The Life And Works Of Kim Ki-Duk
With 22 films currently in his career, and having won awards in Cannes, Berlin, Venice and many others, Kim Ki-duk is one of the most distinguishable S> Korean filmmakers in the world, despite the extremity of his films, that have regularly caused him trouble. Since his first complete work in 1995, titled "Crocodile," he has been continuously writing and directing one or two films per year, as he gained fame for the low-budget productions and the very short shooting time.
Global acclaim came with "The Isle," with the film becoming notorious when an Italian journalist fainted during the press screening in Venice. The press 's opinion of him was always ambiguous, with a large part of S.Korean journalists deeming him a monster, a psychopath
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In "Spring, Summer, Autumn, Winter... and Spring," with the depiction of the lake during the four seasons and particularly during the winter, when it is frozen.
In "The Bow," the various images of the sea and particularly the one where the girl is hanging from a swing on the side of the boat, in front of a Buddhist painting.
In "The Isle," the general concept with the little rooms floating in the lake is very beautiful as it unique.
5. Writing his own scripts
Apart from his obvious prowess in directing, Kim Ki-duk is also a great scriptwriter, having penned all of his films. His artfulness is exemplified by both his characters and the stories of his films.
The first aspect becomes evident in a plethora of occasions. Han-ki, the silent pimp in "Bad Guy," Tae-suk, the young man who spends his nights in other people 's houses when they are missing, fixing their appliances and washing their clothes as a form of payment, in "3-Iron," and Kang-do, the violent collector who longs for his mother in "Pieta" are just a few examples of the aforementioned
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Intermingling love and hate
For Kim Ki-duk, love and hate are two inseparable notions, with his characters feeing both towards the people around them, in a tendency that results from the way they feel for themselves.
Han-ki in "Bad Guy," feels like that for both Sun Wha, the woman who forces into prostitution and for one of his pimps. Kang-do hates the woman who claims to be his mother, but as his longing for a mother grows, he ends up considering and loving her as such. Jin-a, the prostitute n "Birdcage Inn" hates the way the members of the family treats her, but, since she longs to belong to a family she starts loving them as actual relatives. Chang Duk in "Address Unknown" loves his mother, but ends up hating her to the point of beating her, as he feels shame from continuous disgrace.
7. Surrealism
The excess of reality is another of Kim Ki-duk 's traits although, on some occasions, it is elaborately mixed with realism. A distinct sample of the fact is the ending concept of 3-Iron, when Tae-suk becomes so proficient in hiding in plain sight, that he manages to stay in the same house with Sun-hwa and her husband, without the latter realizing his
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