Slumdog Millionaire Analysis

Editing is a part of post-production in creating a video or a film. It is the important part to create a sequence. On the production phase, the scene of the film were taken one by one but it not taken accordingly, it is editor's job to combine this scene together to make this film accordingly as shown in storyboard and script. Each take can contain extra notes from the director or the cinematographer. This is the first time the editor sees the film, and since it is shot out of sequence, it is out of context of the story. A good editor views the rushes and looks for fluidity of movement and nuances that will later be incorporated into the film. Editing process have it own process to make the editing process easier. The editor must

This is actualized through camera edges, camera developments and separation. All through the movie camera points turn into an immediate medium for communicating the connections between characters. For example, the utilization of inclined edges amid a scene with Radio Raheem and Tony in the pizza parlor. As they are contending the camera seems, by all accounts, to be flip tumbling between the two. However, at inclined points, underlining the outrage and ill will among them. Inclined edges are particularly basic in that they outwardly express that there is something psychotic or useless about the connection between these characters. There are likewise low edges utilized as a part of a similar scene which feature emotional contrasts in stature between Radio Raheem and Tony and how they see each other. The developments of the camera likewise has an impact in passing on the racial pressures among the characters. A significant part of the camera's developments are quick shot-turn around shots, since characters are regularly shouting at each other all through the greater part of the film. These quick paced camera developments make an uplifted feeling of pressure and perplexity. The speed of the camera adds a restlessness to the discourse through which the crowd discovers that the characters enable their own battles to meddle with their judgment about different

Thus, ‘Slumdog Millionaire’ depicts various social elements in our country. It shows the life of people living below the poverty line in India and the various hardships faced by them to come up in life and the various opportunities they lack to

Sengupta explains that Boyle’s film solely portrays the negative aspects of capitalism in Mumbai as well as the harsh reality that it’s citizens experience and live in.

Behind the Beautiful Forevers is a book, by Katherine Boo, that describes an ordinary life of slum-dwellers in Mumbai. India is primarily known as a country currently experiencing a significant economic growth. At the same time the inhabitants of slums daily struggle for their mere survival. One of the main reasons for that is a failure of both governmental and international social programs to reach their objectives. Boo frequently highlights this issue in her book providing numerous examples. Firstly, free municipal education hardly ever is efficient. According to the author, almost 60% of the public school teachers do not have even an undergraduate degree (Boo 85). Mirchi and other similar schoolchildren are not likely to acquire necessary education that could have potentially helped them and their families to escape poverty. Moreover, they risk learning nothing at all since at public school they mostly “play, take recess, play again, then have lunch” (Boo 85). This is not surprising given the fact that the teachers, such as Asha, often ignore their responsibilities and do not go to school (Boo 33). Similarly, educational policies of non-governmental agencies do not always benefit students in need. Oftentimes an institution receives money, starts working, and begins teaching children. However, as soon as the photos are taken and necessary inspections are passed both funds and a person responsible for them disappear (Boo 171). In contrast to public schools, private ones

In 1776 fifty six men gathered together to sign a document that would change the world as they knew it. The Declaration of Independence was signed in Independence Hall in Philadelphia, solidifying the idea that the thirteen colonies were to be seen as a nation independent of England. Even though the colonists had a hard fight to win before anything was official, the symbolism of this document will live down in history as the start of the country of the United States of America. Years later the U.S. has transformed from a mass of colonies to one of the worlds largest super powers. The U.S has also been perceived as haughty and self center in the past couple centuries. This is demonstrated in the play “Mistaken Identity” by Sharon Cooper.

The Devil’s Miner is heartbreaking and heavy direct cinema documentary that can leave the viewer feeling sympathy and pity. But, if approached with the right mindset, the film can also leave the viewer with a message of human strength in the face of adversity. The film presents many themes to call people to action, such as social injustice, and the problems with child labor, but the main theme that resonates throughout the film is that strength can be found even in the darkest of places.

The movie “City of God” that was directed by Fernando Meirelles and Katia Lund and released in 2002 is a film of despair, offering a one dimensional view of urban culture, in Brazil where social divisions appear too wide to-bridge, and where millions are too brutalized by violence and poverty to contribute to any process of change.

