Introduction
The subcultures of rap and hip-hop have been around for over twenty years, and throughout hip-hop, there have been misogynistic messages and images of African American women. In recent years, women associated with the hip-hop culture have been in the forefront of the popular reality television shows Love and Hip-Hop, Love and Hip-Hop: Atlanta, and Love and Hip-Hop: Hollywood. The majority of the female cast members in these shows are African American. Consequently, these African American women are depicted in particular ways.
The purpose of this study is to discover if audience members believe if the Love and Hip-Hop franchise positively or negatively depicts African American women. Traditionally hip-hop has an extensive history
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Some show African American women as strong to build them up and others show them as weak or needy exchanging sexual favors to obtain a particular lifestyle (Stephens & Few, 2007). Identities of African American woman are defined and perpetuated by those who have always held the power to create and distribute messages in the music business. Misogynistic views in hip hop are narrated by male Hip-Hop artists, but distributed for economic gain by record labels usually ran by wealthy Caucasian man —making the commodification of sexually scripted African American women highly profitable (Rebollo-Gil & Moras, 2012). The media has various methods of exposing the negative images of African American women such as mainstream rap to being heard on the radio, projected on television, downloaded on the Internet and consumed on YouTube. In the world of Hip-Hop and Rap, the sexual objectification of African American women is obvious, “bitch” and “hoe” are common labels used to describe women or to add insult to injury labels women call themselves. Those labels are not the only labels out here being used Strippers and female exotic dancers are increasingly common images in Hip-Hop and Rap music and music videos. With these relatively new labels and the previous sexual scripts teenage girls and even younger little girls are starting to believe that they need to portray themselves as …show more content…
To further explain the African American female stereotype the article “Black Female Stereotypes in the United States” by Dr. Morgan Kirby goes into depth about the patriarchal and misogynistic lens rap has been under all of these years. One really prevalent stereotype African American female is the “thot” or for lack of a better word the “whore”, a women who is seen as a prostitute or someone exchanging sexual favors for money, someone who uses “what she has to get what she wants”, in the hip hop community, media, and society a whore is a very negative term but also is a common term almost as if the word is a functional element in the rap world. These derogatory words have become a part of many peoples everyday vocabulary and it just further digs African American women into the hole they are in. The franchise of Love and Hip-hop is a very toxic show, which promotes fighting, verbal abuse, the altogether tearing down of the African American women and to think it all stemmed from the misogynistic, patriarchal, and sexually charged world of rap and
In Nicole Fleetwood’s Troubling Vision Chapter 4 – “Iam King”: Hip-Hop Culture, Fashion Advertising, and the Black Male Body, Fleetwood examines the rise of the hip-hop fashion and its relationship to the black male body in the 1990’s. Fleetwood views the advertising strategies of Russell Simmons’s Phat Farm brand, and the public presentation of P. Diddy’s Sean John as sites of a “visual resignification” of the symbols, meanings and social conditions of post-industrial black life. For decades, racialized embodiment and self-presentation has operated as material limit and the prospect of black self-definition.
