Human Nature In 'All My Sons'

This quote begins the plot by creating the exposition. The narrator or speaker does this by explaining the setting of the Younger household, telling the audience which rooms are where and that they have lived in that space for many years. The narrator also gives personification to the objects such as the furniture around the house which makes them feel alive in a way. The time and place is also given which is the period after World War II in Chicago which may explain certain tones and language that the characters may use. Moreover, by telling the audience that many people live in the Younger household, other than themselves, and that they all share rooms or that their son sleeps in the living room, the audience can infer that they are not very

Using Feminist Theory, the reader can understand the message in “The Yellow Wallpaper.” In the story, John’s wife is slowly going mentally insane. John limits her abilities in society, because John does not allow her to work, the ability to write, and forces her to stay in the isolated nursery. For example, John’s wife describes her desire to work to do her good mentally. “Personally, I believe that congenial work, with excitement and change, would do me good.” Through the Feminist Theory, John does not believe her ideas and forces her to do something against her will. John believes that his idea and opinions are superior. Secondly, John does not allow her to express her feeling through writing. “ I did write for a while in spite of them;

“The Yellow Wallpaper” written by Charlotte Perkins Gilman in 1892 at the height of the Victorian era is often mistaken as a feminist short story. She tries to tell its readers how women have been confined in this “domestic role” since the beginning of time. The narrator uses the wallpaper to represent the society she lives in. Not only does the wallpaper affect the narrator, but also it influences everyone that meets it. And how these roles ultimately will drive any woman insane. Men dominated the workplace and was head of his household that was just what life was back then. In earlier centuries, it was unusual for a woman to work alongside men.

Paula A. Treichler from the University of Illinois analyzes “The Yellow Wallpaper” and its effects of the diagnosis given to the main character effectively in her article “Escaping the Sentence: Diagnosis and Discourse in ‘The Yellow Wallpaper’”. In her article, Treichler emphasizes the reasons why the main character was lead to believe her diagnosis from her husband and the other contributing factors that played a role in her hysteria, such as lack of social interaction and confinement.

“The Yellow Wallpaper” is a short story that was written in first person during 1892. This story depicts society’s attitude towards women with a mental illness at that time. Ultimately, the story shows how women were treated in the 19th century. “And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder— I begin to think—I wish John would take me away from here!” (231). Shortly after the narrator who remains unnamed and her husband John rented an old mansion, the narrator encountered a state of delusion in the wallpaper that surrounded her. In the story “The Yellow Wallpaper,” by Charlotte Perkins Gilman, the narrator develops a peculiar relationship with the wallpaper; the author’s use of allusion, symbolism, and personification identifies the existence of the woman’s illness.

The connection a man has with his father shapes his life. Which is why this is an important choice a boy must choose to decide whether that relationship will define him. When abuse, humiliation, and insult are throughout one’s childhood can scar an individual for life. That scar being having a group of twelve jurors are deciding his life or death when he is accused of murdering his father. When dealing with a father/son relationship, you are dealing with a bond that is considered to be one of the strongest things on this earth. Throughout the film Twelve Angry Men, we see a situation where this connection is used by two jurors to help them understand the accused and decide this boy's fate.

In the works read in this course, many characters live lives through a single story. They are unable to feel empathy for others because they are so focused on themselves and their own problems. But as they start to listen, they start to learn how the world around them and others’ experiences can help them grow as human beings. In King Lear, a play by William Shakespeare, Lear experiences changes throughout the play as he opens up to new stories. At first he is blinded by his own pride but as the play progresses he learns others’ stories and changes his views. Similarly in The Crucible by Arthur Miller, Reverend Hale is introduced as an all-knowing character, full of pride in his own work and a loyal man of god. But when he is introduced to the stories of the accused, he changes his views, becoming confused with what he truly believes in. Margaret Atwood displays subtle changes in the characters of The Handmaid’s Tale as well, showing that the commander is capable of feeling empathy for Offred. Through the experiences they have together, he becomes a less ignorant man, starting to feel guilt for what he has created in Gilead. Although some characters will always view the world through a single story, those who opened themselves up to new stories discovered an empathic view on situations. Perceiving the world through a singular type of lens is foolish.

