Motorcycles and Sweetgrass is a novel that taught me about modern Indigenous values and lives, while being entertaining and engaging to read at the same time. In Motorcycles and Sweetgrass, Drew Hayden Taylor demonstrates that finding balance between culture and modern realities is essential to grow needed familial connections. Hayden Taylor portrays the importance through the literary devices of conflict, setting, and characterization.
To begin, Hayden Taylor uses conflict to demonstrate the way perspectives need to change. John’s arrival resulted in person vs person conflict for many of the characters, allowing him to serve as a catalyst for their discovery of balance and sense of connection. Firstly, Wayne’s suspicion of and later fight
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To begin, Sammy went to the residential school as a child and never recovered from the trauma inflicted on him. He battles alcoholism and nightmares from his time there, which affected him deeply and prevents him from living out his intended life. When he returned to Otter Lake, he was never able to find balance between his culture and the reality of the world, and “‘Somewhere in Sammy’s mind, he’s made the decision to speak just Anishnawbe in iambic pentameter.’” (172) Language was the one part of his culture that he was able to cling onto, though skewed. He was never able to find true balance between his culture and the modern world after his return, and was therefore unable to form connections with his family and community. In the present events of the novel, he is seen as very isolated due to his alcoholism and refusal to speak the English language like everyone else on the reserve. There is not anyone in the community who he is able to connect with and is only perceived by others instead of truly interacted with. “Some people might point to Sammy as an example of what happened to the children that had been sent away to such schools, [...] Other less sympathetic folk merely pointed to him as a crazy old drunk” (57). Sammy helped me understand that despite being so essential, balance is not always …show more content…
To start, by having the notions of other characters on Wayne, I was able to understand how Wayne was perceived by those characters and clearly see his growth. Wayne is introduced by being known as “An isolationist and contemporary Native–mystic, for lack of a better term – Wayne led a strange and separate life and there were always rumors about what he did over on his island.” (70) By viewing the assumptions of others, it is clear that Wayne lacks connection to his family, and is trying to live the life of a pre-colonial era Indigenous person, instead of in the modern world. He is a character that goes to the extreme of living a cultural life, which in turn caused a disbalance in his life and relationships. I believe Hayden Taylor used the character of Wayne effectively to portray the isolation and lack of connection to family that is caused by disbalance. Furthermore, Dakota was quickly overtaken by affection for John, which continued for most of the novel. However, when she and Virgil need to work together to help Wayne, she realizes that she lacks her Indigenous culture and identity. Her realization developed when Virgil was explaining how John is Nanabush, and is revealed when she tells him,
In 10 Little Indians, the poet turned extreme introvert is standoffish and rude, a product of his loneliness. A Spokane Indian who was adopted to a white family as a child, became a poet and used the name “Harlan Atwater” to sound more like a Spokane, as his white parents gave him a white name when they adopted him. His journey from childhood as an adopted son to a hermit is muddled in the book, as his story is more of a reflection of himself by himself than a profile such as the ones of Joshua Febres and Patrick Harris. Harlan Atwater was a poet and a sad man, and his journey was not a journey to be out on the water, or a journey to get away from a rough and tumble lifestyle. Atwater’s journey was simply one trying to find themselves in the midst of a life that really was not his.
The narrator says that “Sammy stepped suddenly forward, and stood in front of” Sarah, as if to protect his mother and to assert himself to his father (Freeman). (17) Sammy says, “We’ve come here to live, father,” and the narrator adds that “his shrill voice quavered out bravely” (Freeman). (18) I think that the change in Sammy is very startling. (19) Sammy clearly finds inspiration in his mother’s courage and discovers his own ability to speak out “bravely” in defense of his
He struggles with the complexity of his ancestry, caught between his Ojibwe ancestors' customs and spirituality and the dominant white society's assimilationist influences. As he grows older, Saul tackles the profound wounds caused by his experiences in the residential school system and goes on a spiritual journey to regain his cultural identity. His connection to nature and ancient traditions become meaningful sources of healing and self-discovery for him. Saul's perseverance is one of his most endearing characteristics. Despite pain and loss, he shows an unyielding desire to overcome his past and establish a brighter future.
