Literary Comparison Essay: Falling In Fate
Today, most people cannot see past the attractive and practical side of love, let alone are willing to leave love to fate. And yet, the male narrators of Lizard by Banana Yoshimoto and The 100% Perfect Girl by Haruki Murakami are prime examples of this. Though the narrator of Lizard is more realistic than the narrator of The 100% Perfect Girl, fate seems to affect the narrators’ love lives and themselves similarly, in terms of time, their perception of their romantic interests and relationship with them, and to an extent, their actions throughout their respective stories.
Both stories give us a glimpse of what is it like to find love and to be in love in modern Japan, where fate intertwines with love, which are the stories’ main themes. Lizard is the internal monologue of a male counselor/therapist who talks about his romantic relationship with Lizard, a healer, starting off with its present, past and objectively, a future. But a dark secret is holding Lizard back from accepting the protagonist 's proposal of marriage, one that made her the way she is today. Though, later on, it seems that Lizard is not the only one
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The ‘perfect girl’ does not even match the narrator’s tastes, or exceed his beauty standards. He too admits it is unusual, confiding to his friend the weirdness of it all. Even though the narrator does little to none to engage with the ‘perfect girl’ she is perfect because he chose to fall in love with her. This can be supported with the fact that he was so afraid of being rejected by her, that he failed to approach her and had lost her in the end; his ridiculous fears are stemmed from how completely perfect the narrator thinks she is. Even though the narrator was convinced that fate brought him to her, he over idealised the ‘perfect girl’, severing any chance of making his perfect romance
Nishka Maheshwary Jackie Reitzes Writing the Essay Section 50 28 April 2015 Exercise 5 Dear Adya, Recently, I have been reading a collection of essays by Ellen Willis that I have found to be quite intriguing. No More Nice Girls explores sex, gender, and feminism over a variety of essays, and displays a strong tension between how most feminists/activists believe action should be taken and what the author herself believes should be done regarding the issue. In each essay Willis confronts liberal and cultural feminism, and critiques the progress that has been made over time through her diction and witty questions, thus allowing the reader to see her true intentions of the argument. Willis strongly opposes the idea of cultural feminism,
Many characters have their own way of thought, which can make some of them hard to love, if at all. In the story Raymond’s Run, by Toni Bambara, The Protagonist, Squeaky, has to look after her brother, which due to his disease, is much more difficult than it sounds. The character Squeaky is hard to love becuase of her view on life, the fact that she’s always looking for a fight, and because of her narcissism. The first reason squeaky is hard to love is because of her outlook on life.
Her views of love and romance are altered by the music she listens to and the daydreams she has. She uses the only thing she has going for her, her beautiful looks, to pursue her fantasies and obtain
Saint Kathy Kathy Dobie believed that being the saint to others will confirm her path to inclusion. In the catholic faith, being a saint and spreading kindness is powerful. To achieve sainthood there must be acts of selflessness. Kathy Dobie expressed selflessness by finding her path of inclusion. She used acts of courage to meet this desire.
The characterization of the girls showed the young man’s desire to break away from the track his life currently is on. As the young man sees the girls he perceives each very differently, “There was this chunky one, with the two-piece -- it was bright green and the seams on the bra were still sharp and her belly was still pretty pale so I guessed she just got it (the suit) -- there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes, and a chin that was too long -- you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much -- and then the third one, that wasn't quite so tall. She was the queen.”
Throughout the book Glennon explains how as a child and as she grew up she had this ideal woman and future pictures and she thought she had to meet that. “ When I was in my twenties, I believed that somewhere there existed a perfect human woman. She was beautiful, unbloated, clear skinned, fluffy haired, fearless, lucky in love, calm, and confident. Her life was easy. She haunted me like a ghost.
