Identity In Ovid's Metamorphosis

Gregor’s initial reaction to his transformation shows his preoccupation with work. His confusion over his radical transformation does not last long, quickly becoming concerned with work and disregarding that he woke up physically transformed into a monstrous vermin. Immediately after realizing he had transformed, Gregor explains, “Well, I haven’t given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to [the boss] that will probably take another five to six years… But for the time being I’d better get up, since my train leaves at five” (4). The quick transition of Gregor’s thoughts from the initial shock to his economic duties reveals his ironic nonchalant attitude towards his nonsensical transformation and

Do you think outsiders are misjudged or misunderstood? What is an outsider? An outsider is a person who doesn’t belong to a particular group. In this case, outsiders are both misjudged and misunderstood. Most people judge outsiders by the way they dress, how they look, and who they hang out with or talk to. In the story “The Metamorphosis” by Franz Kafka, Gregor, was a boy who was turned into some sort of bug in the beginning of the story. As the story went on, Gregor's family started to isolate him for everything that they did. Towards the ending of the story “The Metamorphosis” Gregor’s family started caring less about him, especially his sister who was trying to help him.

The Metamorphosis, a novella written by Franz Kafka, attracted the attention of many of its readers due to the writing framework and shocking concepts. The story depicts a man named Gregor Samsa who has befallen the fate of a cockroach- literally. After being transformed into a large bug, Gregor goes through the struggles of misunderstanding, neglect, and loss of his family relationships. These concepts create an impact largely to Kafka’s use of literary devices, including the occasional use of euphemisms. Euphemism specifically lends an insight into the time period, character of Gregor, develops a comical tone, and makes a less harsh, romanticised version of the tale.

In The Metamorphosis by Frank Kafka cruelty is what stemmed Gregor’s change into a large bug and subconsciously motivated him to end his life. Gregor’s new form was a depiction of how he already felt in his household, trapped, voiceless, and small. As Gregor’s metamorphosis developed so did the characters cruelty which affected both the perpetrators and the victims. The Samasa family’s cruelty was demonstrated both physically and mentally by Gregor’s father driving him back into his room, throwing apples at him and by Grete’s use of the word “it”.

In “The Metamorphosis” by Franz Kafka change is presented as positive. For example, in the text, Kafka states, “Gregor, in contrast, had become much calmer” (page 96). This quote shows that Gregor accepts the hardships he faces without complaint. He is able to calm himself down even after he has turned into a bug.

Franz Kafka’s The Metamorphosis contains many symbols and messages which are portrayed throughout the book. One prominent symbol that is revealed throughout the book is an apple. The apple is seen as a symbol of destruction and growth in The Metamorphosis and is the factor leading to many events. The apple is also tied back to the background of the book, Franz Kafka’s life. The apple is the cause of death but is also the factor leading to the growth of the characters throughout the book, and helping them find their place in the world.

Gregor Samsa’s transition from human to vermin was not the only shift that happened through the duration of Kafka’s The Metamorphosis. The novel is centered around Gregor who wakes up as a vermin, presumably a cockroach, which catalyses a series of emotionally traumatic experiences for him and his family, culminating in Gregor’s death. Yet the most significant change is, in fact, the gender role reversal seen both with Gregor and Grete, his sister, as Gregor becomes more effeminate and Grete becomes more emasculate, directly correlating with their societal and emotional transformation due to Gregor's physical change.

As the main character, Gregor Samsa, transforms from human state to that of a beetle, there are many aspects that are left unexplained and seemingly unstable. For example, in the novel, Gregor’s transformation into a beetle is left unexplained by Kafka. Kafka opens up the novel by stating, “When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin” (Kafka 1). There is no scientific or physical evidence as to why this transformation occurred, but it can be ascertained that it is a psychological transformation. Another aspect of the novel left unexplained by the author is that of the pain that Gregor feels. Kafka includes the pain that Samsa feels at particular parts of the novel, but also the pain seems to be

In what environments and situations will dehumanize people significantly? Elie Wiesel’s novel Night and Franz Kafka’s novel Metamorphosis contain many similar topics and views. In Night, Elie and other people in the concentration camps are dehumanized by the cruel German soldiers and their policies towards the Jews, while, in Metamorphosis, Gregor is dehumanized by the situation that he turns into an insect at first, and then he continues being dehumanized by his family, other people, and himself. Changes can serve as motivations which eventually lead to dehumanization as shown through affection, self-awareness, and indifference.

