An-mei influences the way her daughter Rose grows up because she missed out on having a mother growing up. In their relationship, An-mei sees Rose's problems and wants to help, but Rose pushes her away. She'd rather talk to a psychiatrist than her mother. By the end of Rose's story, her relationship with her mom and her ability to stand up for herself changes. Since An-mei never had her mom around she wants to be close to her daughter and let Rose experience what she didn’t get to. Although An-mei later learns to speak up and assert herself, she fears that she has handed down a certain timidness to her daughter Rose.
An-Mei never knew her mother very well, and she didn’t want to be the same mother to her daughter. Growing up An-mei lived with her grandmother Popo. An-mei says at the start of her story, “When I was a young girl in China, my grandmother told me my mother was a ghost. This did not mean my mother
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In this section, An-mei realizes that if one is to discover one's identity, one's heritage, one must metaphorically "peel off your skin, and that of your mother, and her mother before her. Until then, there is nothing." Nothing, except the scar. An-mei has a scar, a reminder of the day that her mother came to Popo's house and begged An-mei to come with her, and at that moment, a pot of dark boiling soup spilled on tiny An-mei. As a kid Popo would tell An-mei so many different stories to keep her from doing things. She told her stories about being too greedy, and listening to her elders. For example, to protect her grandchildren from evil spirits, Popo tells them that they came from unwanted eggs of a stupid goose; they came from eggs so valueless that they weren't fit to be "cracked over rice porridge." An-mei believes this tale,; later, when her mother arrives unexpectedly, An-mei notes that her mother has a long neck "just like the goose that had laid
Relationships can have a significant effect on a person's life, how someone can grow or how someone can create memories and moments. Relationships can range from friendships to romantic interests. No matter the type, they can end in loneliness and loss. In the novel Women Of the Silk, by Gail Tsukiyama, she expresses powerful connections through relationships. Mei-Li and Hong’s relationship starts as a strong romantic bond that ends in the loss of the relationship and Mei-Li.
She then uses these “new thoughts” and ideas to state that she “won’t let her [mother] change” her into the person she seeks her daughter to be. When Jing-Mei experiences a realization that she is her own person and not simply another part of her mother, she can embrace the comfort of knowing that she will not change for anyone, and is simply extraordinary for having her own thoughts and feelings. This reflects how Amy Tan can understand her thoughts and feelings about the hardships in her relationship with her mother as a way to connect more closely to her characters and make them more realistic in her writing (“How Amy Tan’s family stories made her a
Her relationship with her mother is distant, as evidenced by their stilted conversations, where Jing-Mei struggles to understand her mother's Chinese heritage. However, as Jing-Mei listens to her mother's stories and anecdotes, she gradually begins to understand her mother's perspective and appreciate her Chinese roots. For instance, when her mother talks about her abandoned twin daughters in China, Jing-Mei realizes the depth of her mother's pain and how her mother's experiences have shaped her life. Jing-Mei says, "I saw what seemed to be the prodigy side of me--my mother's fears of my turning out like my aunt. But I also saw what seemed to be the opposite side of me--my father's 'Chinese side'--blending with my mother's fears and the reality of the present" (Pg. 39).
An-mei Hsu was a young girl in China when her mother left her to go work as a concubine for a rich man. This caused An-mei to grow up with her grandmother as her main parenting figure, which resulted in her following Popo’s beliefs and customs. Popo told An-mei cynical sides of stories about her mother, and was the leading factor of her developing dislike for her mom. But when she enters back into An-mei’s life, a traumatic accident happens and causes her to be associated with even more negative memories. “This was the kind of pain so terrible that a little child should never remember it.
“And then you’ll always be nothing”” (4). With her desire to meet her parent’s requests, she felt she must be quick and prove to her parents she is a prodigy. However, with the stress of changing, she can’t be who she wants to be. Wang-li had to live a life that had already been decided by her parents. For her parents, she felt like she must become who they want her to be so they don’t disown her.
As Jing-mei’s mother is telling her that she has to go play piano, the reader can imagine how she gets more and more angry as her daughter disregards what she is saying. Finally, the narrator emphasizes to the reader how the relationship between Jing-mei and her mother deteriorates more and more as time
on the other hand Jing-Mei is America born and has more of an American culture mind set, which cause her to seem rebellious to her mother. Said by Jing-Mei’s Mother, “only two kinds of daughters!” she shouted in Chinese “those who are obedient and those who follow their mind! Only one kind of daughter can live in this house. Obedient Daughter!”
This disagreement quickly became a source of resentment and anger for both of them, but Jing-Mei and her mother were unable to resolve this conflict because of their different backgrounds and experiences. The story showcases how relationships between mothers and daughters can be strained because of differences in culture and a lack of communication. One of the difficulties between Jing-Mei and her mother is their different cultural backgrounds, which is supported by two points from the story. Firstly, Jing-Mei and her mother both disagreed on the opportunities that existed in America. According to Singer, Amy Tan uses “two entirely
We all learned to respect and love our parents. Tita’s mother, Mama Elena, isn 't the motherly material everyone wants to have. She orders people around, discourage them, and always puts the family tradition first, but not in a good way. In the beginning, Tita tries to cope with Mama Elena and her orders. “I’m sorry Mami.
Tan portrays how children often disobey their parents by using details and figurative language. Disobedience often causes arguments between parents and children, and can cause harsh words between the two. “-and her face went blank, her mouth closed, her arms went slack, and she backed out of the room, stunned as if she were blowing away like a small brown leaf, thin, brittle, lifeless” (Tan 231). Tan uses details to reveal how these words impacted Jing-mei’s mother so much, and how
To summarize the quote that describes the lesson that An-mei’s mother learned and is still relevant to An-mei, it is useless to cry, for tears only feed someone else's joy. This goes to show that even though An-mei’s mother wasn't around a whole lot, she definitely had an effect on An-mei’s personality and
She came to the conclusion, “I won’t be what I’m not.” (Tan 19) Jing-Mei broke free from her mother and her wishes. This formed her future and outlook on who she wanted to be. The effect of her mother’s culture made her mom expect a lot, which in return affected Jing-Mei’s outlook on the
At her first glance at them, she knew exactly who they were because of their resemblance to their mother. However, as she approached them, she realized that there were no evident similarities in features between them and her mother, but that the similarities she noticed at first ran deep in their blood: they were family. And at this brief moment of realization, the most perceptible change in Jing-Mei took place. She said, “Now I also see what part of me is Chinese. It is so obvious.
Jing Mei, while portrayed as an obedient child, is only willing to listen to her mother to a certain extent. Throughout the story, it is consistently hinted that Jing Mei would eventually explode against her mother as an attempt to free herself from her mother’s chains. In addition, after the fiasco at the piano recital, she eventually derives further from her mother’s wishes as she “didn 't get straight A...didn 't become class president...didn 't get into Stanford...dropped out of college.” (54). On the flip side, Jing Mei’s mother is a stereotypical Chinese parent who is fully determined to ensure her daughter’s success in a new environment.
This is an example of Amy Tan showing that sometimes in mother-daughter relationships they don't always listen to each other or each other's opinion. “See, I wore this on my skin, so when you put it on your skin, then you may know my meaning. This is your life's importance” (Tan 233). This is showing that no matter what Jing-Mei did or wanted, her mother would force her heritage on her no matter what Jing-Mei wanted. This is another example of how inconsiderate these relationships can be and how it can affect the person in the relationship.