The fictional world is full of chaos, as people tend to prefer unstable theories to countless philosophies. Specifically, there is a literary shift from linearity and order to randomness and fragmentation. Consequently, Postmodernist writers understand that their works are subject to interpretation; however, they believe that the flexibility of understanding in texts is the basis for the development of innovative ideas in society. Moreover, Kurt Dinan writes in a nonlinear, flexible fashion by writing with a component of Mystery. Subsequently, the reader can make different predictions on what will occur throughout Don’t Get Caught, and the ability to predict and analyze uniquely is one of the principal ideals of Postmodernist literature.
Instead of putting forth what it took to become the “bright” student, they chose to be sorry for themselves and make it easier. While Beatty spends his life eliminating books and “differences,” Blow is promoting books and explaining the wonderful effects they can have on one’s life. He says, “That was the beginning of a lifelong journey in which books would shape and change me, making me who I was.” So, Beatty’s and Blow’s views on reading and writing had a small similarity. Blow explains that books shaped him into the person that he was.
As people read literature, it can pose many benefits to them by offering help in their lives. One of these benefits is that it warns people about hubris and teaches them to happy with what they have in life. There are some classic writings, such as Harrison Bergeron, by Kurt Vonnegut, and Macbeth, by Shakespeare, which are prime examples of pieces of literature which have subliminal messages warning us to not be over ambitious. Additionally, there are contemporary writings, specifically an article about Trump, by Callum Borchers, which gives us examples of present day people who are being affected by their own ego. When people read others writing, whether it is contemporary or classic literature, they are taught about how it is human nature to always want more than they currently have and the dangers that can arise from not being humble, which helps shape their identity and can be used as a guide throughout life.
Responsibility is the state or fact of having a duty to deal with something or of having control over someone. In the novel Frankenstein by Mary Shelley, the reader finds many examples of the importance, need, and especially lack of responsibility with characters like Victor and the monster. A reader of Frankenstein sees multifarious examples of Shelley’s theme of the dangers in not taking responsibility even today in the real world. In the novel Frankenstein by Mary Shelley, Shelley’s portrayal of Victor as selfish suggests that not taking responsibility can lead to pain, death, and the suffering of others as we see in the novel which relates to today's society of powerful countries not taking responsibility for the weapons that they create, and the damage that is revealed as a result. Characters in Frankenstein not taking responsibility show the reader the potential dangers of pain and death in numerous situations in the novel.
It is fascinating how both writers, Milton and Shelley, created heroes with parallel position to their anti-heroes. The reader can be besides any of them according to his interaction and feelings towards the story. The same remark the critics, mainly the romantics, made about Milton’s principal character or hero in his poem: was it the source of evil or the divinity? Mary recreated the same debate but this time with intention to make the reader sympathize with evil. The reader is in reality not sure who makes harm to the other: the scientist or the monster.
One of the first events that are seen in the tale, which seems to coincide with the Wife of Bath’s opinions, is the Knight raping the maiden. The Wife of Bath could have used this event to support her belief that even the noblest man can be corrupted, and there are no truly good men in the world. “This knight now ponders and sighs sorely, too, But finally, he said in this way here: “My lady and my love and wife so dear, I put myself in your wise governing; Choose yourself which one may be most pleasing And most honor to both you and me too. I do not care now which one of the two; What pleases you suffices now for me.”” (1234-1241).
Also major part of revenge on his creator, he quotes “If I cannot inspire love, I will cause fear” (173). To cope with every confrontation with humans and to accept constant rejection the creature will result in causing fear if he is not loved as he deserves. The point he is making is that from his point of view, the conscience cannot handle anymore rejection and he will get attention another way. Just as discussed in class “bad attention is better than no attention at all” (Mesa). From a physiological standpoint, it is completely logical that the creature would come to this conclusion, even if it is meant to do more harm than
In all these situations, Lago feels that his actions are justified which make him unrepentant with the audience and that is the reason he does not invite the result of sympathy and understanding. He says “Demand me nothing. What you know, you know. From this time forth I will never speak a word. (Act 5 Scene 2, Line
Macbeth’s wife pressures him into killing Duncan because he looked too much like her father for her to do it herself. Lady Macbeth mocks Macbeth ’s manliness when he says to her that he does not want to kill Duncan. When he does, he hears the chamberlains awake and say their prayers before going back to sleep.
Betraying friend is considered as a known evil because it is against the trust in-between relation with the friend, as not seen him as a friend but as a mean only to escape from the penalty. According to the second statement of the Categorical Imperative, treat people always as an end and never as a means only (Nam, 2017), because this would destroy the relationships with others, but humanity as a sociable species is hard to survive in society without proper relations. Even one can set free, as people know he betrayed his friend, they would not make friends with him by a lack of trust. While trust is hard to create and easy to destroy, betraying once is enough to damage it in whole. On the other hand, betray friend also worsens one’s behavior.
The society unconsciously judge people who are different from the majority. This judgement includes the way people look, speak, make decisions and much more. In a memoir, society’s attitudes towards certain topics could be determined from the stories crafted in the book. Greg Sestero, one of the authors of The Disaster Artist, tells various stories about his relationship with Tommy Wiseau and the stories behind the making of the infamous movie The Room, in which both of them took part. Knowing that some of the audience of the book are the cult fans of The Room, the authors made a rhetorical choice to engage them with the story.