Hip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate
What seems to us now as excessive violence and misogyny in hip hop stems from a culture that has been consumed in a continuous battle against social and economic oppression since its early days. In the beginnings of hip hop, there was an explosion of defiance against the subjugation these artists had to experience on a daily basis. For many artists, rapping about guns and gang life was a reflection of daily life in the ghettos and inner-city housing projects. Not only did rap provide an outlet to voice the struggles of black youth, it also gave them a sense of pride. Before major hip hop groups such as NWA arrived on the scene, people would refuse to admit they were even from Compton. Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced.
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
In the article “Hip-Hop Planet” by James McBride he explains first about the nightmare he has of his daughter coming home with a young reckless rapper guy with tattoos and golden teeth and McBride for a moment is taken back to the past when he was young and it comes to thought that he was in this young wanna be rappers shoes. As he goes on with life he contemplates of how his rap days are over but in time he comes to realize that he himself will still be surrounded with the cool beat sound of one rapper explaining his everyday hard life. James first time hearing hip-hop was at a party, and it escalated when one of James friend slapped a big guy who crashed the party followed by two other friends and what was strange was these guys differed
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women. Some lyrics focus on success and making money. Nevertheless,
Hip Hop has been around for generations, but over the years the meaning behind the music genre continues to change as old artists vanish and new artist step up and take the throne. In the reading Hip Hop’s Betrayal of Black Women by Jennifer McLune explains how women are betrayed in the music industry, and how from this the world perceives to see them afterwards. Mainly the idea behind all of this is that hip hop owes it’s success to the ideology of women hating. The purpose of this article is trying to convince people that hip hop is sexist and degrading. Which in some sense is true from an african american women of myself. After reading the article the author gives very good reasoning for why black women are betrayed that way.
I have recently read your article “Hip Hop Planet” where you discussed the global impact of hip hop. During your introduction, you expressed your nightmare where it revealed your fears, and values. You evinced that rap, which changed the world, now rules the world which left you feeling behind and uncomfortable; a stranger to it. You experienced a nightmare vision where your daughter fell in love and married a stereotypical thuggish rapper, which caused you to rethink your ideas of hip hop. You experienced hip hop right as it started to originate, and as a result, unknowingly influenced you throughout the rest of your life. After 26 years of fleeing from hip hop, you regretfully realized that you had missed out on the most significant cultural event that took place in your lifetime. Although initially
McBride begins his essay in high contrast to his intended purpose with an anecdotal discussion of his first encounters with Hip Hop music that inevitably represents black men as arrogant, aggressive, and poor. The introductory paragraph details McBride’s fear of his daughter marrying a black rapper that he describes as having “a mouthful of gold teeth, a do-rag on his head, muscles popping out of his arms, and a thug attitude” (McBride para. 1). This stereotypical description of a rapper, as well as the sense of fear McBride feels, contributes to his initial representation of black males as aggressive thugs that are unsuitable to become husbands. He then describes a physical altercation between his friend and another black man from the poor south bronx region that he describes as “a big guy, a dude wearing a do-rag who’d
Rap music receives a variety of brutal critic from critics attacking the lyric that rappers use. Most people believe that “lyrics should appeal to us, not degrade us” (Glidden3). There is controversy surrounding “some artists accused of rapping sexually inflammatory lyrics” (Encyclopedia4). The actions of a few is causing people to put a bad label on rap in a whole. This bias opinion is becoming the cause of listeners to believe that rap lyrics “are setting a bad example for kids and teens” (Glidden2). I can understand where this may lead to critics to misapply such distaste to the rap form, but “there are rap artists who don’t use offensive language or portray women in a negative light” (Glidden1). People are being so quick to jump to harsh opinions and are not even attempting to understand the ways of rap. They only listen to one song and assume that this is how all rappers are. This quick assumption is unfair to the rap genre as a whole, because rap does not deserve
With the enormous success of hip hop what started as pure art and a mechanism to bring awareness of what was going on in the black community, has transformed in a lucrative business. The negative aspect of this is that since big corporations control the music’s distribution channels, in many cases the rap artist is forced to produce the type of music that according to the owner is marketable. Unfortunately, the image of a young, poor, vulgar black male with a criminal or violent past is consider marketable. This is not the case for those who have their own recording label or those under their wings. They are free to still express the reality of
Because the lyrics of many rap songs tell stories of an artist’s personal experience of their everyday lives growing up, urban youth can relate and connect to the lyrics because they see and experience very similar things. Listening to the artist’s lyrics about their own experiences can teach the listeners to not make stupid mistakes and if they continue to follow the right paths, they can achieve more and be successful like the rappers. Hip-Hop literacies can be applied in and outside of the classroom. Students can identify themselves through Hip-Hop culture. In the article, “You Don’t Have to Claim Her”, the author and English teacher Lauren Leigh Kelly, explains that women of all ages can use Hip-Hop to identify themselves despite the genre
Additionally, the artists used in their performances are educated and well-informed on what they do. The use of vulgar and inappropriate English often characterizes the environment that most Black minorities have in the United States (Wingood et al., 2003). Copying the style of dressing and the use of poor language structure is likely to result in low grades for teenagers. Parents are required to educate their children despite their interest in rap music. Children should also be educated on the negative perception that materialistic possessions are not a form of winning sexual advantages in the society. In the end, the music is created with the main themes of sex, drug abuse, and immorality that cause negative effects on the life of teenagers (Elligan, 2004). In this case, the listener should always be wise to ensure that the music does not have a negative impact on behaviors, mood, and sexual orientations in the
Rap music has always been an intriguing topic in society. It was created in the 1970s and continues through the present. There have been drastic changes since the commercial success for the Sugar Hill Gang’s “Rappers Delight” in 1979. The way rappers convey the message is completely different
As new black artists began creating music leading into the 80s, historical events were beginning to allow artists to use music as a platform to discuss social and political injustice in ways that had never been seen before. One specific gangster rap group, N.W.A (Niggaz Wit Attitudes), used this so-called platform to shed light on the injustices of a black man living in the city of Compton in the most raw and purest way possible. (Wahl, 1999)
This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this.