wilsons here is with us, an’ the preacher is with us. I can’t say nothin’ if they want to go, but I’m a-goin’ cat-wild with this here piece a bar-arn if my own folks busts up” (Steinbeck 231).
(Act 1, Scene 1). Through the quote, it suggests that women should be ignorant about the world, and calling “baby” instead of her name shows the inferiority of the women to men. In addition, Walter is expected to be the head of the family; Mama says, “It ain’t much, but it’s all I got in the world and I’m putting it in your hands. I’m telling you to be the head of this family from now on like you supposed to be” (Act 2, Scene 2).
This story reveals all the difficulties and all of the suffering proceeding of many of the migrant laborers during the Great Depression and also the Dust Bowl. The novel by Steinbeck has been written to criticize many of the careless and self-interested people and overly important corporate and banking elites for trying to increase their profit policies that would ultimately force many of the farmers to suffer and go through major tribulations. Through these careless actions many of these farmers had to go through things such as starving. It is a very well written political piece, it describes the actions by the lower classes in a great way. As the Grape of Wrath begins, the Joad family is a very traditional family and the structure of the family is in which where the men make the decisions and the women do as they are told.
In this case, Jeanette did not have any other options for survival so she had to steal food to help herself. This resulted in her mother getting a job to help the family, only for the father to foolishly spend most of her savings. One day, Jeanette’s mom refuses to go back to work which Jeanette finds selfish. So, she talks back to her by saying “If you want to be treated like a mother, I said you should act like one.” This action causes her to get beaten with a belt by her dad.
The tone of chapter 11 in John Steinbeck's, “The Grapes of Wrath,” is sympathetic, sad and hopeless. His word choice and syntax show how the sad houses were left to decay in the weather. His use of descriptive words paints a picture in the reader's mind. As each paragraph unfolds, new details come to life and adds to the imagery. While it may seem unimportant, this intercalary chapter shows how the effects of the great depression affected common households.
Through John Steinbeck's plot in The Grapes of Wrath, the struggle of the typical American dreamer is depicted in the Joad’s attempt to move to California for a better life. While attempting this dream, the Joad family had to make multiple sacrifices. The first sacrifice occurs early on in their journey, the abandoning of their property (Steinbeck 59). This was extremely difficult for the Joads because they had lived on this land for a long time and they had many memories that had been created there.
Cultural Borders There are many types of borders, and these borders separate the people of the world. Cultural borders separate peoples’ way of life. In the books The Grapes of Wrath by John Steinbeck, The Tortilla Curtain by T.C. Boyle, and Night by Elie Wiesel, borders divide the characters and cause cultural separation between people. Cultural borders are created by ignorance, fear and misunderstandings. Ignorance causes people to make assumptions because they are unknowledgeable of the truth.
I’ll strap my baby on my back if I have to and scrub all the floors in America and wash all the sheets in America if I have to—but we got to move…. We got to get out of here….” (609). Ruth is begging for Mama not to change her mind on moving saying she will do anything. Her family needs this chance to live a better life.
In The Grapes of Wrath by John Steinbeck, the chapters alternate between two perspectives of a story. One chapter focuses on the tenants as a whole, while the other chapter focuses specifically of a family of tenants, the Joads, and their journey to California. Chapter 5 is the former and Steinbeck does an excellent job of omniscient third person point of view to describe the situation. Chapter 5’s main idea is to set the conflict and let the readers make connections between Steinbeck’s alternating chapters with foreshadowing. Steinbeck is effectual in letting readers make connections both to the world and the text itself with the use of exposition, and symbolism.
(Purple Hibiscus p.194) In other words, her father has the power over her mother, her brother Jaja and over Kambili, and if the do something that might question his authority he will punish