The Oedipus Complex In The Light Of Early Anxieties
Priya Venkataraman
(Page 370 to 397)
In this paper Melanie Klein presents the case of 10-year-old Richard to illustrate her theory about how early anxieties in children contribute to the Oedipus complex.
The material presented is from six analytic hours with Richard. She describes him as “a precocious and gifted child” who was interested in nature (only its pleasant aspects). However, he faced difficulty at school, was fearful of children and so refused to go out alone. He was intellectual inhibited and a hypochondriac. He preferred adult company particularly women.
With regards to his history, she had this to say: his suckling period had been brief and he had delicate health as an infant. He had been
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Idealising the mother-baby relationship had a detrimental effect on his genital development, even though he experienced the positive Oedipal situation and had somewhat heterosexual tendencies. It is as Freud said: Where they love, they do not desire and where they desire they cannot love.
The genital mother represented the mother in sexual intercourse with the father, thereby containing his bad penis and was felt to be in alliance with him. Further, her body contained the hostile babies and thus, Richard could not desire her.
The good internal mother protected him from the father and also invoked protective feelings in him. But she was still in danger from his sadistic impulses, which produced guilt in him.
It was only when these two mothers could integrated in his mind that he was able to feel his love for her more securely. This helped him feel protected against his father’s anger and built faith in him that she was strong enough to contain his father’s and his aggression. This rendered his father and him as less dangerous beings reducing his
While the child was feeling down; instead of picking her son up, the mother scolds her child “[reminding] him, once again, not to shout out in public. And never to speak with his mouth full” and his sister reminds him that, “Papa’s gone” (Otsuka 50). For one of the few emotional outbursts in the novel, there is no consolation for the distressed child. There is only condemnation of his actions and a reminder of not only of how he should act but also of the very topic that is distressing him, his missing father. It is clear that it did not matter what age an individual was, it was expected that the child would remain silent and distant from
Of all the characters who are suffering from the harmful Duryea-Gode disease in Octavia Butler’s “The Evening and the Morning and the Night”, Alan Chi seems to be the one who wants to live the least. He admits to the main character, Lynn, that if his mother and father “had any sense they would have had me aborted the minute my mother realized she was pregnant” (Butler, 175). His morbid sense of the world fuels his disdain for reproduction. He states that “as soon as I was old enough” he had been sterilized (Butler, 176). Although Chi would rather not give into “mindless urges” like animals, his encounter with Lynn the following evening questions the verity and validity of his sentiments.
World Creation Myth Directions: Step 1: Choose a world myth from the link below. You may choose any of the myths except myth #4. http://www.gly.uga.edu/railsback/CS/CSIndex.html Step 2:
Compared to the father’s internal craziness, the description of the mother is far more reserved and composed – a contrast of movement and stillness. While the father has a mind vibrating “like a plucked string”, the mother “lies there in the dark” and “counts the minutes as they pass” (12). While he expresses his passion with a cycle of “exhilaration, exhaustion, frustration”, she tries to suppress her disappointment and sadness by “[pressing] her forehead to the glass” (16). While the mother sincerely and dearly desires the companionship at home, the father “finds himself listless, irritable” in the face of serenity and “absence of imminent disaster” (7). The whole tone of the description for the father is vibrant, accompanied by a lot of metaphors of him, the sky, or the balloon.
John never quite settled down into a true home in Brave New World. The meaningful relationships he tried to establish with Linda, Lenina, and his Indian tribe didn’t work out. Without true connections to people, John’s real home was within himself in a place where he could be by himself. When John finally had hopes of living this way in the lighthouse, he had his hopes ruined by the people responsible for his lifelong solitude. The tragic story of John illustrates many of the author’s most important messages.
