The Use Of The Word Monster In Mary Shelley's Frankenstein

Society judges on looks, therefore, society described him as a monster. Monster is defined as an imaginary creature, typically large, ugly, and frightening and serves as a caveat (Dictionary.com). Mary Shelley uses the term monster when referring to the creation when she wants to demonstrate the differences between Victor and the creation. This monster, in such sense, might indicate a better version of humanity. However, the monster demonstrates that he can also be empathetic, as spoken about

She uses imagery to show the kind of reaction that Frankenstein had on his creation’s awakening and the kind of words he used to describe his very own creation. His description of the creature is used to show how judgemental humans are against other people who are not similar to them though they do not even know the other being. Frankenstein’s foreshadowing of the future with his creation in it, also is used as an example as to how humans discriminate others and assume the worst based on appearances. Shelley’s use of both of these strategies gives the readers a first hand look into how judgemental and discriminating humans can be to those that are slightly or majorly different to them, and it allows the readers to see why this way of being and thinking is not acceptable. Her way of writing her story serves as a lesson to those who read it and as an example about what is wrong with the way Frankenstein judged his own creation and why it is not right to discriminate or isolate another individual or group based on their appearance or any

In the novel Frankenstein, the monster created by Frankenstein shows some human qualities. Some qualities that make people human are reason, pain, anger, sadness, growth, and ultimately being made by God; the monster expresses the human qualities of pain, anger, sadness, and reason, but he does not have the quality of being made by God, and growth. One of the first qualities that the monster exhibits is reason. When the monster is sharing his story with Frankenstein, he explains how he discovered the rules of fire by saying, “ I quickly collected some branches; but they were wet, and would not burn.

When Victor Frankenstein created this monster,

However, the Romantics saw a hero in Prometheus. A figure who does not give up, and helps mankind, even with the knowledge of having to face consequences. The relationship between the myth and Frankenstein however, is ambivalent. Certainly, just like the myth it can be read as a tale of caution, like Mary Shelley already said in her ‘waking dream’ Frankenstein’s creation would be horrifying because “supremely frightful would be the effect of any human endeavor to mock the stupendous mechanism of the Creator of the world.”

Have you uncovered Victor’s true character yet? Throughout Frankenstein, surprisingly the reader can distinguish a number of differences, rather than similarities, between him and the creature regarding aspects of regret and murders that took place. These points also reveal that Victor is way more malicious, compared to the monster, because his sins outweigh those of the monster’s. Long ago in the late seventeen hundreds, lived a well of family that included a young fellow named Victor. With an interest in the science field, he had created a malicious creature.

Many believe that revenge is a toxic emotion to carry around with us. However, vengeance is one of the strongest emotions we encounter as humans. At times even stronger than love itself. Victor Frankenstein’s ambition to be better than God himself led him to create the creature. In return the creature was rejected by the person who is supposed to love and protect him.

Frankenstein wants to explore knowledge further, but his professor shares his doubts about whether Frankenstein could deliver results or not. Victor could only think about, “one thought, one conception, one purpose. So much has been done, exclaimed the soul of Frankenstein—more, far more, will I achieve; treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation” (33). Shelley uses visual imagery to depict Frankenstein’s future. Frankenstein claims he will “pioneer a new way,” and discover “the deepest mysteries of creation.”

Given these points, Frankenstein provides an ideal escape for ambition. The desire causes many feelings for the characters and they do outrageous things to achieve it. The examples are Victor studying, which causes him to become blind and create the monster, Walton wants a friend to express himself, and the monster also wants a friend and wants to fit in without being judged for his appearance. Ambition is the best way to provide the characters to have aspiration to prior the story of

In Attridge’s essay, he opines “I am in a way other to myself” (Attridge 25); therefore, it is possible to view the Wretch as the shadow of Frankenstein or the suffering inside of Frankenstein. Towards the end of the novel, Walton rebukes the Wretch for killing Frankenstein, which causes the Wretch to implore “Do you think that I was then dead to agony and remorse?” The Wretch isn’t “other” to the rest of humanity; he shares Frankenstein’s same feelings of regret for his

While both movies may have their similarities and differences, they both relate to the unknown nature of technology and how it affects humans. In Frankenstein, a human created abomination is much more likely than a prehistoric sea monster coming from the sea from bomb testing. Since a human created monster is more likely to happen one could assume that society would be more fearful of that happening. However both movies shine a light on the unknown nature of technology and how filmmakers exploit how society feels about

Can Victor Frankenstein fairly be accused of playing god? Romantic and Gothic elements are combined into a one piece of work known as Mary Shelly’s Frankenstein. The story of Frankenstein is one of isolation, ambition, nature, revenge, and loss of innocence. The novel begins with a ship captain Robert Walton rescuing the near death Dr. Victor Frankenstein from the ice. Upon Frankenstein’s rescue he offers to tell the ship captain his story.

In Mary Shelley's Frankenstein, Shelley uses language and effectiveness of her writing to describe imagery, tone, and theme to make the monster seem more of a human than the monster people perceive him to be. The monster is learning on how to be a human without the help of his creator, Frankenstein. Shelley’s usage of the language that she presents in her imagery, tone and theme clearly make you relate to the monster and show you what Shelley was thinking when she was scripted the monster. Shelley clearly shows imagery to express how the monster feels about the world around him.

Max Sharawy English IV Mrs. Schroder 7 December 2016 Ambition Mary Shelley’s Frankenstein; or, The Modern Prometheus is a tale of ambition of all forms. Whether it is the narration of Robert Walton, the tales of Dr. Frankenstein, or the point of view of the Creature, ambition drives the characters within the novel. In Walton’s case, he strives to discover new things and expand his scientific knowledge.