Life is a journey of discovery and self-improvement, one who does not know themselves, cannot live their life. The book Motorcycles and Sweetgrass by Drew Hayden Taylor follow the self-growth and development of Virgil Second, caused by the actions of his family, and new characters in his life, as he blossoms into a man, connected more to his heritage/culture, with a stronger bond to his family, and a character with goals aspirations and a direction in life. From the start of the book, it is apparent that Virgil like the rest of the Otter Lake community is extremely disconnected from his culture. As he and the community were recovering from the stripping of First Nations culture due to residential schools, where a whole generation was punished
(Indian Horse by Richard Wagamese). This quote also demonstrates Saul's growing awareness of his identity and the strength he draws from it, despite the trauma he has experienced. It shows his resilience in the face of adversity and his ability to find strength in his culture and heritage. The theme of resilience is explored throughout the novel, as in the ways in which Indigenous people have survived centuries of colonial policies and cultural genocide. Through their connection to their communities and their traditions, Indigenous people have found strength and perseverance in the face of trauma and adversity.
The book depicts the heartbreaking incidents of the main character, Saul Indian Horse, and the children around him who suffer cultural, mental, and physical abuse at the hands of the government-run schools. The cultural abuse that Indigenous children endured in residential schools is one of the most devastating aspects of residential schools’ destruction. In these schools, children are treated like clay, where the priests and nuns “work to remove the Indian from [the] children” (Wagamese 46-47). This cultural erasure is a form of colonization, where the dominant group seeks to assimilate the minority group into their culture, often at the expense of the minority group's cultural identity.
Throughout the novel, Saul grapples with the deep scars left by his time in the residential school system. However, through his reconnection with his Indigenous heritage and traditions, Saul discovers solace and a sense of belonging. As he engages in cultural practices, Saul reflects, "I took those pieces of our traditions and I let them guide me" (Saul, Wagamese, p. 173). This passage demonstrates how redemption empowers Saul to overcome his suffering, face his history, and set out on a transforming journey of recovery and self-discovery. Another quote that signifies Saul's healing journey is, "I had to heal that hurt inside myself before I could become a whole person" (Saul, Wagamese, p. 201).
It hit hard enough that the driver hit the steering wheel and was knocked unconscious, and never did stop, and dragged us about 100 and some feet down the road” (Chevalier). That moment when he was hit is something that Wayne will never forget. Even though he gained minor injuries from it, the traumatic moment where he saw others lose their life caused him to remember those short seconds
“If we want to live at peace with ourselves, we need to tell our stories” (3). In Richard Wagamese’s novel, “Indian Horse”, a man named Saul Indian Horse is introduced and he tells his story. He faces a lot of hardships on his journey, including racism, physical abuse, and sexual abuse. He is exposed to violence multiple times. Saul’s experiences help readers understand what it is like as an Indigenous person growing up in Canada.
The detrimental and unfair categorization of people by race, gender and more, commonly known as discrimination, affects many in society both mentally and emotionally. Many instances of this act of hatred occurred among Aboriginal and Native Canadians in the 20th century. However, for a little Native Indian boy stepping onto the rink, this is the norm that surrounds him. Saul Indian Horse, in Richard Wagamese’s “Indian Horse”, faces discrimination head on, where his strengths for hockey are limited by the racial discrimination from the surrounding white ethnicity. Consequently, this racism draws him into a mentally unstable state, where he suffers heavy consequences.
Jasper Jones, written by Craig Silvey, is a novel that draws readers into this world he has created with themes of racism, morality and injustice. The book is set in the 1960s in a small town called Corrigan and tells the story of a 13 year old boy named Charlie Bucktin, who becomes entangled in secrets and problems after being approached by Jasper Jones, an Aboriginal teenager who is known as the town's outcast. In this essay, I will explain how Silvey effectively draws readers into the world of his text through his use of setting, characterization, and symbolism. Firstly, Silvey uses the setting of Corrigan to bring readers into the world of the novel.
Exploring Identity in Literature: A Comparative Analysis Imagine living in a world where you are not recognized and respected for who you are. This is the reality for many Indigenous people who have faced centuries of assimilation. In this essay, I will compare and contrast two works of literature that explore the challenges and experiences of the Indigenous people: Indian Horse by Richard Wagemese and Borders by Thomas King. Indian Horse is a novel about an Indigenous boy named Saul, who survives the horrors of residential school. He finds an escape playing hockey, but his past haunts him which later leads him to alcoholism.
Marcus Garvey said, “People without the knowledge of their past history, origin, and culture is like a tree without roots.” For the citizens of Otter Lake, a fictional reserve set in Drew Hayden Taylor’s Novel Motorcycles and Sweetgrass, they are disconnected from their cultural roots. Much of the older generation is suffering psychologically from the effects of residential schools, where their culture was taken from them. The younger generations in return feel no ties to their past as they were raised by people who feelings towards it were conflicted as they spent years being abused and told that their culture was wrong. As an author, one of their main roles is to convey a message.
He doesn’t fit into their society and has no way of knowing how to fit in. He has no companion, except his mom, and was prone to anger and indiscriminate violence.