Today movies are one of the prime sources of entertainment. Whether it’s spending time with a significant other, hanging out with friends, or anything else, movies are one of the most versatile forms of entertainment that can satisfy everyone’s unique preferences. Amongst movies, the most popular genres include comedy, action, dramas, and countless more. In 1957, Mike Nichols released The Graduate, a romantic comedy that would remain popular even fifty years after its release. Although the movie is renowned for its engaging plot and distinctive comedic elements, The Graduate tells a story about college graduate Benjamin Braddock’s affair with Mrs. Robinson, a close family friend and the prevalent theme of discovering one’s identity.
Popularly referred to as the movie that features the famed song “The Sound of Silence”, The Graduate set the precedent for comedy movies for decades to come. While conventional comedic elements usually involve satirical attributes and over exaggerated components, The Graduate uses Braddock’s social ineptitude and incapacity to establish meaningful connections as
…show more content…
Whether we’re students, first-time parents, or working in a new place, our identity is a compilation of all the things we have experienced. In the world of The Graduate, Braddock develops a separate identity through platonic sex with Mrs. Robinson and a love interest in Elaine that differs from the disconsolate attributes that defined Braddock’s identity early in the film. Similarly, I was able to discover a part of myself that had never previously existed. Through consciously making an effort to put myself in a discomforting situation, I was able to mature and grow as an individual. I’ve learned that it’s not in moments of comfort that we develop but rather in moments where we face aspects of our life that are uncertain that we are able to adapt and discover parts of our
David Foster Wallace, an American novelist, addresses the Kenyon Class of 2005 at their commencement in his speech, This is Water. Mainly, Wallace’s speech proposes the purpose of a liberal arts education is not about knowledge, but rather about being able to consciously decide how to distinguish others, how to think, and how to act everyday. Interestingly enough, Wallace states that it’s extraordinary difficult to stay continually conscious in the adult world everyday due to our default settings. He asserts that our hard-wired default settings are to be deeply and literally self-centered. I agree with Wallace’s point concerning our hard-wired default settings because of the difficulties of being empathetic to others, the desolation of being
Many romantic comedies, as well as other romances, typically do not focus on ‘simple’ situations; they are centered around people who are thrown into some extraordinary situation that is not likely to happen to many people. Although people do ‘suspend their belief’ when they go to the theatre or to a movie; many situations in movies are still too good to be true in the way they are depicted. Almost, Maine has created
How this scene emphasises Ben as taking the initiative compared to Elaine and how this initiative is important for Ben’s character development in the film as a whole. The film The Graduate is a comedy-drama about Ben, a recent graduate with no well-defined goal in life, who is seduced by his parents' friend, Mrs. Robinson, and then proceeds to fall in love with her daughter, Elaine. There is a scene where Ben tries to sabotage his first date with Elaine by driving incautiously ignoring her and forcing her to tears, but he finds himself falling in love with her. The characters' behaviors, the sound and the setting are used to represent a turning point in the film and drive the plot forward by emphasizing Ben's development of initiative.
When one sees through the hinge side in the history, seemingly endless ebbing away of days and a slow but steady decay of time, one is reminded of a quote of Dwight David Eisenhower, “The history of free men is never really written by chance, but by choice - their choice”. In a similar manner, love is something that happens by chance but is defined by our conscious and the movie, ‘Trainwreck’, proves it. Starring Amy Schumer, as a free-willed, but commitment fearing woman, and Bill Hader as Dr. Aaron Conners, a charming yet nerdy sports doctor, it is a movie that defies gender stereotypes but still follows the familiar romantic comedy genre. The movie focuses on how Amy deals with overcoming the teachings of her father, ‘Monogamy isn’t realistic’, a phrase on which Amy had based her life until she meets Aaron who convinces her to reconsider the stance. Building and maintaining any relationship takes
Identity in Hot Fuzz (dir. Edgar Wright) The first three or so times one watches Edgar Wright’s Hot Fuzz, it may not seem to be a movie that argues much of anything besides that one should perhaps employ a bit more caution when visiting seemingly sleepy English villages in the countryside. However, throughout the next couple of watches, when one has finally begun to understand the layers upon layers of clever jokes, it becomes a movie that grapples with the issue of retaining one’s personal identity in the face of deep ethical and moral issues, albeit it does this much less seriously than most other movies in the business of questioning identity. Ultimately, Hot Fuzz argues for psychological continuity in terms of personal identity by highlighting
Our movie’s plot revolves around a man growing up during the rise of Hollywood, who wants to make a movie about the story of Geronimo. The main character, Olly Citrus, must face many trials in his process of movie making. Olly’s understanding of the legend of Geronimo shows us how the media in America has the ability to transform a person and their memory. This perspective of the story telling also shows us how Americans, especially the people in charge, choose to tell stories about the past. Within this movie, viewers witness the growth in popularity of Hollywood and, in essence, the growing idealization of the west coast.
