The Terror of The Demon Lover There are several locations within The Demon Lover where imagery was used to set the tone of the story. Some of these include how the house was described, how Mrs. Drover was portrayed, and how the taxi gave off a false sense of security. The story has a very eerie tone and the depicts that extremely well. The imagery set the tone so well that you can almost hear the house creaking as Mrs. Drover walks through. While the entire story had very descriptive diction, there were a few locations where the imagery especially stood out. There are multiple times during the description of the house helps to set the eerie tone of the story. One of these is when the key won’t turn in the door and she must force the door …show more content…
Drover, the taxi sets a false tone of safety. She is thinking that if she can only get to the taxi she will be safe, while the reader knows that something is wrong. The fact that there is only one taxi setting in the line gives her only one choice, if she is getting a taxi, which to her is basically salvation because it is a return to normalcy, and she takes it happily, not even looking to see who the driver is (5). Then there is the fact that the taxi knew where she was going before she had “said where.” (5). Then lastly, there is the fact that after she saw who the driver was she screamed and the driver “made off with her into the hinterland of deserted streets.” (5). In conclusion, The Demon Lover has several locations where the author uses imagery to set the eerie tone of the story. You can easily see how it does so when you consider how the house is described, how Mrs. Drover is portrayed, and how the taxi gave a false sense of security. The imagery within the story is so real, and because of that, the tone is set very easily. The diction used within the story was extremely well used. Because of that, the imagery was so real that I could hear the door creaking open in my mind. I hope to read many more stories that are this well
As said in Document A, “they externalize these fears into the figure of the beast”. The school boys were scared of what this animal could do to them. In Document D it says, “He was dreaming… He must have had a nightmare”. They boy was petrified, so he put all his fears into an image of this petrifying perspective of a demon.
The poem by Louise Erdrich, “Dear John Wayne”, was written as a way to express the Native American’s contempt for the way they have been demonized in the media by what John Wayne represents. John Wayne starred in many Westerns and consequently, represents the American dream. It is this role in these westerns that the Natives hate so much, and what led to the creation of this poem. This hatred is conveyed through the use of imagery. Mrs. Erdrich uses Imagery in many ways.
In his analysis, Fraustino tries to explain this by saying that the taxi’s arrival may have been prearranged, since Mrs. Drover said that she intended to call for one (486). However, shortly after she says that, she remembers that the telephone had been cut off (Bowen 163). The most logical explanation for the near impossible knowledge that the fiancé has would be that he did die in the war and has come back as a spirit to make Mrs. Drover keep the “unnatural promise” (Bowen 162) that she made to him by killing her so that she would be with him forever in the
Dreams are often viewed as peaceful escapes, but sometimes dreams make someone's worst nightmares come true. In a excerpt from Rebecca by Daphne du Maurier, The narrator describes a dream where she walks up on a abandon house that has been consumed by nature. The author uses spooky diction to describe the many setting of the story. She used words like nightmarish, tenacious, and haunting to describe the gate the trail and the house. This setting created a very dreary mood.
During the first half of the 20th century, the Japanese empire was at the peak of its power. Starting form 1910 up until 1945, the end WWII, Korea was being held by Japan as a colony. During this time, Japan and China entered The Second Sino-Japanese War that stared in 1937 and ended with Japanese surrender in 1945. These Japanese actions have had such an impactful effect on the people that it hurt, that films, such as Devils on the Door step and The Handmaiden, have even contemporary films express negative emotions to the long-lasting effects of the Japanese empire.
This precisely explains the darkness of the room because it is mentioned that there was no light of any kind. Another source of imagery that conveys a haunting mood is the sentence in the first paragraph
Reading a horror novel allows the reader to become a part of the story. A major part of the fear caused by Hill House is the uncertainty of what the house wants. The novel used suspense to engage the reader, and make them wonder when the next haunting would be and wonder how much worse the hauntings would become. The ending of Haunting of Hill House leaves the reader to decide what actually happened to Eleanor. The reader hears most the thoughts Eleanor has, and the reader becomes invested in her sanity.
Joyce Oates uses vivid speech to establish clues and evidence of the stranger's past. To take as an example, when the stranger describes the kitchen, he promptly includes how it was personally “a—controlled sort of place" (327). This quote hints how the house was always "controlled," therefore, a possibility of abuse or severe obsession. As he further expresses his remembrance of each feature in the home, he adds how the dining room was “dark most of the time...dark by day, dark by night.” Giving a feeling of mystery, Oates urges her audience to sense his strange, dreadful
“Hell is a...foulsmelling prison,” James Joyce asserts in his essay Hell, “an abode of demons and lost souls, filled with fire and smoke” (295). In addition to both supporting these claims and constructing an engaging narrative, Joyce places himself in the piece as the narrator, guiding the audience through this hellscape. However, Joyce’s authoritative position alone cannot effectively illustrate the scene. As a result, Joyce relies on literary tools to elicit the intended impression of hell, immersing the reader in this environment. By employing an organized structure and a combination of different modes of description, diction and syntax, Joyce cultivates a compelling portrayal of hell that in return, evokes a visceral reaction from the reader.
This made the boys think that he was the beast. The dead man being in the dark, made the boys scared because they couldn’t see him. This is an example of the dark representing fear.
What do you think when you hear “The City of Sparks!” Jeanne DuPrau was an author who used vividness and description in her words. Furthermore, The City of Sparks was a book about emberites(People from the city of Ember) and their experience now going to the outside world. Today we are going to observe how Jeanne DuPrau uses imagery, figurative language, and mood to tell a story vividly. First, let us start with Imagery.
Suspense is a vivid topic in both “Annabel Lee” and “The Pit and the Pendulum”. “Annabel Lee” is a poem that describes the “love” story between the narrator and his dead love. “The Pit and the Pendulum” is a story that discusses the narrator's experience when he gets caught during the inquisition, and slowly drifts into delirium as he is physically watching his impending death. Both pieces of literature contain concepts that form suspense throughout the story/poem, such as Motif of the Unknown, Motif of Insanity, and Imagery/Diction.
The story says, “You’ve let this room and this house replace you and your wife in your children’s affections. This room is their mother and father, far more important in their lives than their real parents.” This quote is significant because it shows how the family is separating. The parents are letting the house take over the role parents are supposed to play. This effects the story because it represents the moment the parents found out that their choice to fill the house with technology was almost the worst thing they could have done.
Shirley focuses a large part of the introduction of the house on describing its odd design and initial impressions. Dr. Montague describes the house as being on a “slight slant… that may be why the doors slam shut” and notes how “every angle is slightly wrong” (Jackson 77). This causes an uneasy feeling for the reader as they question the effect this will have on the characters throughout the novel. Also, Eleanor’s initial impressions of the house cause her to hesitate and question whether she has made the correct decision.
I think they were imaging it because it never describes the person in the story. It just says a masked figure. “And now was acknowledged the presence of the Red Death. He had come like a thief in the night.” I think the people in these stories both feel guilty, that’s why they are imagining stuff.