Cally Konecki
Mr. Wierzal
14 April 2023
Honors English 10
Isabella Linton and Catherine Earnshaw are character foils of one another. While both are romantically involved with Mr. Heathcliff, Catherine’s personality is nearly the exact opposite of Isabella’s. Isabella is meek, delicate, and stubborn, while Catherine is loud, confident, and wild. Catherine feels fiery passion while Isabella pines slowly. but both characters are dismissive of warnings and feel they can make their own decisions. Catherine and Isabella are women of high social status, but they are still very different in multiple ways, including their romances, thoughts on motherhood, and emotional responses to stressful situations.
Isabella is a very mild, unspoken, and
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Because Isabella is so mild, the way she pines for him is mild as well. This love from Isabella for Heathcliff is the turning point in her personality. She becomes more like Catherine, more stubborn, and more assertive. “‘No, you have not,' said the infatuated girl. 'I love him more than ever you loved Edgar, and he might love me, if you would let him!'” (Brontë pg number; chapter 10). Catherine has called out Isabella for a surface-level love and warned Isabella that Heathcliff is too much for her, and Isabella retorts by saying she loves Heathcliff more than Catherine has loved Edgar, which is proof of her becoming more assertive. Heathcliff and Isabella’s relationship quickly turns toxic and abusive and Isabella finally decides to stand up for herself and run away to London. Isabella is an interesting character, the more she matures, the more stubborn and self-protective she becomes, just like Catherine. As a teenager, when Catherine is unable to get Nelly Dean to leave the room, she stubbornly pinches her and makes her leave. “‘I hate you to be fidgeting in MY presence,' exclaimed [Catherine] imperiously, not allowing her guest time to speak: she had failed to recover her equanimity since the little dispute with Heathcliff. 'I'm sorry for it, Miss Catherine,' was my [Nelly] response; and I proceeded assiduously with my occupation. She, supposing Edgar could not see her, snatched the cloth from my hand, and pinched me, with a prolonged wrench, very spitefully on the arm” (Brontë Find pg but Chapter 8). Catherine is under the belief that Edgar could not see her as she is abusing Nelly Dean, so she continues her
and he’d say, ‘Jeez Catherine, where have I been?’ and he’d be a regular brother like Melissa has—”. As conspicuous, this shows how Catherine really wishes and hopes to have a regular brother. In addition, this shows how she sometimes envies Melissa’s regular brother as well. Another excerpt that shows how Catherine is hopeful is on page 23, “As she reads, I think about how useful a cloak that made
The amount of anger and frustration expressed to keep their marriage together is emphasized by the rhetorical device. It also shows that hatred is expressed in a family when one is lost for patience, becoming a problem and resolution. In the metaphor, “He’s not a rough diamond-a pearl-containing oyster of rustic: he’s a fierce, pitiless, wolfish man”(Bronte 101), Heathcliff is described by Nelly Dean to be powerful and potentially hurtful to Isabella. Dean protects Isabella by warning her at the cost of dehumanizing Heathcliff. The metaphor is used to describe and illustrate an image for readers and Isabella.
In this particular situation, she leads Mr. Edwards on and beats down his mental stability so that “[w]hen she had successfully reduced him to a pulp, and Catherine knew exactly when the time had come, she began to steal from him” (Steinbeck 94). Stealing the money allows her to become less dependent on others, which benefits Catherine. After ruining Mr. Edwards, and him almost killing her, she reverts her name back to Cathy and comes upon Charles and Adam Trask. Immediately, she forms a devious plan to use Adam Trask for her personal gain. She allows the brothers to nurse her until she is healthy once again and she clings to Adam as a safety net so that she can advance with her plans.
Abstract Wuthering Heights by Emily Bronte is a novel that, despite being the focus of abundant critical feminist analysis, largely ignores the character of Isabella Linton. Academics have been appallingly neglectful and even disdainful of furthering the discourse about the character of Isabella Linton. In 1851 the Eclectic Review called her, "one of the most silly and credulous girls that fancy ever painted," and this perception of her is still the prevailing attitude towards her character, despite this review being written a hundred and sixty years ago. There are a few critics who have been willing to acknowledge her role as a foil to Catherine Earnshaw, but only in a dismissive way that serves to emphasize her inferiority to Catherine.
This is a form of irony, meaning that what the readers see does not actually correlate to what will happen later in the book. Even from the beginning, Austen says that “her situation in life, the character of her father and mother, her own person and disposition, were all equally against her.” Physically, Catherine does not seem attractive, with her “sallow skin, dark lank hair, and strong features”, and her personality as a young girl did not point her towards any kind of wonderful acts of courage. In fact, Austen says that “She was fond of all boy’s plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush.” Additionally, Catherine did not enjoy learning or having to sit for her lessons; as a mischievous and free-spirited child, she would rather be drawing or playing outside.
