Anyone can have a story in their life and can turn it into a book. Jon Krakauer wrote Into the Wild on what happened to Christopher McCandless and turned his story into a novel. Jon Krakauer´s structure his novel to let the reader have their own opinions on Christopher McCandless by stating the book is on his bias viewpoint, putting it in non-chronological order, and wrote about his own background life story, which is all important to strengthen Krakauer 's motive of writing his book.
In chapters 14 and 15 of Into the Wild, Jon Krakauer becomes more than just an investigator or a narrator, he becomes a character. He tells his story of climbing the Devils Thumb, which exposes the similarities between himself and McCandless. This aids to his understanding of McCandless’s motivations, without ever meeting him, due to the parallels in their personalities and family issues.
Krakauer’s anecdote illustrates how he was drawn to the story of Mccandless and how Chris’s actions, thoughts, and mental processes came naturally. He informs us of the inevitable accidents that can occur while hiking the wilderness, as well as his own mindset during his similarly troubled, youthful years. Krakauer went through similar mental growth as Chris, but had the fortune of surviving where Chris did not. Unlike McCandless, he didn’t have a single minded focus of living an idealistic life inspired by a great such as Jack London or Thoreau, but Krakauer did yearn for something larger than himself. Both he and Chris shared the desire of personal morality.
Rhetorical Analysis of Jon Krakauer’s “Into the Wild ” Jon Krakauer ’s purpose in writing Into the Wild is to recount Chris McCandless’ journey, physical and metaphysical, from college in Georgia to his death in Alaska, through the use of factual, and anecdotal evidence. Krakauer uses factual evidence to establish that he is a trustworthy narrator capable of giving the reader a realistic scope on the events in the story. Jon uses anecdotal evidence to see into Chris’ psyche from the various perspectives found in the book’s excerpts, including how Jon understands the events.
In the book, Into the Wild, Jon Krakauer writes of his personal experience to add more to Chris McCandless’ story and to the readers understanding of his character. After Krakauer had written the article on Chris, many people had believed that Chris was a suicidal kid who wanted to rebel against the world and his parents. Krakauer, however, did not believe that this was the case because at one time he and Chris had similar characteristics and dreams, “As a youth, I am told, I was willful, self-absorbed, intermittently reckless, and moody. I disappointed my father in the usual ways. Like Chris McCandless, figures of male authority aroused in me a confusing melody of corked fury and hunger to please.”
These actions, taken alone, allows critics to characterize him as bizarre, irrational, and even suicidal. Furthermore, this characterization dissociates him from his own humanity, as the consensus was that McCandless must have been out of his right mind. To combat this impression, Jon Krakauer wrote Into the Wild to humanize McCandless in order to justify McCandless’s choices in spite of the fact that they lead to his death. Krakauer employs an asynchronous plot structure in order to humanize McCandless with the aim of justifying his death. Krakauer begins Into the Wild with the result of McCandless’s journey―his death.
While McCandless was submerged into the utmost wilderness without even the basic necessities that the average person would require for survival in uninhabited Alaska. Krakauer himself says that McCandless did not go into the wilderness to contemplate nature or the world, but instead to explore the “inner country of his own
In Into The wild, Krakauer narrates the last couple of journeys Mccandless had on his adventure to Alaska where he ultimately died. Mccandless Touched many people's lives through all of his journeys. Mccandless went on these journeys because he was confused in life when he figured out his dad had cheated on his mom. This changed Mccandless to the point he began to hate his parents. Mccandless had a lot of confidence in himself so he left on an adventure to find his identity.
Into the Wild tells the story of Chris McCandless, a young man who embarked on an adventure across the U.S. Chris lived for adventure, and sadly met his demise in the Alaskan wilderness. Chris’ death brought about a large debate as to whether Chris was insane or simply idealistic. Krakauer wrote Into the Wild to prove Chris’ sanity and soundly completes that task by using rhetorical devices to persuade his audience. Throughout the book, Krakauer uses ethos to develop Chris’ credibility by providing examples of people who are similar to him. For example, Krakauer provides multiple examples of people who were very similar to Chris, such as Everett Ruess.
