Syntax In The Scarlet Letter

The syntax in The Scarlet Letter mimics the previously mentioned dark yet romantic and descriptive tone of the novel. Maintaining its seriousness and formality, Hawthorne uses additions such as imagery, personification, metaphor, and symbolism to keep the book’s underlying flowery and romantic storyline. This complex writing style required Hawthorne to utilize very long and illustrative sentence structure. His dedication to detail is seen in his use of comparison to portray both beauty and ugliness. In fact, the only time we see short and choppy sentences is character dialogue and conversation. The effect that Hawthorne is attempting to create is one of dramatic story-telling. Almost over describing every aspect, Hawthorne preserves his fluidity

Hawthorne’s writing style provides readers with a more vivid and colorful reading experience that hopefully pushes them to be more engaged in what they are reading. In having to decode the majority of the novel, it leaves a mysterious and open effect on the entire book. With all this in mind, it is important to recognize Hawthorne’s subtle use of literal devices like alliteration such as “married, happy, and mindful of her mother” (Hawthorne, 360) in his writing. Slight additions such as this spice up his typically repetitive language and peak interest on readers by keeping them on their toes. In having all the skills to represent the darkness and beauty in life in remarkable ways, Hawthorne uses syntax in The Scarlet Letter to improve and enhance the overall quality of his

Due to the fact that Dimmesdale and Hester could not even ignore their initial attraction, the passion that carries throughout their relationship is undeniable. The love they posses for one another only grows stronger as their community and religion constantly reiterates how the should not be together. Not only having admiration for one other, once their child come into the world, they both carry intense amounts of devotion towards keeping it safe. Though Dimmesdale is scared to admit, it is adamant to readers that he cares for her even more so than himself. As Pearl faces the same shame as her parents, such as being called “an imp of evil, emblem and product of sin" (Hawthorne, 129), her need for care and attention grows larger. The final aspect of love in the novel is one of the importance and connection to family. The humiliation and contempt they all felt brought them closer together as they did not want to witness any of their suffering. Pearl’s reaction to her father’s death exemplifies the depth and strength of their connection. The narrator describes their final moments by saying “Pearl kissed his lips. A spell was broken. The great scene of grief, in which the wild infant bore a part, had developed all her sympathies” (Hawthorne, 352). He goes on to express her sorrow through illustrating her tears and grief. This loss clarified for young Pearl that though she might have appreciated her father before, she loved him more than