In fact, Kafta mentions Gregor’s transformation in the first sentence of the story. “One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin”. Kafta does not specifically mention how or why Gregor transformed into a monster like figure, but implicitly indicates that Gregor’s absurd life is imminent. Moreover, the transformation of Gregor illustrates the absurdity of himself as a human being. The existence of Gregor as a monster-like creature brings extreme disruption to the household, in which Gregor’s parents begin to work due to the lack of income. Kafka particularly used the disgusting image of a bug in order to convey the disgust and disdain of a

Cruel actions lead to cruel endings. Gregor Samsa, the protagonist in Franz Kafka’s novella The Metamorphosis, is turned into a bug from the mental and emotional abuse by the hands of his own family. The cruelty in the Samsa household is apparent from the beginning of the storyline. Their neglect and lack of compassion for Gregor's condition immediately sets the dark and miserable mood of the novella. Gregor’s whole existence has been about caring for his family and making sacrifices for their well being. However, his family never realizes these sacrifices and takes Gregor for granted, ultimately leading to his painful demise. Gregors perpetual devotion to his harsh family represents the unconditional love one feels for their own flesh and blood no matter how wicked they may be.

Franz Kafka is a German novelist who wrote “The Metamorphosis.” In the story, he uses a third person point of view narrative. The novel uses absurdum, which exaggerates and dramatize the absurdity of modern life. The protagonist, Gregor Samsa, a traveling salesman, struggles with an external factor of transforming into an insect like creature. The transformation was not under his control and now struggles with a new identity. Once the sole provider for his family, he now becomes a burden. Internally, he is the same Gregor Samsa, but his physical appearance causes his family to alienate and mistreat him. The use of dehumanization is prevalent in the novel causing the protagonist to suffer with symptoms of depression. He is unable to be a positive contributor in society or for his family. The use of symbolism in the novel displays his isolation and humanity. The central conflict is resolved when his sister Grete, initially empathetic, comes to a realization that

3. Yes, because he assumes that he has to live for others and not for himself. “I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself.”, Gregor is not able to let his feelings out because he is filled with guilt

Almost from the very beginning of Gregor’s metamorphosis, Mr. Samsa has been unwilling to accept Gregor as his son. Furthermore, Gregor’s transformation into an offensive form of an insect, constantly reminds Mr. Samsa of the grotesque, feeble, and pathetic aberration that he has fathered. Consequently, now that Gregor has genuinely revealed himself in all his audacious behavior, his cruel father is driven to destroy him. In his eyes, Gregor has become everything loathsome to him—scrawny, parasitic, and futile—not the kind of son this once successful and ambitious storekeeper could be proud of. Hence, as Mr. Samsa returns to his house in a position of strength and authority, he unfortunately witnesses the sight of his stricken wife down

Otherwise how would Gregor have missed a train? That boy has nothing on his mind but the business’” (Kafka 10). Evidently, in normal circumstances, Gregor is a diligent and punctual employee; however, his boss claims the opposite. He threatens and berates Gregor in front of his entire family saying that Gregor’s “job is not the most secure” (Kafka 11) and his “performance of the late has been very unsatisfactory” (Kafka 12). To management, workers like Gregor become disposable at the slightest infraction. Indeed, Gregor is dispensable to even his own family. When Gregor first found success at work and brought money to his family, they had been “astonished and delighted” (Kafka 27). However, their wonderment soon fades as “they had just gotten used to it” and “the money was received with thanks and given with pleasure, but no special feeling of warmth