She is also very sensitive because she get angry and sad really quickly. When Jason’s mother yelled at her, she said she had to use all of her strength to not cry. If a strong person was in her position I believe this person would not even be close to crying. All in all, I think that Catherine was a great character made by Cynthia Lord. I hope to see more of these type of stories from Cynthia Lord.
Isabella is depressed during most of the book because of her abusive marriage. During the book Wuthering Heights their is an chapter that is a letter written by Isabella and how her time at Wuthering Heights is. “ Is Heathcliff a man? If so, is he mad?
In Charlotte Bronte’s novel “Jane Eyre” Edward Fairfax Rochester plays a contributing role in Janes development and growth as a character and human being in the Victorian time period. Not only does he play a large role in her independency, but in her emotional and spiritual growth as well. She grows around him whether she likes it or not. Due to Edwards manipulative and seductive nature, jane has to grow and develop in a way that has her frequently questioning her own ideals, whether that be spiritually or morally, and strengthening her independence by constantly refusing her feelings for him and adapting to punishing situations. Edward also opens Janes eyes to a world that is bigger than she realized due to his company at the house, wealth, and opportunities at the favorable Thornfeild manor at which she was employed by him.
and Miss Tilney develop with good intentions, yet her immaturity change the dynamics to become more of a doting relationship. In both instances when Catherine meets the Tilneys for the first time, she is polite and conversational, but Catherine also “was desirous of being acquainted with [Miss Tilney]” (Austen 50). In Catherine’s meeting of the Tilneys, she possesses an element of her immaturity, as her emotions and attention scatter back and forth between the Tilneys and the Thorpes. Her attachments to both women, Isabella Thorpe and Miss Tilney, display Catherine’s childlike admiration and naive adoration. In the argument of the argument of Waldo Glock, he refers Catherine to have an “impressionable mind occasionally interpret[ing] scenes at Bath in the light of her reading of Gothic romance" (Glock 33).
Bronte highlights in the novel that Cathy has romantic feelings for both Heathcliff, and Edgar, but ultimately Cathy is only able to be with “soulmate” Heathcliff after they have both died. This highlights how the pressure, and traditions of society meant they were unable to be happy when they were alive, and after their death they are finally able to be together. It also shows that their love was not understood by society on Earth, and therefor to be truly happy together they had to wait until after death. Like Jay, few people attended Heathcliff’s funeral, however after his death he finally attained Cathy’s affection. Heathcliff and Cathy are aware that they will only be truly happy when they can be together, alone after their deaths.
We had over twelve hundred dollars when we started but we got gypped out of it all in two days in the private rooms." (38). The fact Catherine supports herself financially and wants to strive and do better at what she does, along with the fact she shares a room and travels with her girlfriends are signs of a strong degree of independence. Not once does Catherine 's name come up in the novel associated with a Male in any type of dating or "love" matter.
In reality, Heathcliff does not know that Catherine still cares about him. “It would degrade me to marry Heathcliff... whatever our souls are made of, his and mine
Firstly the obsessive love between Catherine and Heathcliff. Catherine claims that her love for Heathcliff “resembles the eternal rocks beneath –a source of little visible delight, but necessary” (73). She tells her housekeeper “Nelly, I am Heathcliff –he’s always, always in my
Throughout the novel, Nelly acts as the voice of reason to many of her mistresses, although sometimes their actions have consequences. For example, Nelly encourages Isabella to renounce her love for Heathcliff. Nelly knows that Edgar would never approve of him as her husband, but Isabella disregards her advice and seals her elopement with Heathcliff anyway. Their marriage provoked the tension that had remained after Catherine 's decision to elope with Edgar rather than Heathcliff. Brontë scholars believe that Nelly is one of the only characters in Wurthering Heights that has the power to "shape the plot" by the fact that she has been a support to a handful of the characters throughout the novel.
Isabella Linton falls in love with Heathcliff, but she is so cruelly abused by him that she has to leave him. This fact presents a social taboo for the period, in which the novel was written and can be seen in this excerpt from her epistolary confession to Ellen Dean “I assure you, a tiger, or a venomous serpent could not rouse terror in me equal to that which he wakens... I do hate him- I am wretched - I have been a fool” (Bronte 233). Heathcliff does not feel any remorse or shame for Isabella’s fate, not even for their son Linton whom he neglects to seek medical care for when he has fulfilled his purpose in taking over the Heathcliff Thrushcross Grange.