My Inspiration as a Writer Why do we write? What experiences affect your identity as a writer? How do you develop your own voice? These are the questions that lead me to reflect on relevant moments in my life where I can apprehend my inspiration for writing. When I read a book, I want the moment to feel real. I want the author to get the message across so clearly that I can feel all the same emotions. I want the truth of the story. Although my inspiration for writing comes from various places, it is the people I admire that have significantly impacted my writing. I recall the time I was living in Oklahoma. I had just graduated from high school, and I was sitting down on the brown chenille couch in my living room with a Tim Tebow jersey on, …show more content…
As before, I wandered into the library to read. I sat my phone next to me and played The Doors: Greatest Hits while I flipped through the pages and read with amazement, Morrison’s ability to capture his audience’s attention during live performances. However, there was something unique about one particular story. Most of Morrison’s lyrics were about experiences in his life. These lyrics were meant to stay true to those moments. In a 1967 appearance on the “Ed Sullivan Show,” Morrison was told to change the lyrics in “Light My Fire” from “girl we couldn’t get much higher” to “girl we couldn’t get much better.” Morrison concented, but as he performed, the lyrics remained the same. This created a controversy, which resulted in The Doors banishment from the show. After reading this story, I closed the book and reflected on the message. I thought to myself, “Why would he not change his lyrics?” Then I realized why it was so important. This to me illuminates why writing has the ability to capture some of the best moments of our lives. It would be inauthentic to alter these moments. Not only do we write to capture the moment, but writing captures truth. Hence, writing is authentic. It is a truth not easily found in dialogue. In conversation, you are trying to listen to others ideas and evaluate them. But in writing, not only are you thinking, you are evaluating your thoughts by reflecting, and finding truth. You are being
“Recognizing their contribution is essential to understanding fully the significance and impact of Kansas City jazz” (Pearson 197). Whether they were born in Kansas City, or they travelled to perform there, the influence they brought affected Kansas City greatly. Using their lyrics to speak their minds to the community made a large impact. Some of the greatest jazz musicians in Kansas City during this time would even perform for white audiences. This was a striking opportunity to use that to their advantage.
How do authors generate ideas when writing? Many authors shape their works by reflecting on occurrences in their lives. While some utilize positive occurrences, more often than not, poets incorporate unpleasant experiences in their compositions. Mary Oliver exhibits this technique by incorporating her tough childhood into her poetry. “…with words, I could build a world I could live in.
As a hidden track on her 1995 album, Jagged Little Pill, Alanis Morissette assumes the perspective of an obsessed woman undone by grief, trespassing around her ex-boyfriend’s house while he is away at work. The song—aptly titled “Your House”—is sung in chilling a capella and details the speaker’s every step, as she enters his home “without ringing the bell” and spends an afternoon dancing in her ex-lover’s shower, lying in his bed, and playing his CDs. Though rational thought warns her that she “shouldn’t be here/ without permission,” another, more emotional impulse drives her to linger: “I took off my clothes/put on your robe/and I went through your drawers and I found your cologne.” These actions—equal parts stalking and reminiscing—function as a kind of weepy
In the reading for today, Waksman discusses the relevance of Jimmy Hendrix to the Black Arts Movement and the importance of Hendrix being an African-American performer at a time when race relations were still highly tense within the United States. Waksman touches upon the interesting point of whether viewing Hendrix as an essential part of the Black Arts Movement is really appropriate. On the one hand, acknowledging and celebrating the fact that many of the most important musical artists from the birth of popular music onwards were African-American prevents the arts from being seen as a purely white domain, rightfully demonstrating to the world that black people were equally as capable and talented. Conversely however, Waksman notes the inadequacies of grouping all African-American musicians together under the banner of a single movement. Referring to Hendrix as a
“For a long time, I tried to figure out how I was going to get started as a writer. I knew that a writer was what I wanted to be—though it wasn’t clear exactly why.” (Page 25) This quote is said by Mark Edmundson, who is a well known writer and author who published “Why Write.” I picked Mark Edmundson's chapter "
Music has had an influence on the lives of many around the world. The tempo, the beat and the rhythm wraps around the ears and hearts of people and teaches them things they have never known before. Not only is music teaching lessons but grabbing the emotional attention of its listeners. In the song Glory performed by music artist John Legend and Command, the song is depicting an issue towards black people across the nation started during the Jim Crow Laws in the south. The march on Selma is one of the most important turning events that occurred in US History.
