How does Hill create a powerfully dramatic sense of fear and tension in this extract? In Susan Hill 's book "I 'm the King of the Castle", some of the main themes are tension and fear. Hill uses many literary techniques to create a heinous and dramatic atmosphere (following the theme of gothic literature), while still keeping a sense of dark excitement. Kingshaw 's fears and feelings are conveyed using a selection of linguistic techniques, letting the reader see deep into his thoughts. One of the many good examples of this is in chapter 3, when Kingshaw attempts to find peace but instead finds danger and pain in the form of a crow attack. Hill uses sound imagery widely in this extract to help create a sense of fear and tension. From the crow 's wings "making a sound like flat leather pieces being slapped together" to "the silky sound of corn brushing against him", these descriptions make the piece more realistic and enable the reader to put themselves into Kingshaw 's shoes. Adding to the sense of panic, Kingshaw is repeatedly said to be "sobbing and panting" and "taking in deep, desperate breaths of air", which in a literal sense shows that he is afraid. Alliteration is also used with 'deep, desperate ' which in a way creates a heaving sound when read, tying into the idea of 'desperate '. Throughout this passage, the crow has a voice. It is said to caaw and screech multiple times, scaring and intimidating Kingshaw. Another description of sound is the “silky sound of
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Also, the poem uses an elevated diction with a formal tone throughout. “A powerful monster, living down in the darkness, growled in pain, impatient as day after day the music rang” (Raffel 1-3). There is an obvious tone that makes the reader read as if they are telling a scary story while still being quite
The common thought that people have about Disney is happiness and merriment. Ridley Pearson provides an opposing view in the book “Kingdom Keepers II” by showing the darkest parts of what we thought we all knew. Pearson allows this to occur by taking the reader through the lives of kids who work as DHIs(Disney Host Interactions) that become holographic people that fight the villains. Pearson not only does this to show his opinion, but he uses it to intrigue the reader enough to want to keep reading. This fictional fantasy about Disney and Disney parks are mysterious and allows an appeal to readers.
In the story, "We Have Always Lived in the Castle" there is a suspense of who is the killer in the family. Jackson shows different ways of how each character could be the subject of this offense. Knowing of how far we have gotten into the book there is evidence for each of the Blackwood family members that are still alive. As the suspension goes on throughout the book we can see how Mericat, Constance, and Uncle Julian would wants to kill their family. We see through the eyes of Mericat in this story.
Both Parry and Jack play the knight and the Fisher King interchangeably throughout the movie. Parry tells Jack the story of the Holy Grail and the Fisher King. Jack has never heard of this and becomes interested when Parry tells him about it. He says that “the keeper of the Holy Grail may heal the hearts of men” (Gilliam). Both men want the Holy Grail during different parts of the movie.
Throughout the entire novel, the author’s use of literary devices is very clear. These literary devices, specifically similes and personification, help the reader get a better idea of the exact sounds and feelings which will allow them to know what it feels like to be there in that moment. “ I stood there, trying to think of a comeback, when suddenly, I heard a whooshing sound, like the sound you get when you open a vacuum-sealed can of peanuts. Then the brown water that had puddled up all over the field began to move. It began to run toward the back portables, like someone pulled the plug out of a giant bathtub.
The works of William Shakespeare are often considered timeless pieces of art. There are many factors as to why this is true, some of them being that his story lines are relatable to many generations or the way readers get fully immersed into his writing and screenplay. This immersion can be attributed to different causes. Three different ways that Shakespeare kept his audience engaged during his play Macbeth was through symbolism of food to help give insight on the mood of a scene, intense language and peculiar imagery, and the symbolism of hands. Symbolism, by usage of food, is not only used in Shakespeare’s writings but in many works of art throughout time.
In 1577 she began the composition of her masterpiece, The Interior Castle, a disguised autobiography written in the third person, while her Life was in the hands of the Inquisition. The book describes the mystical life through the symbolism of seven mansions, with the first three mansions as the pre-mystical journey to God and the next four mansions as growth in the mystical life. With the imagery of the Song of Songs in the background, Teresa saw spiritual betrothal occurring in the sixth mansion and spiritual marriage in the seventh. For her the test of growth in the mystical life was love of neighbor. Although she was profoundly contemplative, she led an active life not only as a reformer of Carmelite life, but also as an adviser to and
In all conflict, an imperative or goal is held by all of its participants. When applied to Medieval Europe, the need to expand an empire, survive a siege, or succeed in conflict over ideals has led to some astonishing innovations of architectural engineering. The most prominent being the invention of fortified military compounds that fell under the collective term “Castle”. This single invention defined an entire chapter of European history marked by the battle of Hastings in 1066 to the invention of gunpowder around the 15th century making castles militarily obsolete. The intent of this paper is to examine the history of Medieval Europe and what drive led to the need for castles.
The television show Castle has a target audience of male and female viewers between the ages of 20 and 50 years old. Most of the viewers that watch the show are probably between the ages of 25 to 40 years old. The style of writing and the comedy may not be appreciated as much for people over the age of 50. The drama and soap opera style of the show would not be appreciated for people younger than the age of 20. The television show targets males and females between the ages of 20 and 50 years old, but the viewer’s age range is probably closer to 25 to 40 years old.
In Chapter 10, Hill uses sound imagery multiple times especially with the sounds of wind. For example, when Kipps is staying in one of the main bedrooms he can hear the “windows rattling” and when he wakes up in the early hours the wind “had greatly increased in force.” This gives a feeling up increasing chaos and loss of control in the scene, with the chaos escalating rather than calming down. Kipps can also feel and hear the rapid winds racing through the house as the “wind flows through the desolate house” and the wind was flying into “every nook and cranny”.
Hill emotionally attaches the feeling of dread as she illustrates the thick, dark fog. She makes the reader sense dread as the people of London are going about their duties. In reference to the fog, Arthur expresses, “…and already glowing dark, not because of the lateness of the hour-it was barely three o’ clock-but because of the fog…” (Hill 20). His comment
The reader can infer some sounds in this poem, even though they're not stated. Tennyson is very detailed as it reads in stanza 4, “The wrinkled sea beneath him crawls”, he is referring to the body of moderate waves that are gentle as they overlap each other peacefully. When the reader comprehends the quiet waves shift, he pictures resting waves lagging ashore, silence, and relaxed, and at ease. Another sound the reader can infer in this poem is in line 1, when the author infers that the eagle “clasps” the crag with his “crooked hands”, this may recall to the reader a leopard getting set to hunt down his prey just before he scopes out the shaken rodent. Though Tennyson's poem is somewhat difficult to read, readers can conclude that the sounds
In T.H. White’s story The Once and Future King, the author uses a style that goes along with the time period of the story. Because he chose that style to write in, readers can understand how it was in Medieval England. They may have also felt like they were actually there with the characters as if they were actually talking to Sir Ector or adventuring as a fish with Art and Merlyn. They don’t just read the book, they live and feel the story of Arthur as he grows from a child, to being king. The style, tone, and character development help the author make it seem like one is in another time period.