Relationship Between Antigone And Creon

Correspondingly, Creon's bona fide adherence to the laws of man is evident in the defense for his resolute actions. In the conversation aforementioned between Haemon and Creon, the latter defends his decision by declaring it is to "respect his own authority". As in his opinion, a respected ruler who is in the early stages of establishing authority must be uncompromising and resolute in making decisions. Creon rejects using divine laws to rule his people for they are irrational, and trusts that solely following man made laws will he be able to guarantee a peaceful and prosperous existence for his city. Creon says that the laws enacted by the city’s leader "must be obeyed, large and small, / right and wrong." Which is to say, Creon contends state law as the basis for justice, hence there can be no such thing as unjust laws. Undoubtedly, Creon's symbolic values within the play is displayed by his fierce dedication to state law and order, contrary to the symbolism Antigone embodies.

The play, Antigone, is a tragedy written by the Greek poet Sophocles. A common theme among tragedies is that they have a tragic hero, and Antigone is no different. The tragic hero of this poem is Creon, the King of Thebes. Creon is faced with the difficult task of punishing his niece, Antigone. She has broken one of his laws stating that no one is to give proper burial rites to Polyneices, Antigone’s brother, because he tried to overthrow Creon. Against the warning of others, Creon goes on with his plan to essentially sentence Antigone to her death. Creon continually ignores what others counsel him to do because he believes that just because he is king, everything he does is right. It is this thinking that ultimately leads to the death of not only Antigone, but also Creon’s son and wife as well. All tragic heroes suffer from a tragic flaw that leads to their downfall. Creon suffers from two tragic flaws, pride and stubbornness. Both of these flaws lead Creon down a path of destruction that he is unable to return from.

They are both adamant about their duties; Antigone’s being to Zeus and her brother, while Creon’s be to Thebes and his people. These principles that seem to be on opposite ends of the spectrum, are not as incompatible as they may be perceived. Although Antigone and Creon cannot resolve their conflict civilly, they do have a few characteristics in common. Both Antigone and Creon are convinced that their actions are justifiable. Likewise, both characters show a sense of pride and loyalty to what they have faith in. This loyalty they both face is what conclusively causes the unnecessary conflict, and the death, of both tragic characters. Antigone and Creon both let their pride get in the way, and become stubborn when trying to resolve the issue at hand. This negatively plays a role, and affects both characters similarly. Both Antigone and Creon fight to the death to defend what they believe in. Also, both are afraid of the consequences they might face for not fulfilling what they believe are their duties to obey. Furthermore, neither character attempts to view the other character’s perspective, displaying the inflexibility of both. If Antigone and Creon were slightly less persistent in their beliefs, the undeniable annihilation of both may have been prevented. Although both held their ground to opposing viewpoints, their devotion to their mission is a trait most find

In the play Antigone, Sophocles demonstrates the conflict between family and God through the characters of Antigone, Ismene and Creon. Antigone being ambitious and strong willed throughout the play, fights for his brothers honor and proper burial while Ismene on the other hand, is more timid fears the consequences that may occur if the laws are broken. For Creon he is the King and holds most power, until the Gods feel he is incapable. Antigone, Ismene and Creon all use logical and emotional appeals to achieve a compromise to either bury Polynices or not.

Creon:“I killed you, my son, without intending to,/ and you, as well, my wife,” (Lines 1486-1487). Antigone is the story of a girl who defies the king of Thebes in order to honor her dead brother, Polyneices, who is not allowed to be buried. When the king decides to punish her, his inability to listen to reasoning and resistance to change backfires on him in a deadly way. In the play, Antigone, by Sophocles, Creon, the play’s tragic hero, brings suffering to others, such as causing the death of Antigone, his son, Haemon, and his wife, Eurydice, which contributes to the tragic vision of the play as a whole because it shows how stubbornness brings pain for others.

Pride can be one of man's strongest qualities. In Sophocles' play, Antigone, the Theme of pride becomes the cause for destruction for both Creon and Antigone in the play.. Creon's Pride blinds him to the injustice he commits against Antigone and the gods. Antigone's pride leaves her no choice but to be killed because of her beliefs. They Both automatically surrender to their own hubris and demonstrate how uncontrolled pride leads to personal downfalls and destruction in Antigone. The excessive pride of Creon and Antigone lead to their downfalls in Antigone.

In the classic play by Sophocles, Antigone is a tragic story of the bold Antigone who defied her uncle, King Creonʻs, edict by burying her brother, Polyneices, who died attacking the city of Thebes, trying to take the power away from their brother, Eteocles, who refused to share the throne with Polyneices. Even though Antigone knew that going against Creon and burying her brother would not end well for her, she still choose to risk her life to do what is right. After being caught breaking the law, Antigone is appointed to be locked away, isolated in a cave until she dies, but she hangs herself at the end. At the same time, things for Creon are not looking good, as everyone around him seems to be against him in his decision for punishing Antigone. Everyone Creon cares about kills themselves from a curse that is put on Creon for not following the Godsʻ laws. Creonʻs punishment for Antigone did not only affect her, but also everyone who was involved in the situation, including Creon. Creonʻs punishment for Antigone was not justified for three reasons: Antigoneʻs love for her family being put first, Creon is trying to prove himself, and Antigoneʻs beliefs.