What exactly defines one as “insane” versus “sane”, and where is the boundary between the two? Charlotte Perkins Gilman’s “The Yellow Wallpaper” explores exactly that: the short story initially seems to be a tale of a 19th century woman forced into the notorious rest cure popularized at the time by male doctors--however, as the plot progresses, it becomes a much deeper commentary not only on societal limitations imposed on women, but also on the blurred line separating sanity from insanity. Gilman explores the boundary between sanity and insanity with the usage of different literary elements; she expresses how the boundary is “paper-thin” through the usage of symbolism, shows the subtle conversion to insanity by utilizing a stream of consciousness

The Yellow Wallpaper by Charlotte Perkins Gilman is a short story told through diary entries of a woman who suffers from postpartum depression. The narrator, whose name is never mentioned, becomes obsessed with the ugly yellow wallpaper in the summer home her husband rented for them. While at the home the Narrator studies the wallpaper and starts to believe there is a woman in the wallpaper. Her obsession with the wallpaper slowly makes her mental state deteriorate. Throughout The Yellow Wallpaper Charlotte Perkins Gilman uses many literary devices such as symbolism, personification and imagery to help convey her message and get it across to the reader.

By the end of “A Raisin in the Sun” by Lorraine Hansberry, the Younger’s lives are beginning to improve. Compared to the state of the family at the opening of the play, most considered that play ends on a joyous moment. However; that is not so for the Younger family. The way the play ends is not a happy ending because the Younger family does not have the funds that they need, two people are further from their dreams, and they are moving into a neighborhood to could be dangerous for them. Although one may be excited that things appear to be better for the Younger’s, the reality is that things could possibly be worse for them.

“The Yellow Wallpaper” a short story written by Charlotte Perkins Gilman and published in 1892, is both a psychological and feminist piece of literature. It demonstrates oppression, defined as “the feeling of being heavily burdened, mentally or physically by troubles, adverse conditions, anxiety, etc.” The story, written in a form of a journal, is seen through the eyes of a nameless female narrator, who moves with her husband, John, to an estate during the summer to cope with her “hysteria”, eventually leading her to a state of oppression and insanity. The story reflects the confinement and restraint most women during the 1900s felt in marriages and the inferiority women had too men.

The short story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a story full of imaginative symbolism and descriptive settings. However, without the narrator’s unique point of view and how it affects her perception of her environment, the story would fail to inform the reader of the narrator’s emotional plummet. The gothic function of the short story is to allow the reader to be with the narrator as she gradually loses her sanity and the point of view of the narrator is key in ensuring the reader has an understanding of the narrator’s emotional and mental state throughout the story.

In the story “A Good Man Is Hard to Find” by Flannery O’connor, symbolism is found in the grandmother's hat. For the grandmother, the most important thing is that she is considered a lady. The grandmother is a finely dressed woman who is more worried about herself than her family by stating, “In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady.” (368) The hat, which represents her moral code, is damaged and falls apart during the car accident. The accident is caused by the family cat that was “smuggled” on board the trip by the grandmother when she was forbidden to do so. The irony in her hat being destroyed shows that she is no longer considered to be a “lady.” Also, the imagery in the story is very easy to see and hear.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a first-person written feminist short story that critiques and condemns the nineteenth-century American male attitude towards women and their physical as well as mental health issues. In the short story, Perkins Gilman juxtaposes universal gender perspectives of women with hysterical tendencies using the effects of gradually accumulating levels of solitary confinement; a haunted house, nursery, and the yellow wallpaper to highlight the American culture of inherited oblivious misogyny and promote the equality of sexes.