Literary Devices In Mary Shelley's Frankenstein

Mary Shelley’s Frankenstein may be one of the most popular novels of the 1800’s. In her novel, it can be seen that it was, in fact, meant to be a horror story. One of the elements she uses to convey the horror of her story in through the use of manipulation of the creature. Manipulation and the use of manipulation is a great detail that most glance over when looking in a horror story. Manipulation is a common tactic used by many people who want to get another person to commit an act they want them to do. This can turn the reader from seeing a very kind and sympathetic character into a not so great and conniving monster. Manipulation is observed in Mary Shelley’s Frankenstein, with Victor's creation. The creature uses manipulation to sway Victor’s

An archetype is a typical action, character, or situation that can serve as a model or basis. Many pieces of literature contain a variety of archetypes. It is not uncommon for a novel to have characters that do not specifically fit into one archetype. While analyzing the character archetypes in the novel, Frankenstein, by Mary Shelley, it was clear that many of the characters had multiple archetypes. Shelley uses different archetypes in the novel to thoroughly develop the characters.

Mary Shelley’s Frankenstein is used to show that people need companionship. She does this by showing how both the monster and Frankenstein are alienated by each other. Plot, imagery, and diction are used to get her point across.

Numerous research has concluded that several emotional bonds exist between humanity and nature that can impact everything from attitude to anxiety. Novels of the romanticism period, a significant literary era that encompassed most European works written in the early 1800’s, are most known for describing the impacts that nature has on people and implying that unexpected consequences can arise out of this relationship; Mary Shelley’s Frankenstein is a prime example of such a novel. The prime conflict of this 1818 science-fiction story occurs between the titular character, Victor Frankenstein, and a monster he creates through his own scientific innovations. Because of Victor’s abandonment of the monster, it becomes intent on destroying the scientist’s

In Mary Shelley’s iconic gothic novel, Frankenstein, Romantic themes are strongly represented in order to propagandize Romanticism over the elements of knowledge and the Enlightenment. In her novel, Shelley uses gothic nature settings to foreshadow dark events that are about to happen in the novel. She also uses nature to intensify the effect that is brought during significant scenes, a strong example being, when Victor Frankenstein’s monster approaches him after a long period of time. Nature and its use to influence mood is one of the most paramount themes of both Frankenstein and Romanticism.

In the book, Frankenstein by Mary Shelley, complex forms of imagery, tone-developing diction, and a variety of well-organized and composed themes are utilized to further envelop her story and engage readers. These writing techniques are very prominent in the section beginning on page 43, at the start of chapter 5, and ending on page 44, with “so miserably given life.”

heavily pursue knowledge and create his monster, clearly showing that the path that he embarked

The supernatural is one of the elements of Romanticism. It may not be one of the more major ones such as nature or emotions, but it is a relevant one in Shelley 's novel, Frankenstein. It is very difficult to discuss only one of the traces of the romantic movement in a novel as they are all interconnected. The supernatural, for example, is very hard to distinguish from nature as an element in some scenes in the novel as there is a very thin line differentiating all the elements from one another. Furthermore, supernature can also be related to Gothic literature, which makes it hard to identify the exact genre of the novel.

The classic novel Frankenstein, written by Mary Shelley in 1818, displays the use of literary devices, foreshadowing, allusions and figurative language, which aid the reader in understanding the authors opinion on scientific exploration. These techniques are used to arouse anticipation within the reader, therefore engaging them throughout the text. Along with providing a greater understanding of the novel, by referring to other books, and using the novel to portray the authors own perspective on scientific exploration. All these devices are effectively used within the novel to provide a deeper understandings of Mary Shelley’s work.

When writing any piece of fiction, an author 's choice of narrative voice has a huge impact on how readers experience the story. From the slightly less personal yet versatile third-person to the narrow, limited view of first-person, the narrative voice literally provides the voice of literature. It affects which characters the reader really connects with, the opinions that influence them, the knowledge they have, and numerous other aspects. While most authors stick with only one tense, Mary Shelley challenged that standard in Frankenstein. In Frankenstein, Shelley changes her narrative voice numerous times in order to fully develop all aspects of the story through Walton 's letters, Frankenstein 's story, the Monster 's story, and also the

The Romantic Movement started in Germany and then it moved all around the world and became well known in England. It was a reaction to the Enlightenment and the focus on the human reason. It was a reaction towards the Industrial Revolution and Neo Classical Movement as well.

The novel Frankenstein has a unique way of expressing how the setting functions as a whole. Mary Shelley used an early 1800s setting in Switzerland and London to show how Victor made it through this extraordinary adventure. There were multiple themes that affected how the setting functioned in the novel. Nature, weather, and season all affect the mood of the characters. These things all have a great impact on the setting of the book.

Frankenstein, written by Mary Shelley in 1818, is recognized as the most famous literary romantic and gothic novel that uses various types of languages and themes to convey a message to readers. Frankenstein is best known for the defying laws of nature in which Victor Frankenstein reanimates life with his knowledge of science. The novel denotes darkness which could originate from Shelley’s many experiences with deaths or the influences of the Romanticism period that Shelley lived in. The creation of Frankenstein was established in 1818 with three other Romantic authors who challenged themselves to write a horror story. Frankenstein was created on Shelley’s determination to come up with the most terrifying story, and a dream about a scientist

Mary Shelley the author of the book Frankenstein completed the book in April/May 1817. The novel frankenstein has many gothic features in it to make you look at it in a different way. The supernatural and gloomy feeling you get from frankenstein is a way that Mary uses a gothic theme in her book to show mysteriousness in different ways.

In the narrative, Mary Shelley carefully introduces various aspects of the tradition of Romantic literature and thus, the novel can also be understood as a mirror to the society of that era. Few of the Romantic thoughts evident in Frankenstein are, the idea of individualism, yearning for a utopic state, nostalgic remembrance, the symbolic use of nature and most evidently, the presence of gothic elements that showcase intense emotions and horror. Furthermore, Shelley uses the voice of three different narrators-Walton, Victor and The Monster, to engage the audience and make them understand all the three viewpoints. Through the epistolary and framed narrative, she also continues to establish new themes as the novel proceeds. The skilful use of literary devices such as allusions, monologues, imagery and metaphors helps to dramatize the text and create an impact on the readers’ mind. Additionally, two of the most impressive aspects in Frankenstein are the foreshadowing of events and the adverse use of intertextuality. Shelley by using words such as ‘fate’ and ‘omen’ sets up the course of the book in an intriguing manner. Notably though, events such as Victor referring to his genius as “the fatal impulse that lead to my ruin” (24) establishes a firm ground for foreshadowing and prepares the reader for what evil is yet to come. As previously