The tragic hero is a character in a book that comes from a noble background that has a tragic flaw which brings the character the greatest suffering which results in their downfall. In “Antigone”, there are two characters who can be considered the tragic hero of the story: Creon and Antigone. Antigone is a brave and fearless women who dies for a noble cause, while Creon is a controlling and powerful king of Thebes. Both Creon and Antigone have qualities to make them the tragic hero, but Creon is the true “tragic hero” because his hamartia causes his downfall. Creon is the tragic hero of “Antigone” because his hubris muddles his judgment and makes him cause his own undoing.

In the play "Antigone" by Sophocles, Antigone rightfully decides to bury her brother, Polynices, but when the king, Creon, finds out, she does not repent for her actions. She is a woman that stands for what she thinks is right, which in this case is that Creon is wrong for condemning the burial of her brother. She shows braveness with her actions because not all people have the courage to risk their own lives so that their brother can rest in peace. For instance, Ismene states "What? You 'd bury him – when a law forbids the city?" (pg. 3, lines 54-55) This implies that Ismene also thinks that Antigone is crazy for going against her own city, zbut Antigone shows that she is not afraid of danger even if it is death. She does not fear the impossible

She was outraged when she found out that her brother Polyneices was going to be left to rot and be eaten by animals, because he was a traitor to the city. Antigone believed that her brother deserved a proper burial even though he tried going against the city unlike her other brother Eteocles. She asks Ismene (her sister) to join her in this act of rebellion but Ismene does not want to get in trouble for going against her kings orders so Antigone does it on her own. Creon feels disrespected and punishes Antigone for not following his rules. He seals Antigone while she is alive, inside a tomb. She does not understand why she is being treated so unjustly for trying to do the right thing. The chorus in the play tries convincing Antigone that justice is behaving in accordance to Creon’s laws but Antigone is stubborn and sustains to her convictions. Even though Antigone ends up dying she dies achieving her goal of wanting to bury her brother properly. Mostly everyone in this play goes against what the main character feels is justly because they want to follow the kings laws and they believe she is acting immorally. Antigone is not acting immorally, she is doing the right thing to follow the law of the gods. Therefore, since Antigone ends up hanging herself and causes her fiancé and the fiancé’s mother to commit suicide as well, it gives the

The story itself, places Antigone determined to carry out the burying of her brother Polyneices with the purpose of honouring him and giving him the importance she thinks he deserves. Considering this an act of love, Antigone is willing to overcome the laws of the state and Creon’s orders by sacrificing her own life in order to distinguish the reputation of her family. This rebellious role that differences her from the other woman during those times, provides her the ability of

When asked, “Who is the tragic hero in Antigone?,” you might automatically think of the character Antigone. The character’s name is the title of the play like in “Hamlet”. The only difference is that Hamlet was the tragic hero in “Hamlet” moreover Creon is the tragic hero in “Antigone”. It all comes down to the definition of Aristotle’s tragic hero. Aristotle states that a tragic hero is, “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through an error of judgment.” Notice that Aristotle uses the words he, man, and him and not she, woman, or her. This hints that the tragic hero must be a man, not a woman. A tragic hero must also have certain characteristics such as hubris, hamartia, peripeteia, anagnorisis, nemesis, and catharsis. These all mean that the character’s tragic downfall must have a beginning, middle, and end and emanate a feeling of pity and fear in the audience.

After reading the tragedy of Antigone by Sophocles, one is left to wonder who the protagonist of this play is. Is it Creon or is it Antigone? To answer this question, one must define what a protagonist is. By definition, a protagonist is a leading actor or a character. Creon fits this description because not only do his actions lead into the whole tragedy, but his character shows a great development and the values he teaches to the readers. When all these characteristics of Creon are put together one could undoubtedly say that Creon is the protagonist in this play.

The definition of moral is this: “Concerned with the principles of right and wrong behavior and the goodness or badness of human character.” But, what is right, and what is wrong? Is there a straightforward, universal answer to that? The play Antigone addresses this. The two main characters are both acting upon what they see as morally just and right. However, while they both have the same intentions, their actions conflict heavily, and situate them on opposite sides of a matter. Because of this, there is not a clear good or evil person; almost every aspect of the playwright is up to the reader’s interpretation. But, it is not impossible to make a compromise between two people about their values, even if it seems the values could not be more

Creon is the protagonist in Antigone, because his motivation throughout Antigone is the stability and wellbeing of Thebes. Moreover, Antigone is the antagonist in Antigone, because her motivation is selfish and deceiving. In Antigone the setting is Thebes post the death of both airs to the throne. Eteocles dies defending his country from his brother Polynieces which died attempting to reclaim his right to the throne. The conflict throughout Antigone is Antigone’s responsibility to bury her brother Polynices and the law created by Creon, the new king of Thebes, which states that “No one shall bury him, no one mourn for him.” (Antigone 59) Antigone proceeds to disobey the law and dies in her own hands to ensure her own martyr status. Antigone is not the protagonist because of her selfish motivation and need to