Born in A Different Life Life on the road is an idealistic way to escape from societal problems. There is no denying that it grants individuals satisfaction by allowing them to fulfill their goals, as well as providing immense freedom and control over one’s life; however, it is a fundamentally illogical path to take due to nature’s malevolence. In Into The Wild, Krakauer writes a biography about a young man named Chris McCandless, in which he illustrates the similarities between himself and McCandless’s overly ambitious journey to accomplish feats in the wilderness. Coinciding with their similarities, they also faced an oppressive father figure at home, which lead the both of them to believe that their journey will provide them an answer to their problems at home. McCandless planned to survive in Alaska by living off the land while Krakauer wanted to be the first one to climb the Devil’s Thumb.
However, Jon Krakauer proves his argument that McCandless was not arrogant, foolish, antisocial, or crazy by giving examples of other young men who were similar to McCandless to show that his journey wasn’t unprecedented. He also proves that McCandless wasn’t antisocial because he developed personal relationships with Ronald Franz, Wayne Westerberg, and Jan Burres in such a short amount of time and explaining the many times that McCandless respected the Alaskan Bush. Krakauer admits that McCandless may have suffered from hubris; he was still a victim of circumstances. Krakauer proves that McCandless had an intrinsic motivation to discover and that he wasn’t alone because Krakauer too ventured into the Alaskan Bush when he was younger. The Alaskan Bush is a very difficult place to survive if one isn’t prepared for many challenges such as hunting for food or staying warm in the frost ridden
Christopher McCandless, the protagonist of the novel and film Into The Wild by Jon Krakauer, is not your average guy. Driven by his minimalist ideals and hate for society, he challenged the status quo and embarked on a journey that eventually lead to his unforeseen demise. A tragic hero, defined by esteemed writer, Arthur Miller, is a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on tragedy. Christopher McCandless fulfills the role of Miller’s tragic hero due to the fact that his tragic flaw of minimalism and aversion towards society had lead him to his death.
Into The Wild is written in both the 1st person, when the author is giving his own opinion or giving credibility, and in the 3rd person, when the author or anyone being quoted is talking about Chris McCandless. The effect Krakauer achieves is the notion of how isolated individuals exist in a state of wilderness and establishing his credibility. Krakauer personally connects with McCandless and explores every aspect of his life to discover the real truth of his death, and is convinced he did not die from starvation. He becomes emotionally attached to Chris and even develops a strong relationship with his parents. As a result, this effect leads to his writing being slightly biased.
Romanticism was a movement during the late 18th century that encouraged imagination, exploration, individualism, and emotion. From it derived Transcendentalism, one of the first movements to originate from America and which bore the first American philosophers. These movements are often present in many pieces of American literature and this is no exception in Jon Krakauer’s novel Into the Wild. The historic account retells the story of a young man named Chris McCandless, who adopts the pseudonym Alexander Supertramp and takes to the road, only to die of starvation in Alaska. On the surface it appears to be cautionary tale, but Krakauer literally retraces McCandless’ steps, talking to the people who Chris spoke with and even traveling to Chris’ final resting place.
Going out into the wild all by yourself can be nerve wracking and lonely. Jon Krakauer makes Chris McCandless seemed like a noble person who took the initiative to try to go out and live into the wild. The book Into the Wild written by Jon Krakauer, is about a teenager named Chris McCandless leaving society and traveling to Alaska by himself with nothing else but a bag of rice and a small .22 caliber gun. Chris is heroic because he went to Alaska by himself without any knowledge of Alaska and didn’t know any of the dangers of Alaska. One way Krakauer make Chris seem noble is when Chris is about to enter Alaska he tells Gallien “ I’m goin’ to get on up there live off the land,go claim me a piece of the good life” (Krakauer 4).