Romantic companionship provides people with comfort and distraction from their everyday lives. In Margaret Atwood's The Handmaid's Tale and George Orwell's 1984 the protagonists Winston Smith and Offred search for romantic companionship to gain a sense of control and individuality in their dystopian societies. Through their search for love, trust, and a way to rebel against the government, they are able to achieve a level of control within their lives. By experiencing love and forming emotional connections with other members of society, Winston and Offred are able to gain a sense of individuality through the uniqueness of their relationships. Secondly by forming a sense of trust in their companions they gain control over something in their …show more content…
Together Winston and Julia separate themselves from societal norms by building a unique relationship that is rarely pursued in Oceania out of fear. The two gain individuality and alter their values as their love grows. When discussing punishments they may face for their actions Winston states “Only feelings matter. If they could make me stop loving you—that would be the real betrayal.”(Orwell, 173) showing how his morals have changed. Instead of valuing his own survival and ability to continue living his simple everyday life he begins to value his love for Julia above all other things. He is willing to face any punishment—including death—as long as he can continue loving Julia until they are caught. The distraction their love causes for them provides comfort in their everyday lives. They go about their day to day activities and jobs knowing they have someone who loves them and whom they can confide in. Despite continuing to face hardships, challenges become more bearable due to the knowledge that while Julia and Winston may face some things alone they are still able to see each other throughout it all. Their relationship provides them both with comfort and a feeling of security. After months of relations with Julia, Winston's mental and physical well being improved. Previously anxiety ridden and generally distraught, Winston becomes confident, carefree, and happy. Winston gains comfort, individuality, and a positive attitude, after finding
‘Positive characters … usually prove miserably ineffectual when contending with ruthless overwhelming powers’ claims Amin Malak, noting on such protagonists as Winston Smith and Offred in George Orwell’s Nineteen Eighty-Four and Margaret Atwood’s The Handmaid’s Tale, and, when looking at the dystopian genre as a whole, he certainly seems to be correct. Dystopian fiction does seem to portray the worse side of human nature than the better, leaving the positive traits to the struggling protagonists. While utopian writers seemed to think that the essence of human nature was to do good, dystopian writers seem to think very differently and it is from this notion that these novels seem to be written. Nineteen Eighty-Four certainly seems to do this, with almost every member of the society representing one or more negative aspects of humanity.
Not worrying about her future, Julia strikes out by wanting her own freedom and the good things in life. To her it was, being able to have pleasure with whomever, and eat and wear what she wants. Rebelling for Julia, was just a daily lifestyle. Julia tries to keep Winston young and opperating like her, Getting him to rebel and never give up for his beliefs. When Julia is with Winston, he explains that they are dead for going against the Party.
Winston’s vivid description of the brutality of the Ministry of Love is a microcosm of the greater cruelty that Big Brother has done to him and many others living in Oceania. However, though all of these acts are inhumane and unjust, Winston is still willing to go through them as long as his love for Julia remains. Through the imagery of the government’s heartless doings, it further develops Winston’s adoration for Julia by showing the lengths he is willing to go through to be human and have feelings for Julia, something that many in Oceania are not able to
Although there are harsh rules that Winston was scared to disobey as he wanted to live his life without being tortured he decided to make a careless decision and make a rebellious decision to see Julia, a girl that he has become infatuated with, “If he could get her at a table by herself, somewhere in the middle of the room, not too near the telescreens, and with a sufficient buzz of conversation all round — if these conditions endured for, say, thirty seconds, it might be possible to exchange a few words” (Orwell 110). Winston could not keep himself away from Julia and had shared many things about himself that he thought was concealed when later he was caught with her. His act of not sharing anything about how he thinks and then still doing this with Julia and a man named O’Brien, yet relying on O’Brien at some points also led him to his downfall. O’Brien led Winston to think that he could share what he feared and how he felt with him as, “He was a person who could be talked to” (Orwell 252). Winston knew that he could only say, do, and show so much of
In the beginning of the book, while Winston was rebelling with thoughtcrime, he wished for more and Julia gave this to him. Winston described their intimacy as a “political act” against the party, because Julia gave Winston hope for a better future and more rebellion (Orwell 126). Without that, Winston had nothing and in return the party had nothing over Winston. In the end, his relationship with Julia is what kept him going. Winston described Julia as being “inside him” and part of “the texture of his skin”
George Orwell’s dystopian novel, 1984 is a handbook for all dystopian novels. The Totalitarian government is able to obtain total control over Oceania and its citizens through language and thought. The manipulation tactics in this book are used throughout the dystopian world, especially in The Handmaid’s Tale. Margaret Atwood builds off of Orwell’s infernal society to create an opposing world, with a set of different issues. In the classics, 1984 and The Handmaid’s Tale the governments are able to attain ultimate power through restricted thought and language.