Overcoming great odds is one major part of the book and also the contrast of rich, shiny and new environments against , poor, lower, and less fortunate. Slum life is explored and also the role that crime plays in that environment. The story is set in a slum town near Mumbai Airport and this is a contrast to the luxurious hotels around the facility. Many of the people who live there have menial jobs for example rubbish recyclers, building workers and piece-work migrants, and they all hope that one day India's business future will rub off on them. A crime shocks the slum-dwellers and then global recession starts to slow the world economy down. In addition many people live in fear of terrorist attacks. Religion, resentment intimidation and the caste system all threaten fresh conflicts, But there is a theme of hope as well. Some slum dwellers are resilient and persevere against the odds, winning through against discrimination, corrupt practices and unfairness. The book shows that there are things of hope and value even in a slum. "He saw nothing but his own bottomless grief, because he knew miracles were possible in the new India and that he couldn't have one" (Boo

The documentary genre has radically evolved throughout the years, however it can still be broadly described as a non-fictional informative footage which “documents” or captures reality. In general documentaries are used to reveal an unknown angle on either historical events, biological or controversial issues to a specific target audience. These unknown angles are mainly influenced by the intentions of the filmmaker. The filmmaker’s enthusiasm and commitment plays an enormous role in how these unknown angles will be portrayed to the audience. The purpose of the filmmaker is to explore topics that are mostly overlooked by society in an attempt to make a difference. This purpose of the filmmaker is clearly visible in the 77th Academic Award winning

Many images portray the city as a beautiful seaside resort for the upper class, but these images are often juxtaposed with images featuring the impoverished working class. This is shown through the various elements that make up the city. One particular example is the section on sports, where scenes of upper class sports such as sailing, and formula one are interplaced with scenes of sports the lower class enjoys such as bocce ball. Typically the shots of the lower shots of the lower class, especially in the early scenes on the dock, are shots of them performing labor. This helps the viewer recognize the labor that is needed to make this city’s resort status possible. Sometimes the film will have a subject of the lower class out of place among the upper class. A good example of this is the scene with the begging woman and her baby. The woman is dressed in rags that seem unfit among the many nicely dressed people populating the pier. The film also features a clear distinction between the lower class slums of the city, and the nice seaside resorts. Halfway through the film the camera moves away from the bright, open spaces of the seaside to a notably dark, and cramped area that is the slums. The much stronger use of shadows and darker spaces makes the viewer feel as though they’ve entered

The film shows the contrast between the wealthy and poor and the everyday lives of the Jewish people in the ghettos. It often shows the trade at markets and the stores that offer food and supplies. Which was shown as being full of meats and vegetables but forgets that most of the population cannot afford anything and are starving. Children are caught smuggling goods into town and are often punished severely for this, often death. It is said in the film that the Jewish people actually liked

In order to raise awareness of the staggering injustices, oppression and mass poverty that plague many Indian informal settlements (referred to as slum), Katherine Boo’s novel, Behind the Beautiful Forevers, unveils stories of typical life in a Mumbai slum. There are discussions on topics surrounding gender relations, environmental issues, corruption, religion, and class hierarchies, as well as demonstrating India’s level of socioeconomic development. Encompassing this, the following paper will argue that Boo’s novel successfully depicts the mass social inequality within India. With Indian cities amongst the fastest growing economies in South East Asia, it is difficult to see evidence of this in the individual well-being of the vast majority of the nation. With high unemployment rates, the expansion of informal settlements and the neglect of basic human rights, one of India’s megacities, Mumbai, is a good representation of these social divisions.

The images created by camera angles are one of the most impactful techniques employed by Riefenstahl. The camera angles alone communicate clear messages to the audience, especially regarding Hitler’s characterization. When we see Hitler at a relatively close distance, we often see him from below. Looking up to Hitler – once even with the clouds in the background – characterizes him as clearly superior and god-like. When he meets the village farmers, the camera angle

Vertov’s passion lay in the ability of the lens of a camera to combine an infinite amount of perspectives