Frankenstein Victor's Relationship Analysis

Frankenstein’s mother, a character who’s non-existent for most of the novel, plays a big part of Victor’s ultimate demise. Soon after her death, Victor felt as though he could 've done more as if he could 've saved her. The absence of his mother drove Victor to invest into his interests and go to Ingolstadt. While at Ingolstadt, Victor became interested in the studies of science. “But this state of mind had place only in the first steps towards knowledge: the more fully I entered into the science, the more exclusively I pursued it for its own sake.”

Due to his emotional confinement, Victor feels that he cannot trust even his wife with the knowledge of the horrible creature in which he has created. This sense of being an

Mary Shelley was twenty-one years old when she wrote Frankenstein. Therefore, the effects of her parents were still fresh. That, combined with inspiration from her literary husband, created a large theme in her novel, the role of parents. Through the lack of caring progenitors in Frankenstein, Shelley is arguing that detached parents allow for a negative upbringing, therefore urging them to be present in one's life. The first hinting of the parent theme is Victor Frankenstein’s guardians.

This brings us back to Frankenstein, Victor 's relationship with his parents friend, and Elizabeth translated by good words, Shelley uses quotes to emphasize the importance of human relationships (especially, family 's relationship) and how important they are to a person 's well-being “My children, my firmest hopes of future happiness were placed on the prospect of your union. This expectation will now be the consolation of your father. Elizabeth, my love, you must supply my place to my younger children. Alas! I regret that I am taken from you; and, happy and beloved as I have been, is it not hard to quit you all? But these are not thoughts befitting me; I will endeavour to resign myself cheerfully to death, and will indulge a hope of meeting you in another world”(24).

Victor realizes that he has lost control of the monster’s actions and regrets not taking the proper precautions in seizing the monster when he has the opportunity. Ultimately, Victor is victimized. After the murder of Elizabeth, Victor reflects on the deaths of his loved ones and says, “The death of William, the execution of Justine, the murder of Clerval, and lastly of my wife; even at that moment I knew not that my only remaining friends were safe from the malignity of the fiend” (174). Victor suffers watching his loved ones die one by one, yet lacking the ability to save them. Overall, Victor’s victimization is due to his timorousness dealing with his initial

Mary Shelley’s novel Frankenstein, is one of the most important and popular novels in the Romantic genre to this day. The novel was originally controversial because it touched on many fragile subjects such as the human anatomy and the development of science. The structure of Frankenstein begins as an epistolary, narrative story told by Robert Walton to his sister in England. Walton’s letters tell us that he is exploring, searching for what lies beyond the North Pole, and he eventually connects with Frankenstein. Shelley creates the protagonist, Dr. Victor Frankenstein, who has a fascination with life and death. Gensis states; “God created man in his own image, in the image of God created he him.” Humans, therefore, were created as a likeness

Victor’s parental figures in Frankenstein poison him by surrounding him with countless indulgences. From childhood, Victor was given all of his desires without question and this led to him becoming self-centered and dependent on the service of others. Victor describes his childhood with

From Son to Satan: Parenting in the 17th century Often in a novel, an author will make the relationship between a parental figure and a child be one of conflict to emphasize their relationship to each other. However, in the 1818 Gothic Romantic novel Frankenstein, author Mary Shelley uses the father and son relationship between scientist Victor Frankenstein and the creature as a tool to demonstrate that one must take responsibility for their actions and that monsters are not born monsters visualized through Victor’s abandonment of the creature, the monsters reaction to being shunned and Victor’s failure to comply with the creatures request to create a partner. The inception of the conflict between the two characters began when Victor became

There is also the concept of the balance of masculinity and feminity throughout the novel. Victor, although he is a male character, displays a need to create something and care for it, even if it is to fill some sort of abstract ‘debt’ he feels towards his parents and Elizabeth, and he inevitably ends up abandoning his creation. Victor’s desire to create a living being, despite the way he treated after its birth, is a trait that one typically associates with

In the beginning of the novel, his background is explained, “I am by birth a Genevese, and my family is one of the most distinguished of that Republic.” He was going abroad for his higher education, so he comes from noble background. Victor is also a mortal; he is completely human, without any differences. His fault is not completely his, as his father pushed him in early education of science. As a tragic hero, his fall is a result of his own choice and action.

A Backstory and Examination of Frankenstein's Obsessive Nature In order to understand why Victor runs from his inner conflict brought upon by himself and others, it is important to examine the event that established his obsessive nature early in his adolescence. Victor speaks of his childhood very highly, he says that his parents were present in his life and loving, so what could be the problem? Enter Elizabeth. When Alphonse and Caroline adopted Elizabeth as their own, Victor feels as if he was pushed to the side because he isn't receiving every single ounce of his parents attention anymore.

Mary Shelley (1797-1851) born as Mary Wollstonecraft Godwin, the daughter of philosopher William Godwin (1756-1836) and well known feminist Mary Wollstonecraft (1759- 1797), is credited as a great revolutionary in the field of literature. With influences of family guests such as Samuel Taylor Coleridge (1772-1843) and William Wordsworth (1770- 1850), and access to an extensive family library, Mary Shelley is believed to have developed great imaginative skills and fondness for literature at a very young age. She went on to marry the famous English romantic poet Percy Bysshe Shelley in 1816 after his first wife committed suicide. During her lifespan she went through the tragic death of her infant son, suicide of her half-sister and the drowning

In 1818 Mary Shelley wrote Frankenstein, a novel that follows Victor Frankenstein, an ambitious man on his journey to defy the natural sciences. In Volume I of the novel, Victor discusses his childhood, mentioning how wonderful and amazing it was because of how his family sheltered him from the bad in the world. “The innocent and helpless creature bestowed on them by heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me” (35). When Victor brings up his childhood, he suggests that parents play a strong in how their kids turn out, either "to happiness or misery" (35). In particular the main character was sheltered as a child to achieve this “happiness” leading to Victor never developing a coping mechanism to the evil in the world. Throughout the novel, Victor does not have a healthy method of dealing with the negative scenarios that life throws at him. He does not deal with his problems directly, rather he runs away from them literally and figuratively. As a child Victor was sheltered from loss and his surroundings, which restrained his character from establishing a true coping mechanism for dealing with his problems, he is left to manage these happenings using the only form of survival that he knows-running away.

Frankenstein In Mary Shelley’s Frankenstein, a conflict as old as life itself emerges as the story progresses; parent versus posterity in a struggle for reconciliation. Victor Frankenstein and his creation become tied up in a constant battle as the creation seeks his origins, finding a horrifying truth; the creator had abandoned the creation. This central conflict derives from the creation of the creature, inability of Frankenstein to appreciate his creation, and the creation’s need for a parental figure. The conflict addresses themes of the book such as human desires for prestige, acceptance, and the intimacy of a relationship with one’s creator.

Mary Shelley adds a very interesting perspective to this book by having Victor portrayed as the mother/parent to the monster and having the gender role of the parent to be enforced. Shelley doesn’t portray Victor as a good parent which makes sense during her time because he lacks many of the qualities that are essential to being a good parent such as “being a woman”. This lack of parenting drives the monster away from Victor and he learns morals from another source, Victor is in turn portrayed as a very irresponsible mother. Mother is a term that should be used to describe Victor, should. However, this term is not used as all because Shelley uses Victor’s lacking maternal qualities to exemplify the feminist point of view of the novel.