The Responsibility Of Parents In Mary Shelley's Frankenstein

When the family returned to the cottage and attacked him, it was another reminder that he will never fit in. All he went in there for was to try to make a friend so he wouldn't be so alone, but the family saw it otherwise. As these events occur, readers can see why the monster gets so mad. He is respectful and helpful, and in return gets hate and discrimination. Which leaves him with no friend or somebody to turn to once again.

He starts to turn into the monster, that everyone sees him as. "And what was I? Of my creation and creator, I was absolutely ignorant, but I knew that I possessed no money, no friends, no kind of property (Pg. 108). " In this quote, the creature begins to accumulate this new sense of self. The creature becomes aware at this point, that he is a monster with nothing to his name.

This quote conveys the monster was angry with Victor for creating him then abandoning him. Distinctly, Victor left the monster and the monster is not happy about it. The monster feels as though he should atleast know who he is as a person. There is no one to tell him who is, why he was created, and how to behave. Similarly, When he thought all day of how he was to seek revenge on Victor.

Lacking the foresight and responsibility of giving life to inanimate objects, his end result was a disaster. Firstly, he made it freakishly grotesque, because who could ever anticipate such a thing would come from the sewn together remains of the recently deceased? Left to stride through the countryside with a face only a blind man could love, it is no wonder that the monstrosity that was Frankenstein 's monster turned against the society he was so unwittingly thrown into. Though one may pity the thing for being shunned by everyone who sees him, it is difficult to believe anyone would react differently if faced with the same circumstance. The monster never asked for his face, or his life, and Frankenstein completely lacked the rationality or talent to create a face or a life that could reasonably thrive in

And with that remorse of doing so he begins his journey of self destruction. This is all he knows, to shut down and behave in such a manner where refusal to show grief is necessary for his growth. As mentioned earlier Okonkwo also beat his wives and children. Okonkwo was a damaged man who for fear of being seen to resemble any aspect of his father lived in anger; something Unoka seldom showed. This damage carried through into his emotion ties like his wives and children and frequently beat his family to show masculinity.

He is in conflict with the definition of existence. Grendel strongly believes that he has always been permanently an outsider; Grendel is unnatural, he is a killer since he has slaughtered numerous humans, and a creature that needs not exist at all. His mother’s muteness plays a major role as it was his fate to be isolated. Grendel, as the monster, must never feel affection since he is not a human, or “loving creature.” In the novel, Grendel visualizes moments where he doesn’t even know who

The greater part of the creature’s anger generate from the revulsion he obtain from everybody that stagger upon his vision. The book makes it apparent that the world isolated the creature, changing him into the malevolent monster that quite a lot of recognize so well. In his piece of writing, The Monster’s Human Nature, Gould squabble that Victor botched because he chased a temperament of human nature- intuitive disgust at the creature’s appearance- and did not take on the responsibility of any maker or parent that educate others in suitability (Gould 61).” Victor’s mistake was not interfering with technology and efforting to follow God, he discarded his creation and denied to take blame for his actions.

The creature himself proclaims that his “heart was fashioned to be susceptible of love and sympathy.”, but as time advances and the monster comes to the realization that society will never accept him for what he looks like, not because of who he is internally, he loses all faith in his perception of society as a convivial, welcoming environment. This sense of alienation and isolation from everyone else on the entire planet is what turns the monster against Victor, for giving him life, and an abhorrent one at that. The strife and anguish

If Victor or someone had taught the creature the right way maybe he would have been purely good but without any guidance or someone showing him the way the creature became lost and followed a dark path that he thought was right. In conclusion, the creature is morally ambiguous because of his reasons behind the murders he committed and the lack of education he had may have led to that. The creature’s character shows how education can affect the way someone grows up such as becoming a killer because no one is there to teach you how wrong murder is and that there are other ways to deal with

When people see The Monster they will run away or scream, and some attack him. All The Monster wants is to be accepted. This shows that when confronted with things they don 't understand or aren 't familiar with, people will often react with fear and defensiveness. Even from the moment he was created, The Monster gave people quite a fright with his grotesque, disfigured build.

Biography: Mary Shelley was born in London in 1797 to a “radical philosopher”, and “an early feminist” (Shilstone). Since her mother died of childbirth complications, Shelley was raised by her father, who mostly homeschooled her, giving her a standard of education which she would not have attained at school due to her gender. For example, Mary and her siblings were all taught “French, Italian, and drawing” (Garrett). Shelley’s father was acquainted with many scientists, engineers, and poets, whom Shelley often interacted with. At age 16, Shelley fell in love with a married man, Percy, and the two travelled to America.