Lastly, Iago’s biggest take down is Othello. He acknowledges that Othello's weakness is Desdemona and uses it to his advantage. Jealousy is what drives Othello to do crazy things towards Cassio and Desdemona. Although Othello is a great leader, he lets Iago alter his perception through words and suffers. Iago convinces Othello of Desdemona’s infidelity when he“visually” explains how he has caught Cassio and Desdemona together.
Hamlet only claims madness because it allows him to say and perform actions he otherwise would be prohibited from, while keeping people from taking his actions seriously. This seems to be part of his initial plan that is first mentioned when he asks Horatio and Marcellus not to make any remarks in relation to his “antic disposition (1.5.192).” Hamlet’s madness allows him to talk to Claudius, Gertrude, Ophelia, and Polonius in a manner unsuitable for a prince. He is often disrespectful and insulting in his remarks. Although his acting backfires during his speech to Gertrude, Hamlet is able to severely criticize her for her actions because she thinks he is insane. During the play he also makes many sexual
In a highly engaging manner, Shakespeare intrigues the audience, targeting their 'fears' as a tool to intensify attention. However, with evidence, despite Macbeth's ambition, he still seems to be "too full o' the milk of human kindness" and may feel guilt. Possibly, the writer may have intended substantive blood on Macbeth’s hand to illuminate the performance as this may be an indicator that blood is an essential factor for life. Also, helping the actor portray and amplified version of Macbeth's his guilt. Perhaps, Shakespeare's purposeful response to the question “No, this my hand will rather// The multitudinous seas in incarnadine,” underlines absurdity.
In his play Othello, William Shakespeare portrays evil through his character Iago. From the beginning, Iago deeply dislikes Othello and wants him to suffer. The readers find out that because of this hatred, Iago plans to ruin Othello. Iago plots to use many innocent people in order to gain the revenge he so badly desires. At the end of Act II, scene i, Iago’s soliloquy reveals his character motivation and plan for revenge through the use of foreshadowing and ominous diction.
“Fair is foul, and foul is fair”. Equivocation. Equivocation is the use of deliberately misleading words to mislead people. The use of such equivocation is frequent in William Shakespeare’s Macbeth, being integral to its plot by driving much of the action. The vile witches manage to cultivate the subconscious desire to be king in Macbeth.
Importance of control elsewhere in the play • How control is shown • Reasons for control within the play Control is a recurring theme in the play "Macbeth" as it warns the audience of the repercussions of trying to control your fate. The first key event where control features in a significant way is the witches' prophecies. They tell Macbeth that he will become Thane of Cawdor and King of Scotland which establishes the importance of fate. Shakespeare conveys the witches as agents of evil that are deceptive and dangerous, "oftentimes to win us to our harm/the instruments of darkness tell us truths," showing that they use truth itself to influence a horrible outcome (Macbeth's tragic demise.) Their message is compelling and attractive and we
In Shakespeare’s Othello, Iago is a spurious, manipulative character that fabricates a scheming plan to use Michael Cassio as a scapegoat in ruining Othello’s life. Once again, Iago addresses the crowd with a soliloquy to formulate his plan. Iago seemingly takes on the role of a ringleader, pawning the rest of the characters throughout his act. Earlier in the play, Cassio and Desdemona share a friendly gesture of holding hands, after Desdemona’s debate with Iago. Iago expresses in great detail the prejudices against the female sexuality by claiming that all types of woman, whether beautiful or ugly, are deceitful and ‘sex-crazy’.
Psychopaths have attributes of detachment, insincere speech, selfishness, and violence. In the tragedy, Othello, the playwright William Shakespeare constructs an antagonist with such traits. This evil character, Iago, is known for being one of the most sinister villains Shakespeare has even written. Through Iago’s psychopathic manipulations and detached persona, Shakespeare shows that psychopaths are not redeemable in the play. Iago’s manipulation of other characters leads to ultimately brings his downfall.
It is obvious, and reasonable, that these occurrences would drive Hamlet to insanity. This madness can be further supported by Hamlet’s actions throughout the play. He is known to have “contradictory moods and warring passions (Poison, Play, and Duel).” His soliloquies constantly challenge each other. For example, in his famous soliloquy “To Be Or Not To Be,” Hamlet
Furthermore, Iago often secretly describes to himself the progress he makes at different stages of the plot. For example, after Iago suggests Othello of Desdemona’s wrongdoing, he cunningly claims, “[The Moor already changes with my poison;]/ Dangerous conceits are in their natures poisons,/ Which at the first are scarce found to distaste,/But with a little act upon the blood/ Burn like the mines of sulfur”
However, these traits ultimately lead to Romeo’s death, as they are merely twisted forms of his fatal flaw: impulsivity. Romeo’s personality takes sharp turns throughout the play as rash decisions are made and their consequences start to take form. Shakespeare portrays Romeo’s impulsivity through his attitudes toward Rosaline and Juliet, as well as his change in tone and humour throughout the play. Shakespeare sets the stage with an atmosphere full of unbalance and tension to drive Romeo to make impulsive decisions, leading the plot to spiral out of control and Romeo to bring his own demise. In the play, Romeo seeks the attention