Clarisse simply asks Montag, “‘Are you happy?’” (Bradbury 4). No one has ever asked Montag that question, and Montag thought he was happy up until that moment. This moment causes Montag to question everything he thought he once knew, which ultimately drives his rebellion. However, he quickly realizes that his happiness is merely an illusion and that he has not been truly living but merely existing. After meeting Clarisse, Montag’s perspective about his society changes from blind acceptance to one of reckless ambition and skepticism.
(SIP-A) Montag started to turn against his society. (STEWE-1) His first target was Beatty, who tried to make him turn against books. “And then he was a shrieking blaze, a jumping, sprawling, gibbering mannikin, no longer human or known, all writhing flame on the lawn as Montag shot one continuous pulse of liquid fire on him. There was a hiss like a great mouthful of spittle banging a red hot stove, a bubbling and frothing as if salt had been poured over a monstrous black snail to cause a terrible liquefaction and a boiling over of yellow foam” (Bradbury 115). Montag had shot a pulse of liquid fire onto Beatty and then watched him burn alive.
All montag wants from then on is to learn about life and books and others. He has realized that people do not listen anymore and wants to be heard and acknowledged.”Nobody listens anymore. I can't talk to the walls because they are yelling at me. I can't talk to my wife;she listens to the
He goes to Faber, a retired English professor, who conspires with Montag to take down Beatty and the fire station with all its men. Moreover, he helps him escape the hound and guides him to a group of people who live down the river. Montag discovers that he is not alone; all these people know the importance of books and they memorize them. Henriette Wien explains, “Montag’s resistance, therefore, should be read as paths to the ultimate emotional and spiritual re-connection” (Wien 69). Eventually, after the city’s destruction by bombs, Montag and his intellectual friends decide to start a new life seeking the free future they desire.
Montag is a dynamic character. He is a fireman who burn books. He is 30 years old and has worked as a fireman for 20 years. In the beginning, he had a strong and strict personality but then he met girl name Clarisse, who introduces him to the past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the parlor walls. Montag begins to question everything he has ever known (Bradbury).
However, it is evident that doubt has been planted in his mind, “What does she think? I’m not?” (Bradbury 8). Montag is faced, for the first time, with having to examine his life and if he is actually happy. It destroys his “mask”, allowing him to see the problems of his life, and, more importantly, society. The new perspective “kills” a part of him, the part that was content with his perfect life (having a good,
Guy Montag is the only one that realizes this due to a couple of people. First, Clarisse, a teenager, shows Montag how much we have lost through her thoughts and emotions. Next, Faber, a ex-professor, teaches Montag about how much in our lives we are missing. Finally, Granger comes into Montag’s life after the end of the police’s chase for Montag. Granger, a leader of a homeless group, teaches Montag how many things the government is changing for us.
Montag is a fireman with a wife. His wife, Mildred, watches television all day, while Montag has to make a living to support the two. One evening, Montag trudges home from work and has an odd conversation with a queen teenage girl named Clarisse. Soon, evening after evening, Montag keeps having conversations with Clarisse. Through these conversations, lies the government has replaced as truth are exposed within his mind.
Because of changes in circumstances, Montag’s dynamic character unfurls, empowering him to exhibit human emotions. He ultimately obliterates himself and metamorphoses into a entirely new man who grasps the compelling value of knowledge. Montag’s advancement from a compliant, indoctrinated occupant of a dystopian community, to