Throughout this paper I will be analyzing a few psychology concepts that relate to different scenes that occur in the movie.
Apart from the film’s historical account on the American society and politics, the analysis of the film could also reveal the history of American film. By studying the aesthetics and technical of the film, we can understand how the story telling through screen has evolved. Furthermore, studying from the consumer point of view, we can also understand how films have been consumed over the years. Film
The environment in which an individual grows up in can affect life greatly. Our surroundings influence one’s personality, self-expression, and individuality, otherwise known as identity. Finding one’s true self is the most grueling stage of life and expectations of family and society make the process even harder. One’s true identity can sometimes clash with hopes of others, thus breaking tradition and/or family ties. Pressure to change will always be present, but staying true to uniqueness will prevail.
Through the use of a younger cast and romantic relationships, the target audience was definitely reached and moved by this film. By effectively using the rhetorical appeals, the audience was able to relate to some of the ideas shown and look at their community through an entire new lenses. The Breakfast Club can be classified as a coming to age film. According to “As Film Studies: The Essential Introduction”, the coming of age films tend to rely on dialogue and emotion and often involves an important decision made in a short period of time (271).
The young adult novel When Everything Feels like the Movies by Raziel Reid defines the struggles of the main protagonist, Jude Rothesay, to find personal identity. Reid’s plot is categorically structured around the world of filmmaking, which requires certain people to be known as “actors”, “crew members”, and “extras” as a type of fantasy-based story of life in high school. In this manner, Jude is a gay teen that has no place in these rigid characterizations of adolescence, which he confronts by rebelling against his peers through a very adult level type of realism. Jude’s view of his peers in high school define a mature and developed sense of sexuality and youth culture that force him to view the “pop culture” sexuality of his heterosexual peers through the context of the gay experience: Alexis came out of the bathroom with a couple of girls acting more coked out than they really were.
Student’s Name Professor’s Name Course Date Lost in Translation Lost in Translation is a romantic comedy-drama film directed by Sofia Coppola. The main actor in the film is Bill Murray portrayed as Bob Harris who makes friendship with Charlotte in a hotel in Tokyo. The story revolves around a love circle of two strangers that met in a hotel. This paper will be discussing the themes and styles in relation to moods, attitudes and conditions that existed during the recording of the film.
The highly popular and widely discussed 1960’s romantic comedy film “ The Graduate “ displays an inner theme of what is called a generation gap, which is Benjamin Braddock’s alienated and social behavior contrasted from their parents social lives that are expressed by the use of the camera and the plot. From these first frequencies of scenes, in the beginning, the director Mike Nichols displays the camera on how Benjamin feels and acts in this world through the generation gap theme. He is completely silent, alone, and is conforming to society as if he were a zombie. The first twenty seconds of a zoomed out shot of Benjamin on the plane gives all the audience needs to understand the film’s theme: a generation gap leads to isolation through lack of communication. The song composed by Simon and Garfunkel “ Sound of Silence”, is being played as
Within the events, thoughts and actions of everyday life, one is bound to feel. On the other hand, with the brought on senses, one can easily become engrossed in the hectic nature of life, in a way going through the motions, neglecting to view life in retrospect. Nevertheless, a way to combat such automatic dealings in life, man has created a way to reflect through the invention of film. Film, a production where thousands of rapidly moving picture capture the modern thoughts of generations to timeless emotions borne by all, enables many to reawaken, resonate to, reminiscence on and react to emotions and thoughts that were once silenced. Bob & Carol & Ted & Alice, is a wonderful film that delves into the thoughts of all included in marriage,
One can only wish that the world was ending. In this sense, our true selves arise from the pile of debris that was once life’s structure. It happens in every novel from Middle School book club; we’re all protagonists. If only one could prove themselves in an epic feat, not through an SAT score. We have the courage to stick it to an imaginary dystopia, but once senior year rolls around we aren’t too sure about courage.