However, the fact Dora tries to “control the surge of joy… (2)” when Calvin seems to get a heart attack indicates that she has never been comfortable being with him. Readers can presume her tired of caring about him too much, as the text says that he burdens her with chores. Secondly, Mary commits homicide in a fit of despair, but Dora intentionally does not inform Calvin of danger of being eaten. After killing Patrick, Mary is in shock until the noise brings her back to herself. She murders him on an impulse.
Shakespeare further portrays men to be the instigators of betrayal, as Hamlet forgets that he ever loved Ophelia. Through, being overcome with intense hatred and anger at his mother, Hamlet denies ever having loved Ophelia, and orders her “to a nunnery”. It is Hamlet who instigates such betrayal, as he previously says “My fair Ophelia- Nymph” through “Nymph” Hamlet is describing Ophelia as a beautiful maid, thus highlighting his love for her. Yet, his attitude thereafter is considerably callous, as he continually questions Ophelia on her “honesty”. The continual questioning reflects that of a grueling and in part contributes to Ophelia’s later madness.
Like above, Juliet is clearly unsatisfied by the undertakings of her parents, as a result of the feud. Although, this time she sees the fear in defying her fate, but disregarded it. “That is renowned for faith? Be fickle, Fortune.” (3.5.62). She then calls fortune, the undertakings of the feud, fickle and vows to oppose it.
He desires a normal life with Stella, without Blanche in the picture. As told in A Streetcar Named Desire--Psychoanalytic Perspectives, “After exposing all of Blanches shameful secrets and destroying her plans to marry Mitch, Stanley completes her violation and subjugation by raping her, which drives her to insanity” (A Streetcar Named Desire--Psychoanalytic Perspectives, Silvio). Stanley desires a normal life without Blanche so bad, that he completely broke her to get it. Stanley also wants to be desired. When he is questioned by Blanche in front of his friends he throws a fit, in a way that could be interpreted into showing off for his friends.
This behavior of her desires also shows how she is living in an illusion trying to recreate her relationship with her husband. However, this is not possible since the illusion she is trying to create is in the past and cannot be remade. Where she tries to repeat the illusion, which eventually leads her to a destructive path. Consequently, Blanche’s overwhelming desire causes the loss of her relationship with Mitch and the only escape she had out of this illusionary world. Where she is unable to escape her illusions and now truly believes in it.Mitch rejects Blanche because of how Stanley told him about her past.
However, when a women is looked at just as herself and not as a rich man’s daughter she is not seen a colleague to men but as an object that is to be pitied. Another example where setting comes into play is the mood created when Mabel tries to kiss Dr. Ferguson after he rescues her. He doesn’t want to kiss her. It takes everything he has just to look at her, but at the same time he can not turn away and escape the look in her eye (Lawrence 463). This creates a sympathetic mood because Dr. Ferguson feels bad for Maybel who has just become poor and attempted to kill herself.
Iago has no proof that desdemona is cheating but because of his persuasive words and honest reputation othello believes him. Iago starts to mess with othello 's thoughts. Soon othello starts thinking and eventually planning his wife 's murder.Othello says to desdemona while trying to strangle her, Out, strumpet weep’st thou for him to my face...it is too late (Shakespeare 5.276-83). Othello is telling desdemona it 's too late to apologize for her cheating, no amount of tears will fix what she did. Othello has no evidence for believing desdemona slept with cassio.
As for Antigone she became anger with her sister, Ismene, when she refused to help her bury their brother. Over all they are prideful individuals who withhold their stubbornness. For example when Oedipus, was not willing to yield to Liaus where the three rode 's meet and instead he decided to kill him for it and Antigone although it was the law that forbade her from burring her brother she decided to disobey and follow what was right to her. The also performed over the top self-harm; if they were not so dramatic they could of prevent their own deaths and the others around
Curley turns his wife’s death into a situation with himself as the center of attention: ‘...“I’ll kill the big son-of-a-b*tch myself. I’ll shoot ‘im in the guts”...’(95) His reaction is disrespectful towards his wife, as he immediately seeks revenge, perhaps with his pride at best interest, judging from his constant use of the personal pronoun ‘I’. This shows that Curley does not respect or value his wife as anything other than an asset to his social status. She is merely an object in his eyes. In summary, John Steinbeck in Of Mice and Men explores how socially weak men disrespect women using multiple forms of dialogue with the characters either directly speaking to Curley’s wife, or speaking about her behind her back.