The ways in which music is deployed is either through the artificiality of the gramophone or the genuine mode of live music. For Ellison’s narrator, the collective action of listening to five gramophones (Ellison, 7) at once offers a connotation of a sense of inclusion, of listening to music as a socially full-bodied experience. His desire of having five gramophones amplifies his listening experience to increase pleasure amidst the city chaos and racial dislocation. While it mutes the deafening noises of the city above his hole, it ironically recreates the deafening noises in his hole as Armstrong’s “Why Do I Have To Be So Black And Blue” overlaps each other over the various gramophones.
An example of Seeger 's music goes with this book. Melodies incorporate “If Had a Hammer, " with its call to go up against bad form; "Where Have all the Flowers Gone?" and its melodious speak to stop the cycle of war; and "We Shall Overcome, " the standard song of the battle for flexibility. Lavishly looked into and freshly composed, Allan Winkler gives a holding record of the force of Pete Seeger 's melodies in advancing a superior world for all
Pamela Des Barres is most recognized as a “rock ’n’ roll groupie” throughout the 60s and 70s (Wikipedia, 2015). She has built a career as a writer describing her accounts with famous rock stars and music legends. Her book entitled, Let’s Spend The Night Together: Backstage Secrets of Rock Muses and Supergroupies is a collection of stories from different groupies revealing tales on various rock artists. Throughout the anecdotes, relationships are reminisced upon, backstage passes our attained, hearts are shattered, and everyone sleeps with Iggy Pop. By providing a brief summary and critique of this novel, as well as an examination of the rock ’n’ roll culture, I hope to postulate context to stories and opinions I have on them.
From "I Walk the Line" to "Ring of Fire" and beyond, we'll discover the secrets of Cash's songwriting and explore the themes that made his music so enduringly popular. So sit back, relax, and get ready to take a journey through the music of one of the greatest artists of all time. Through his music, Cash explored new ways of pop and rock culture from love and loss to addiction and redemption, and he used
Lou Reed claims that Sterling Morrison was asked to join the band when they ran into one another on the subway one day when Morrison wasn’t wearing any shoes and was invited to come with him. Morrison claims that though this account is funny he would never go shoeless on “...the dogshit streets of New York. ”(Bockris, 36) But both agree that the chance meeting did happen on a subway after the two hadn’t seen one another in years. Morrison and Reed had briefly attended Syracuse at the same time, and had found that there musical tastes were similar.
The Poietic Aspect of Hendrix 's "All Along the Watchtower" Jimi Hendrix, probably one of the greatest guitarists of all time, in 1968 covered "All along the watchtower," a song originally written and performed a few months earlier by Bob Dylan. Even though Hendrix 's admiration for Dylan 's work was well known , his choice to cover a song belonging to a completely different music genre is emblematic. So why did Hendrix decide to cover Bob Dylan 's "All along the watchtower?" In this paper, I will argue that Hendrix 's cover of Dylan 's "All along the watchtower," thanks to its lyrics and sound dynamic, optimally conveys his anti-war and anti-violence beliefs.
In 1964, Cooke wanted to give his fellow civil rights activists a sense of purpose and hope for a better future. He entwined his hurt and his struggle into lyrics. “I got to the movie– And I go downtown– And somebody keeps telling me– Don’t hang around!” This verse refers to his experience as a victim of Jim Crow laws. He told the audience through his song how he was discriminated against and how he knew it would, one day, come to an end.
“Light My Fire” -- from the quartet’s self-titled debut LP -- is the track that propelled the Doors onto the charts and into the collective consciousness of rock ‘n’ roll. The undeniably catchy melody and pulsating Bossa Nova rhythms support Morrison’s obvious and blatantly sexual lyrics. Although the song is officially credited to the band, it was actually guitarist Robbie Krieger who came up with the “C’mon baby, light my fire …” hook. The performance however is a group effort in the classic sense, as they symbiotically propel each other into some remarkably intense and emotionally charged interaction. This is not only true of the studio version, as the presence of a live audience often intensified the band’s resolve.
Jimi Hendrix… He’s only the biggest-Oh, wow, Forget it’” (Morrison 1). Being older and having more of an interaction with others shows her friendship towards Twyla has changed greatly and does not have respect towards her. Society had finally corrupted their relationship with one another completely “Now they surrounded my car… my arm shot out of the car window but no receiving hand was there.