“When I was about fifteen years old, we had retired to our house near Belrive, when we witnessed a most violent and terrible thunder-storm. It advanced from behind the mountains of Jura; and the thunder burst at once with frightful loudness from various quarters of the heavens. I remained, while the storm lasted, watching its progress with curiosity and delight.” (pg. 69). When Victor Frankenstein witnesses a violent thunderstorm, his immediate reaction is the need to harness the power of nature. He was amazed at the beauty and terror of it all- the only way to describe the awe he felt watching that storm is Sublime. Sublime is technically defined as: of such grandeur or excellence as to inspire or awe. Unfortunately, what most people think …show more content…
He wanted more than anything to make a great contribution to science. Not only did he want to have something sublime, he wanted to be sublime. In doing so, he creates a monster. This monster is so hideous that it becomes outcasted by society. Go back to the definition of Sublime- it is to have something of such great beauty as to inspire awe. Victor expected his creation to be magical, but it wasn’t. There was no beauty in the horror he created. Victor was disgusted by his creature at first, but he didn’t try to kill it. He knew that this thing, whatever it was, could be dangerous, but the violence may have been his only link to understanding the monster; one thing that Victor always loved was nature. He often found himself awestruck at the beauty of it. It was violent; Victor found something breathtaking in the violence. He must have seen the same thing in his creation. Everything about it was violent- the monster was put together with pieces torn off of dead bodies and electrocuted until the heart started to beat. However, it was unnatural. The beauty of nature is how natural it is. The monster was anything but natural- he was not brought into this world the way humans are. That was the flaw in the plan, and why Victor could not reach his
Victor selfishly creates the Creature to gain prestige, pretentiously claiming himself as a human god when he succeeds and saying it was for the sake of humanity. In reality, he creates a grotesque being and abandons it the moment his illusions shatter, making the creature a victim because he denies the responsibility of raising it causing hardships for it. Victor also believes the creature is a reprobative individual since it kills his brother and foists Justine’s execution, thus he acts inimical towards it throughout the whole novel as he invectively exclaims, “Abhorred monster! Fiend that thou art! The tortures of hell are too mild a vengeance for thy crimes” (93).
Victor denied the monster it’s power by not allowing it to have what it asked for. This refusal caused the monster declare it’s dominance through threatening Victor to do as it says or he will be punished. After Victor refuses to allow his creation to take control, it goes mayhem and reacts with hatred. The creature tried to gain it’s power by deteriorating Victor’s life killing many of the friends and loved ones close to Victor. This pulls the final straw for Victor, he attempted to hunt the monster down and destroy it before it could hurt anyone else.
Victor first begins creating the monster, working tirelessly for selfish reasons. His body suffers tremendously and he drags himself along treating his body like a slave. He states: “My cheeks have grown pale with study, and my person had become emaciated with confinement.” (Shelly 33)
Victor is stirred by his work, but not in a positive manner. He goes on to explain his feelings towards the creature by saying, “… my heart sickened and my feelings were altered to those of horror and hatred” (136). Victor is so bewildered and repulsed by the creature that he misses key signs of violence, from the creature, that may have saved Victor’s family had he not been so
In Frankenstein by Mary Shelley, the idea of the natural world is recurring and helps relate many characters with nature. Victor Frankenstein, the protagonist in the novel, has a very close and unique relationship with the natural world. In Victor’s life, the idea of the sublime or the natural world comes up in emotional and significant moments. Nature changes Victor’s mood, forms his character, and shows his growth through poetic devices. In Frankenstein, nature directly affects what Victor sees and feels.
On the journey Victor gains interest in electricity and life. With this knowledge Victor goes to creates a creature that learns how to control his emotions. It wasn’t until later in the novel where the creature became uncontrollable and very evil. In the process of creating the monster,Victor does not design him to where he can control his emotions.
However, Victors reckless and unthoughtful actions pushes the monster into a state of rage and hatred that overrides his ability to stop from exacting revenge on Victor. Victor initially creates the monster thinking that it will be an amazing creature, built from the best human body parts Victor could procure. After he views the outcome of his work he is repulsed by it and abandons it, hoping that it would cease to exist. Not only did the monster survive, but it learned to speak, write, and read. After reading the book Paradise Lost, the monster thinks of its own situation and states the following:
Passion and Destruction As W. Somerset Maugham once said, “Passion doesn’t count the cost... Passion is destructive.” In Mary Shelley’s Frankenstein, Victor Frankenstein leaves Geneva, his home town in the pursuit of knowledge, ding so he created a creature. Frankenstein gets frightened after the created the creature, so he leaves the creature in fear, only when he returns the creature is no longer there.
This shows the humanity in the monster and his tendency to be amiable. He was also able to learn from his mistakes. For example, the creature realized that he needed to stop stealing the family’s supplies after he noticed how much they needed them. Victor, however, didn’t learn from his mistake of creating the monster, and created another. The monster also refers to the family in the cabin as “[his] friends” when they didn’t know of his existence (103).
Victor creates the Creature, but there are many situations throughout the novel where the Monster displays as the victim. He seeks love from different people, but everyone treats him bad. His anger towards his father drives him to kill Victor’s family. The Monster later feels devastated for the murders he commits. All the monster wants is love.
(Shelley 56). This is the reason that Victor did not realize he had gone too far until it was too late. Once victor brings the creature to life, he immediately realizes the hideousness of what he has done: “Now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 56). Furthermore, Victor struggles to cope with his creation throughout the novel.
In the novel Frankenstein, by Mary Shelley, Robert Walton is on a voyage to discover unexplored knowledge. While on this journey he finds Victor Frankenstein, who tells the reader of his own journey to discover the unknown. In this novel, Mary Shelley employs literary devices such as repetition, imagery, and rhetorical questions to provide meaning to the audience. For example, the author uses repetition to emphasize Elizabeth’s confidence. Expressing her frustration with the situation Elizabeth repeats, “But she was innocent.
This caused a lot of anger for the monster, and he would then release this anger onto Victor to make him pay for abandonment. In the end Victor’s death was “caused by his creature” or really by “his own vengeful pursuit of it” (Lowe-Evans). The monsters death was through “self-immolation” because of the murders he committed to get back at Victor (Lowe- Evans). Both man and monster life was ended in cruel
Numerous research has concluded that several emotional bonds exist between humanity and nature that can impact everything from attitude to anxiety. Novels of the romanticism period, a significant literary era that encompassed most European works written in the early 1800’s, are most known for describing the impacts that nature has on people and implying that unexpected consequences can arise out of this relationship; Mary Shelley’s Frankenstein is a prime example of such a novel. The prime conflict of this 1818 science-fiction story occurs between the titular character, Victor Frankenstein, and a monster he creates through his own scientific innovations. Because of Victor’s abandonment of the monster, it becomes intent on destroying the scientist’s
The monster was deserted without an advocate to speak for him, as his appearance would not allow him the opportunity to be heard. Despite the monsters revolting appearance he still manages to display many human characteristics such as compassion, love, and intelligence. Victor is both guilty of negligence and the murders, as he did not guide his creation is the ways a creator