In 2014 Banks calls out calling out rapper Iggy Azalea for symbolizing white exploitation of black culture saying that she uses hip-hop as a costume that she is able to take on an off when she wants to, noting Azalea’s accent and lack of commentary on police brutality. Banks notes that Azealia’s recognition is part of a broader phenomenon in the United States of white appropriation of black musical production (74). Outside of the realm of cultural appropriation Banks’ has worked to re-appropriate derogatory terms usually directed at women, specifically the word “cunt”. Banks not only uses the term to validate the black female body, but to challenge heteronormative norms in hip-hop, and establish herself in a position of power. In addition to allowing her to appropriate a sexual gesture that rappers often used to express power over a romantic interest, Banks’s prominent and provocative use of the word “cunt” reclaims a word men commonly used to belittle women and rearticulates it as a figure of strength and
Hip Hop in the late 1980s and 1990s was filled male-centric ideals with no space for women, emotions, or anything outside of the hard-hitting “thug-life” persona. (Williams) Women were more often than not objectified and sexualized according to the male perspective, and this can be seen and heard in a plethora of Hip Hop music videos and lyrics by artists such as Nelly and Dr. Dre. However, Lauryn Hill’s award winning debut solo album The Miseducation of Lauryn Hill was groundbreaking in that it provided a female voice and perspective in the predominantly mysogynistic Hip Hop culture. “Because of Ms. Hill’s lyrical dexterity coupled with her commercial appeal on Miseducation, she ultimately brought a brand new face to hip-hop: the face of a
This article focuses on the color-blind ideology that allows white people to participate in and appropriate hip-hop culture. Rodriquez notes that they do so by using the guise of inclusivity of all races to justify their participation in hip hop and to adapt characteristics of the culture without respecting Black identity. He uses his own interviews of several white audience members of hip hop concerts who identified as participants of hip hop culture. Rodriquez identifies two groups resulting from social collectivity to reinforce his argument: consciously collective white groups, who actively reinforce racial segregation and passively collective white groups, who unknowingly unite and reinforce systematic racism through their adherence to color-blind ideology. The participants of his research are part of the latter, who unconsciously reinforce systematic racism through treating cultural objects, namely aspects of hip hop culture, as shareable products and experiences.
And it can be seen all over the time of movies, music, and social media that African American women are portrayed in these types of typical scenarios. “The controlling image of the “bitch” constitutes one representation that depicts Black women as aggressive, loud, rude, and pushy” (Hill Collins, 167). In many of the rap music made from the male African American, but also white male rappers they describe African American women with this term that makes them seem not approachable. And so many of these women that listen to this kind of music think or are told that is how they are supposed to ask and that all African American women are just like they describe them. But, also some female rapper have embrace the bitch label to make themselves be independent.
Following its birth, hip-hop promoted important social and political causes. Hip-Hop artists utilize their lyrics and videos to convey messages to their audiences. It has become common today to dismiss the impacts women have made on the hip-hop culture. Nevertheless, men have not only used hip-hop to promote important causes but also females. Since it's beginning Queen Latifah has used hip hop to promote issues important to females to an audiences who do not traditionally view females as significant leaders.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
The show Girlfriends help me realize how much influence the media can have on its audience. The show allowed various narratives of an underrepresent group to be shared on television. The show didn’t play into racial stereotypes that constantly follow black women in the media and made the characters generally relatable to its audience. The show was able to go against negative stereotypes that constantly are placed on black women and present positive representation. Despite the show going off the air over a decade ago there is still a need for
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
Along with the creation of music videos, hip-hop’s popularity has soared and changed in many ways. Men and women are depicted in distinct and vivid ways in the media – particularly music videos – that may subconsciously affect our views of the norms of today’s society. That is, catchy songs and glamorous music videos that society thinks are harmless entertainment actually shape our worldview and can cause people to accept false impressions of women (Shrum & Lee, 2012). For example, as Sarnavka (2003) posits, women are victims of violence in society, as well as victims of violence in media (as cited in Bretthauer, Zimmerman, and Banning, 2007).
Since the Civil Rights movement, activists have deemed underrepresentation the and malrepresentation of African American women in media a concern. A research report led by Joanna Schug, a professor with a Ph.D. in behavioural sciences, compiled data about six popular magazines. Her study concluded magazines underrepresented African Americans who were also “ more likely to be men” (Zagursky 14). The study itself is strictly about magazine, but the findings can be applied to other forms of media to some extent. Furthermore, the negative portrayal of African American women reinforces stereotypes in real life.
¨If Hip Hop has the ability to corrupt minds, it also has the ability to uplift them.¨ Hip hop music, also called rap music, is a music genre developed in the United States by African Americans consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Mainstream hip hop culture is also filled with misogyny and negative images of women. These artists are unaware that sexism has been forced onto them through the brainwashing from the media, which is controlled by a patriarchal society. Conversely, feminism is the belief that both genders should have equal power.
The Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.
“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.