Winston forms a relationship with Julia and due to this he improves physically and mentally. This shift in tone can be presumably attributed to love. Orwell conveys a dreary tone in part one which then transforms into a tone of optimism.
He begins his illegal love affair with Julia, once again defying the government. However, when he is taken by the police to the ministry of love and punished for this crime, he betrays his lover. Julia and Winston built a trustworthy secret relationship via their mutual hate for the government, but Winston gives it all up when he is threatened in room 101. Big Brother succeeds in pushing Winston to his breaking point, in which he exposes Julia to save himself. He yells to his torturers, “Do it to Julia!
A story of suppression of individuality: How rebellion can change lives in Orwell’s 1984 and Atwood’s The Handmaids Tale Rebellion is a powerful force that is present in many societies, especially those where citizens are unhappy with how they are governed. This is particularly true in dystopian novels where societies have typically taken a turn for the worst. George Orwell’s novel 1984 follows Winston, an inner party member, as his increasing dislike of the party leads him to work against the party. This novel lays a blueprint for future dystopian novels as they follow with many ideas outlined in this text. One of these novels, Margaret Atwood's The Handmaid’s Tale, tells the story of how unhappy handmaid Offred tries to work against her
In 1984, Winston and Julia fear their relationship may be discovered. Winston even has the concern early in their relationship, that Julia is working for the “Thought Police.” He mentions this to Julia and she is appalled by this thought. Winston then gives the reasoning, “But from your general appearance-merely because you’re young and fresh and
With this act of rebellion against the oppressive system of Oceania, Winston showcases his courage because he does all of this to aid him in his journey towards uncovering the truth of the past. Next, there is the selflessness that Winston possesses. For this specific quality, it is shown most prominently when Winston gets into a disagreement with Julia on their goals for their rebellion. During this argument, Winston firmly states that the reason for his desire to obtain and keep incriminating records of the Party’s lies is so that they can be left behind, thereby allowing for “‘the next generations [to] carry on where [they] leave off’” (196). From this, Winston demonstrates how unselfish he is because, rather than worrying about himself – like Julia – he wants actual change and progress to come as a result of his rebellion.
Winston continues to disappoint further as because of the lack of his usual paranoia and good instinct in identification of character, he is defeated by Mr. Charrington’s avuncular mask, trusting him even with the notion that the Thought Police and telescreen surveillance is everywhere in the Party’s jurisdiction. His fatalism proves fatal in this scene as he falls with little resistance, allowing Julia to be violently captured in the process, conflicting with what a lover and a hero would normally do. Although unrealistic, it is to my belief that a heroic character would not betray their loved ones as well as themselves, which Winston eventually did as he developed love for Big Brother, detaching the connection he shared with Julia in the final scenes of the
Julia betrays Winston, however, Winston does not betray Julia. In the end, he cannot hold up against the brainwashing and comes to love Big Brother, the leader of the party. After he is released, he and Julia no longer have feelings for each other. He goes on to live an easy and mindless life. The only thing he has left is a few memories of a time before the Party.
George Orwell’s novel 1984 presents us two characters who are entirely different, but still complement each other entirely, the protagonist Winston and his love-interest Julia. Julia’s optimistic character highlights Winston’s fatalistic one. Winston believes he and Julia are compatible and can relate to each other because they share the same believes. They both detest Big Brother and want to rebel against the Party. While this is true, their similarities seem to end there.
The heroic efforts by Winston and Julia were completely thwarted. Winston had finally shown signs that he could be a hero. But they were ruined by O’Brien. Julia and Winston are forced to separate and then they are both subject to torture. The downfall of Winston begins at this point, any heroic signs that had begun to sprout out of Winston were utterly destroyed.