Unlike “From Childhood,” set within the home of the mother and son, this mother-son-duo is at a party. This mother is persistent in taking her son away from his surroundings and reeling him in to her—keeping an eye on him is simply not enough. Nowlan writes, “The touch of her hand embarrasses him” (Nowlan, 390). Taking the term overbearing to new extremes, the mother is not content unless her hands are physically on her son. While it is completely normal for a mother to have protective instincts and to watch over their children, the level of overbearing the mother in the poem reaches is radical.
It is difficult to abandon the emotion to our mothers, a psychological fear of failure, afraiding to lose his mother, subsequently arise the antipathy to her. The result is the appearance
From the beginning Oedipus was destined to fulfill a terrible prophecy, but through particular events that follow the steps of the Hero’s Journey, Oedipus becomes a powerful king of Thebes, only to be destroyed by the prophecy that should have ended his life as a child. The Hero’s Journey typically leads to self-confidence and power, however; the Hero’s Journey of Oedipus leads to his tragic demise. The Hero’s Journey lays out the steps of Oedipus’s future actions, which create suspense, fear, pity, and other emotions that captivates the audience. Similar to many famous stories, Oedipus the King, written by Sophocles in 430 B.C., follows the Hero’s Journey path, which is evident in Oedipus’s departure, initiation, and return.
“Everything you want is on the other side of fear.” This quote by Jack Canfield portrays the idea that you will never get what you want until you face your fears to get it. This is clearly shown through the narrator in the short story “Touching Bottom” when she faces her fears of losing her way in the world. In the short story “Touching Bottom” the narrator looked to her father for guidance, looked to the clear water and the bottom lines for safety, and in the end she finally looked to herself and found her inner strength to be independent.
It is often said that pride comes before a down fall, but pride must first trip over the truth The downfall of Oedipus is due to flaws in his character. Throughout the play “Oedipus the King” by Sophocles, Oedipus’s character has led him to make judgements that were not in his best interest. These flaws are pride, leading to overconfidence and having poor judgement. Oedipus character also show determination which throughout the play also became a flaw as well. The character of Oedipus is ruled by fate.
The mother is sketched in the nude, as she is barefoot. She sits with her legs crossed and caresses her fragile offspring with a sense of ownership. She lays her head on the child’s chest, as the child is characterized with no sudden movement. The mother’s face is defined by heartache and mourning. However, she is a symbol of strength.
In ancient Greek literature, diseases and afflictions often play key roles within the story. In Sophocles 's tragedy Oedipus Rex, the presence and recurrence of afflictions are central elements to the plot. Oedipus and his city both possess conditions that determine the outcome of the play. The motif of ailments, like the plague and blindness, highlight the hubris and failures of Oedipus to demonstrate his reliance on the gods.
Every character in stories or in plays has their flaws and strengths; Oedipus is no exception to this. Oedipus has his strengths and weaknesses that shape him into the character he is perceived to be in the play. He is intellectual which is why the city looks up to him, he is caring, and tenacious. Like any other character Oedipus also has his flaws, he jumps to conclusions and makes rash decisions, he has anger issues, and hubris which eventually leads to his downfall. Intelligence is something that is highly respected in individuals, especially in leaders.
Oedipus the King is one of the most ironic plays ever written. Sophocles, the author, is a famous philosopher of the ancient times The Play is about Oedipus, the king of Thebes, who kills his father and marries his mother. An oracle warned Laius, the king of Thebes prior to Oedipus, that his son would murder him. Accordingly, when his wife, Jocasta, had a son, he exposed the baby by first pinning his ankles together. The infant, who was adopted by King Polybus of Corinth and his wife was then brought up as their very own.
Greek theatre was formed back in 500 BC by the Greek civilisation that used performing, miming and dancing as ways and means to tell stories, imitate others and for their rituals. They were two forms of plays that were showcased in the City of Dionysia; tragedy and satyr. The City of Dionysia was the festival celebrating the God Dionysus. Throughout this essay I will be describing the characteristics of Greek tragedy while using Sophocles’ ‘ Oedipus the King’ as a reference.