Love tends to effect each character’s action differently. For example, love is what motivated the plot of the story “The Valley of Girls” by Kelly Link. For instance, the Olds observed society and performed actions to make sure their children are aligned with success. Love and social status is what makes these people relate, or correlate with each other; it reminds me of a government politically develop by love and society. In “The Valley of Girls” by Kelly Link, from Teenagers and Old are motivated by two specific motives, which are love and social status.
The short story by Andre Dubus follows Louise from age nine up until the time she becomes a mother. It gives insight to the damage that can be done when loved ones force negative body images on young children. Louise’s mother starts her on a self-destructive path, which Louise will never overcome and continually affects her life. This is reinforced by the similar opinions of her relatives and friends who make her feel that she will only be truly loved if she is thin. The prevalent theme of Dubus’ “The Fat Girl” is the destructive way society views food addiction and how it adversely affects women.
An Emotional Understanding Behind Lars and the Real Girl Mise-en-Scene Craig Gillespie Lars and the Real Girl is a remarkable film, based on a plea for understanding, and compassion. In this film the director uses many camera angles, onset decorations, symbols, costumes and also lighting schemes that add value to the character of Lars. Lars being a shy young man living in a small town with an apparent mental illness shows the important role Bionca has in the films narrative. This movie provides viewers with a complex understanding of emotion which improves the validity of the films narrative.
We live in a society that has increasingly demoralizes love, depicting it as cruel, superficial and full of complications. Nowadays it is easy for people to claim that they are in love, even when their actions say otherwise, and it is just as easy to claim that they are not when they indeed are. Real love is difficult to find and keeping it alive is even harder, especially when one must overcome their own anxieties and uncertainties to embrace its presence. This is the main theme depicted in Russell Banks’ short story “Sarah Cole: A Type of Love Story,” as well as in Richard Bausch’s “The Fireman’s Wife.” These narratives, although similar in some ways, are completely different types of love stories.
Picture book review: Stolen girl August 2015 ‘Stolen girl’ written by Trina Saffioti and illustrated by Norma MacDonald, is a touching, emotionally stirring picture book about the tourment a young aboriginal girl experiences when she was taken away from her mother, by the Australian government. The story takes place in a children’s home and is told with the use of small bursts of detailed paragraphs and intense, colourful and melancholy illustrations. Written for 8-10 year olds, the purpose of the book represents the experiences of children who were a part of the stolen generation in the 1900s-1970s. In this time period it was government policy in Australia that each indigenous Australian child was to be removed from their families as the
‘Daddy’s little girls’ is a touching movie. The movie incites sadness in its viewers, the anguish felt by the protagonist and his children is one that many can identify with and understand. The central character Monty was an ambitious young man who grew up in an inner city community, he had three beautiful girls with is former partner, Jennifer. Monty’s daughters remained his priority throughout the movie and he fought tirelessly for the benefit of his children. Monty had to endure the selfishness of Jennifer, her poor parenting skills and her bad ill sense of judgement.
For I ne’er saw true beauty till this night.” (I. v. 57-58) he proclaims out loud. Letting his heart take over his head, he subconsciously makes his way to her, where their lips press together like hands in prey yearning for a better future. However, the hope is to no
The ending of James Joyce’s “Araby” is certain to leave its reader reeling. The final scene, in which the young protagonist fails in his mission to purchase a prize for the girl he loves, drips with disappointment. The reader feels a profound melancholy which matches the protagonist’s own, an impressive feat given the story’s short length and the lack of description, or even a name, given to the boy. How does Joyce arrive at this remarkable ending? By utilizing the trappings of the Boy Meets Girl and Quest “masterplots” in his story only to reveal the story as an Initiation, Joyce creates an experience for his readers that mirrors that of the protagonist.
Is there such a thing as a 100% perfect love? Haruki Murakami explores this question in his short story “On Seeing the 100% Perfect Girl One Beautiful April Morning.” Murakami balances magical elements with reality to convey the message that the concept of perfect love in all probability does not exist but even if it did, it cannot overpower the rest of reality. Murakami uses elements of magical realism throughout his narrative to highlight the improbability of such a love’s occurrence.